黎明的

Westcott—creator of the Golden Dawn—translated and printed Levi's secret manuscript.

这终于公布了1896年当博士westcott创世的金色黎明--翻译和印刷利维的秘密手稿。

These are Westcott's actual notes, taken directly from the cyphers, that he, not MacGregor Mathers, used to develop the Golden Dawn's Outer Order rituals.

这些都是Westcott的实际债券，采取直接从cyphers，他不是觉马达、金色黎明用来发展的外部命令礼仪。

It's a fitting symbol for the city's nocturnal nature, which often culminates in summer with a bleary-eyed rush hour just before dawn.

这是这个城市夜里自然很贴切的象征，在夏季黎明前会达到她的高峰时间。

And shall it be said that my eve ws in truth my dawn?

难道我的黄昏实际上是我的黎明？

Unlike true dawn, though, there's no rosy color to the zodiacal light.

然而不同于真正的黎明，黄道光并没有那种蔷薇色的光。

Vishnu, above, floats on the Cosmic Ocean on the coils of the snake named Ananta before the dawn of creation.

毗湿奴，上面浮黎明创作的阿南塔在宇宙海洋名为线圈蛇的。

After nearly two decades of teaching at the Menninger Clinic in Kansas and at the Universities of Notre Dame, Yale and Harvard, he left to share his life with mentally handicapped people at the L'Arche community of Daybreak in Toronto, Canada.

卢云曾分别在堪萨斯的门宁各诊所以及圣母院大学，耶鲁大学和哈佛大学任教近二十年，此后前往位于加拿大多伦多的&方舟黎明之家&（the L'Arche community of Daybreak），与智障人士一起生活。

Dawn at Chunga Cemetery, Lusaka, where Sevelino Banda is one of the 126 gravediggers who bury around 50 people every day, many of them killed by AIDS.

卢萨卡春噶坟墓的黎明，Sevelino Banda 是126个掘墓人中的一个，他们平均每天要掩埋50个人，多数是死于艾滋病。

His goldenhair,stately manner and air all combined to make him the admiration of the world.

一位名叫克里提的美丽少女迷恋于他的英俊潇洒，跪在地上，从黎明到黄昏，双手伸向太阳神。

His goldenhair,stately manner and air all combined to make him the admiration of the world.

一位名叫克裏提的美丽少女迷恋于他的英俊潇洒，跪在地上，从黎明到黄昏，双手伸向太阳神。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。