黑人的

Teicher summarized this view in a 1968 paper:"Although the burden of the Negro child is recognized as a heavy one, that of the Negro-White child is seen to be even heavier."

心理学家泰阙在1968年的论文中对此观点做出了总结：&虽然负担黑人儿童被认为是沉重的包袱，但抚养黑人与白人的混血儿却被认为是更加沉重的。&

The psychologist J.D. Teicher summarized this view in a 1968 paper:"Although the burden of the Negro child is recognized as a heavy one, that of the Negro-White child is seen to be even heavier."

心理学家泰阙在1968年的论文中对此观点做出了总结：&虽然负担黑人儿童被认为是沉重的包袱，但抚养黑人与白人的混血儿却被认为是更加沉重的。&

However, Dust Tracks on a Road by Hurston, a rediscovered preeminent black women writer, has challenged and broken the conventional paradigm and narrative modes of black women autobiography. In the text, Hurston constructs her "ideal self" and conceals her "real self" by unfixing her racial identify and gender.

然而，近年来被美国文学界重新发掘的黑人女作家赫斯顿的自传《路上的尘埃痕》，却打破了黑人女性自传揭示群体性自我的传统，通过消解&我&的种族身份、女性身份而构建了&纯我&，而其现实生活中&真我&却被作者以迂回式叙事策略而遮掩了。

That the holding citing the 14th Amendment perversely made redistricting that advantaged blacks subject to more rigorous scrutiny than redistricting advantaging other non-racial groups, though the impetus of the 14th was to provide for equal protection for blacks, and

最高法院表示本案应适用严密简裁的司法审查基准，&黑人会投票给黑人&是种族刻板印象，选出的代表更相信他们的主要义务是去代表那个团体而非全体选民，这和美国的民主是完全对立的。

Also providing momentum were the roots of jazz -- going back to the field hollers of slaves reaching each other across plantations; gospel songs and prayers connecting slavery here with Old Testament stories of deliverance of Jews from slavery; and the blues, the common language of jazz, echoing in Armstrong singing "What did I do to be so black and blue?"

爵士乐的前身也拥有这样的推动力，这得追溯到黑人奴隶们在农田相聚，他们唱着福音歌，为圣经故事中犹太人脱离奴隶制而做着祷告；还有蓝调，爵士的另一种表达形式，和阿姆斯壮唱的&我为何是一个黑人，为何这样忧郁&歌词相映成辉。

This survey of Gates critical theory starts from the notion of "signifying" language to "signifying texts" and to Gates mapping of parodying and intertextual relations with African American literary tradition.

本文结合黑人作家伊什梅尔里德的代表作《芒博琼博》，从&表意&的语言、&表意&的文本以及黑人文本间的&表意&与互文关系等对盖茨的理论进行梳理。

She was a leftist, and had been photographed picketing a Detroit hotel that had denied entry to Paul Robeson, a black singer and actor of international renown, who campaigned for civil rights and was openly sympathetic to communism.

她是一位左翼分子，曾有人拍摄到她在一间旅馆前抗议的照片，这间禁止享誉国际的黑人歌手兼演员的保罗·罗伯逊入内，而这位黑人歌手却是为民权而战斗并公开表示支持共产主义的人。

Though black feminism has roots that extend back at least into the nineteenth century, the current resurgence of black feminist criticism stems in part from the failure of the civil rights movement of the 1960s and the feminist movement of the 1970s to address the concerns of black women.

尽管黑人女性主义的渊源至少可以追溯到19世纪，但是当前黑人女性主义批评的复苏，某种程度上说来源于关乎妇女利益的20世纪60年代的民权运动和70年代的女权运动。

The novel 《Song of Solomon》,whose author is good at using black people' folklore and legend to romance the production, making the novel with mystery color, it made the antique legend " black people can fly" act as a down-lead, made the realistic and myth melt together, put up more great national cultural color.

作者擅长用黑人民间传说和童话来渲染作品，《所罗门之歌》用&黑人会飞&的古老传说作为全书的引线，使作者要阐述的现实和神话融合在一起，表现出极为浓郁的民族色彩。

McDowell's own proposed definition (which answered "yes" to this question) was later praised by Hazel Carby for its call to study works in their historical context, but criticized for its suggestion that work by black women not written from a feminist perspective might be considered black feminist criticism.

迈克多尔本人所提供的定义（她对上述问题的回答是&能&）后来得到黑兹尔·卡比的称赞，因为它号召在历史语境中去研究作品。但是卡比也对这个定义提出了批评，因为它暗示说由黑人妇女所写的作品可以看作是黑人女性主义批评，而不是强调要从一个女性主义角度去写。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。