黑客帝国

Also, the article makes language and philosophical analysis of "The Matrix Reloaded".

并以美国后现代主义商业电影的代表作《黑客帝国》系列进行了语言和哲学分析。

And then there is the worry that all these systems will one day gang up on their creators, as in "The Matrix".

于是有了这样的美腿丝图R男孩野玫瑰d担心：所有这些系统有一天会像《黑客帝国》里描述的那样，合伙造创建者的反。

The duels in Fearless are ably coordinated by Yuen Wo-ping, the master behind the Matrix films.

霍元甲》中的打斗场面全都经过袁和平的精心指导。《黑客帝国》的动作设计就出自这位大势之手。

I. Monads and the Matrix

6楼 I。黑客帝国和单子

When we talke about the strange life, this is art itself; We crossed the sharp condition from old memory to theMatrix; We play the international bass with our audio; We are calmly undertaken the politics into our mind even bone and blood; We open the cap, tear the plastic bag and turn the PLAY button; We hands up and open the window of world.

我们谈论诡异的生活，这就是艺术的本源；我们怀着昨日的老旧跨过新锐的火盆进入明天的黑客帝国；我们竖起高音喇叭播放International化的重低音；我们从容面对政治成为强加的妆容渗透入骨；我们打开瓶盖撕开塑封口袋摁下PLAY键；我们一个举手推开世界之窗一个投足五天揽月。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。