黑格尔的

True, we sometimes presuppose more logic than you're likely to come across on the omnibus to Clapham. But I'm told that an intelligent reading of Heidegger requires knowing more about Kant, Hegel and the Pre-Socratics than I, for one, am eager to learn.

不错，我们有时会要求我们的读者比一般人更多地掌握一点儿逻辑，但我也听说要读懂海德格尔，需要对康德、黑格尔和前苏格拉底哲学家有相当多的了解，至少比像我这样的人所希望了解的要多才行。

As far as the approach of studying history is concerned, the objects to the two Rinds of extreme tendencies of the comtism and the Materialism when controulted with historical materials and concepts.

主张黑格尔主义与孔德主义相结合的历史进化论，认为黑格尔主义所认识的历史进化为非周期的循环，而孔德主义为直线进化论，因历史发展既有直线又有曲折，所以只有两相结合，才能全面认识历史的发展进程。

There were already many dissertations about the metaphysics in Hegelianism in philosophical circles, but these dissertations affirmed the metaphysics in Hegelianism in the proper sense of metaphysics which means sense of philosophy taking up-experience things as object of study.

关于黑格尔哲学的形而上学，哲学史界已有许多论述，但这些论述都是在形而上学的本来意义即以超经验的事物为对象的哲学的意义上肯定黑格尔哲学的形而上学的性质。

Eros and Civilization indicated a significant transition in the development of Marcuse's thinking, i.e.

他继承了黑格尔、海德格尔、弗洛伊德等思想家的哲学和理论中的人道主义因素，并把它们充实到马克思本人的学说中。

Before writing'The Thesis for the Doctorate', Marx completed the turning towards Hegelian philosophy. From the beginning, he took a regardful and critical attitude to Hegel.

早在博士论文的写作之前，马克思完成了向黑格尔哲学的转向，然而他从一开始就对黑格尔采取了既崇敬又批判的态度。

And, perhaps it is only today, in global capitalism in its "postindustrial", digitalized form, that, to put it in Hegelian terms, really existing capitalism is reaching the level of its notion: perhaps, one should follow again Marx\'s old, antievolutionist motto (incidentally taken verbatim from Hegel) that the anatomy of man provides the key for the anatomy of the monkey-that is, in order to deploy the inherent, notional structure of a social formation, one must start with its most developed form.

今天，全球资本主义已到了&后工业化&和数字化时代，用黑格尔的话来说，现实资本主义已经到了&观念&的阶段，因此，我们也许可以再次回到马克思那句与进化论反其道而行之的名言（这句话的发明人其实还是黑格尔）：解剖一个人为解剖一只猴提供了钥匙，这就是说，如欲探求一种社会形态的纯观念式的内在结构，必须从其高度发展的形态入手。

It's the characteristic.The article analysis this difference and try to find the profound intension of the man and his condition which was explained from the point view of hegel's spirit in order to make clear of the clue in mordern philosoph.

本文试图挖掘黑格尔精神视野下的人以及人的生活境遇的深刻内涵，分析黑格尔哲学中人的思想与现代哲学家们的人的思想的异同，以从一个角度理清从近代哲学到现代哲学的线索。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

Marx sublated the idealist and negative dialectics of Hegel, critically absorbed reasonable factor of Hegels dialectics and organically combined materialism with dialectics, which caused possibly to creat Neo-materialism. Marx established the concept of scientific practice.

马克思对黑格尔唯心主义否定辩证法的扬弃，批判吸收了黑格尔辩证法的合理因素，把唯物论与辩证法有机结合起来，这就使创立新唯物主义哲学成为可能。

In fact,the identical thought is subjective idealism and positivism itapproves the social reality indeed.

阿多诺认为，同一性思维是主观唯心主义的，它的精髓是否定的否定等于肯定；本质上，它是对现实加以肯定的实证主义；在这个意义上，黑格尔、胡塞尔、海德格尔等人都是同一性思维的受害者。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。