高音谱号

Three clefs are in common use, the treble or G clef, the bass or F clef and the C clef that may be on any line, but is most often used as an alto clef on the middle line of the staff, or as a tenor clef on the second line from the top.

常用的有三种谱号，高音谱号，低音谱号和C谱号，这三种谱号可以出现在任一线上，但最常见的是，中音谱号位于五线谱中加的那条线，高音谱号位于上数第二条线。

In piano music the upper staff usually has a treble clef and the lower a bass clef, the former usually for the right hand and the latter for the left in music for the piano, or for similar instruments.

在钢琴作品中，上面的五线谱通常标有高音谱号，下面的五线谱标有低音谱号，在钢琴作品或类似乐器作品中，前者通常为右手弹奏，后者为左手弹奏。

At the cinema on Saturdays, sneaked in free by his usher-brothers, he would watch sad-eyed Bogart in his raincoat, wreathed in smoke; John Wayne squinting into the sun from under the brim of his stetson, lighting up; Montgomery Clift getting the girl while the plume of his cigarette described a perfect treble clef.

每个星期六，在电影院，他通过当引座员的兄弟们免费溜进去，他看着穿着雨衣，带着忧伤的眼光，吐着烟圈的博加特；点燃一支烟，从斯泰森毡帽檐下斜视着太阳的约翰？韦恩；在一缕香烟描述完美的高音谱号时，追女孩子的蒙哥马利？

The modern treble clef or G clef, derived in shape from the letter G, is used for the higher registers, drawn on the staff at the beginning of a line of musical notation, starting on the second line from the bottom.

现代的高音谱号，外形取自字母G，用于表示高音，位于谱表五线谱开头，开始于下数第二条线。

One more think I have to say is that besides audio,"chinked-out" also has visual impressions. For instance clothing, the dragon symbol (pointing at the necklace he wore with a dragon treble clef pendant), etc. Speaking in terms of composing, it's a rather long road, one that I've always had in my heart, a mission.

还有一点我要说的是"chinked-out"除了听觉之外、还有视觉上的直观印象，比如说服装、还有龙的符号(手指着颈上佩带的龙加高音谱号的饰品)等等，单纯就创作来讲也是一条很长远的路，是我一直放在心上、心系念之的使命。

Soprano voice; soprano sax; the boy still had a fine treble voice; the treble clef.

高音；高音萨克斯管；这个男孩仍旧有极好的高音；高音谱号。

A grand staff is a combination of both the treble and bass clefs connected by a vertical line on the left side of the staves.

大谱表是高音谱号和低音谱号的结合，谱左边的一条竖线链接着这两个五线谱。 staves 是 staff 的复数

At the cinema on Saturdays, sneaked in free by his usher-brothers, he would watch sad-eyed Bogart in his raincoat, wreathed in smoke; John Wayne squinting into the sun from under the brim of his stetson, lighting up; Montgomery Clift getting the girl while the plume of his cigarette described a perfect treble clef.

每个星期六，在电影院，他通过当引座员的兄弟们免费溜进去，他看着穿着雨衣，带着忧伤的眼光，吐着烟圈的博加特；点燃一支烟，从斯泰森毡帽檐下斜视着太阳的约翰·韦恩；在一缕香烟描述完美的高音谱号时，追女孩子的蒙哥马利·克里夫。

At the cinema on Saturdays, sneaked in free by his usher-brothers, he would watch sad-eyed Bogart in his raincoat, wreathed in smoke; John Wayne squinting into the sun from under the brim of his stetson, lighting up; Montgomery Clift getting the girl while the plume of his cigarette described a perfect treble clef.

他会看到荧幕上的鲍嘉⑦披着雨衣在那儿吞云吐雾；太阳底下的约翰？韦恩⑧则戴着牛仔帽，眼睛随那帽檐眯成一线，随后他沧桑地点上一支烟；当蒙哥马利？克里夫特⑨手上的烟卷散出缕缕青烟，氤氲成一道完美的高音谱号⑩时，女孩便被忧郁的他完全降服了。

At the cinema on Saturdays, sneaked in free by his usher-brothers, he would watch sad-eyed Bogart in his raincoat, wreathed in smoke; John Wayne squinting into the sun from under the brim of his stetson, lighting up; Montgomery Clift getting the girl while the plume of his cigarette described a perfect treble clef.

每逢礼拜六，在电影院里跑腿的兄弟们会偷偷带他进去欣赏免费电影。他会看到荧幕上的鲍嘉⑦披着雨衣在那儿吞云吐雾；太阳底下的约翰·韦恩⑧则戴着牛仔帽，眼睛随那帽檐眯成一线，随后他沧桑地点上一支烟；当蒙哥马利·克里夫特⑨手上的烟卷散出缕缕青烟，氤氲成一道完美的高音谱号⑩时，女孩便被忧郁的他完全降服了。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。