黑人身份

Due to her black and woman identity, the novel is deeply grounded in Afro-American culture and womanist experience and feeling.

由于莫里森的黑人以及女性身份，小说深深植根于非裔文化传统和女性体验及经历。

Like any other anamorphosis of language, the black people English is a symbol of an ethnical group and its social culture.

黑人英语与其他变体一样是一个民族身份的象征，是一个民族社会文化的象征。

This thesis takes the strenuous search for cultural identity of the Dead family in Song of Solomon as the main line, embarks on the cultural identity of blacks in different periods, connects the pursuit of identity with their history in American society, outlines a vivid historical picture of blacks from the evolution of their identity (from the enslaved black to the emancipated freedman, to the northern migrator and then the youth born in the north), further explores the efforts made by the blacks on their way to seek their national outlets and build their cultural identity in different periods, points out the advantage and disadvantage of their choice, and finally draws to the conclusion that African American should not abandon their national tradition but at the same time they must stand on American society and find a sound integrity of the two cultures.

本论文以托妮·莫里森的第三部小说《所罗门之歌》中戴德家族寻求文化身份认同的艰难历程为主线，以黑人在不同的历史时期的文化身份的选择为切入点，把黑人对身份的探寻与他们在美国社会中的历史文化联系在一起。从黑人身份的演变(从奴隶到被解放的自由人到北方移民者到出生在北方的新一代黑人青年)勾勒出一幅美国黑人百年历史的生动画面，分析在不同时期黑人为寻求民族出路和构建文化身份时所做出的艰苦卓绝地努力和探索。同时也指出了他们所选择道路的利与弊。最后的结论是：在寻求种族出路时既要立足美国现实又不能抛弃种族传统，而应该努力找到二者的最佳结合点。

1St Week: A general introduction to the nature and contents of the course; an investigation of students' acquired knowledge of literature in general; a brief introduction to African-American literature 2nd and 3rd Weeks: Rediscovering an Invisible Culture (Why Black culture had been unknown and unobserved for several decades; how it came to be rediscovered ) 4th to 6th Weeks: Double Consciousness (the marginal perspective in Language, Oral Culture, Folklore and Religion); Reading representative works by three Black writers of racial consciousness: Douglass, Washington and Bu Bois 7th to 9th Weeks: Minstrelsy (Imitation, Parody and Travesty in Black-White interaction rituals 1830--1920); Reading the novel about the Black life: Uncle Tom's Cabin 10th to 12th Weeks: Social Mobility and Cultural Stigma: The case of Chicago Jazz 1920--1930; Reading poems by Hughes and novels by Wright 13th to 15th Weeks: Oral Tradition and the Quest for Literacy: The crisis of Black writers from Philips Wheatley to Ralph Ellison; Reading the masterpiece of Ellison 16th to 18th Weeks: Contemporary Afro-American Culture: the sixties and seventies (efforts on reconstructing the Black identiy and Black history); Reading novels by Morrison

第1周：介绍课程性质、内容，了解学生相关文学背景，简要概括黑人文学历史第2-3周：再现黑人文化（黑人文化长期被掩盖的事实和原因，重新被发现的原因和过程）第4-6周：双重意识（语言、吟唱文学、民俗民谣、宗教的边缘化），阅读黑人种族意识三代伟大启蒙家道格拉斯、华盛顿、杜波伊斯的代表作第7-9周：吟游文学（黑人与白人的文化互动过程中的模仿、戏仿、曲仿），阅读第一部反映黑人生活的小说《汤姆叔叔的小屋》第10-12周：社会动荡与文化耻辱（芝加哥爵士乐的兴起、流行和影响），阅读休斯和赖特的代表作第13-15周：口头文学传统与争取教育权利的斗争（从惠特利到埃里森的黑人作家危机），阅读拉尔夫·埃里森的代表作第16-18周：六、七十年代以来的美国黑人文化（重建身份和重建历史的努力），阅读莫里森的代表作每位参加该课程学习的学生均须严格出勤，按时完成学读任务，每学期主持两次小型（10分钟）学术报告，第一次针对老师推荐的作家作品做一个专题报告，第二次针对自己的学期研究计划做一个选题前瞻性和可行性报告。

Neither do they desire to"Africanize America"nor do they want to"bleach their souls"and be assimilated into the white American culture and thus lose their African heritages.

黑人文化身份是美国黑人建构个人身份的基础，是他们民族自豪感的源泉，是他们争取种族平等的基石。

This thesis is an analysis of Morrisons three well-claimed novels: The Bluest Eye, Sula and Beloved, from the point of view of feminist criticism and black feminist criticism.

本文从女权主义及黑人女权主义批评的视角出发，探讨了莫里森的三部小说：《最蓝的眼睛》、《秀拉》和《宠儿》中黑人女性自我身份的确立、黑人女性在黑人文化传承方面的意义及黑人母女关系的特殊性等问题。

However, Dust Tracks on a Road by Hurston, a rediscovered preeminent black women writer, has challenged and broken the conventional paradigm and narrative modes of black women autobiography. In the text, Hurston constructs her "ideal self" and conceals her "real self" by unfixing her racial identify and gender.

然而，近年来被美国文学界重新发掘的黑人女作家赫斯顿的自传《路上的尘埃痕》，却打破了黑人女性自传揭示群体性自我的传统，通过消解&我&的种族身份、女性身份而构建了&纯我&，而其现实生活中&真我&却被作者以迂回式叙事策略而遮掩了。

She depicted three kinds of Afro-American in her stories—thevictims, the resisters and marginalized man in marginalized culture, thereby shefigured these bran-new images of negroes and rebuilt the definition of the black'simage.The third part: The way to get back Afro-American's culture identity.

在莫里森的作品中，她刻画了三类人群：牺牲品、反抗者和&边缘文化群体中的边缘人的形象&，塑造了一批全新的黑人形象，试图对黑人进行新的身份界定。

Methods: This paper focused on the family chores in Their Eyes Were Watching God, analysis the status and identity issues of black women who were in racial oppression and gender oppression, and the race and gender issues in the Black groups of the U.S.

研究方法：本论文主要聚焦于《他们眼望上苍》中的家庭琐事，细致地分析黑人女性处在种族压迫和性别压迫下的&边缘之缘&的身份问题以及由身份问题反映出来的存在于美国黑人群体中的种族和性别问题。

Identifying Morrison as a deconstructionist in the western world and combining this with a large cultural and historical context, the dissertation argues that Morrison's fiction originates in an area both inside and outside of Western literary criticism, which entails the employment of deconstructionist theory with deference to African-American cultural paradigms.

这是一种不可或缺的文化身份，在美国黑人开放而持续进行的个人身份形成的过程中它是牢固的建构基础，它的重建将敦促白人重新思考他们应对&差异&的能力，重新审视他们与黑人在历史的长河中所形成的复杂关系。

For a big chunk of credit-card losses; the number of filings (and thus charge-off rates) would be rising again, whether

年美国个人破产法的一个改动使得破产登记急速下降，而后引起了信用卡大规模的亏损。

Eph. 4:23 And that you be renewed in the spirit of your mind

弗四23 而在你们心思的灵里得以更新