骇人的东西

To all appearance, he seemed to be occupied in the constant contemplation of something terrible.

看他那神气，仿佛随时在留心瞧着一种骇人的东西。

To tear it from the torch, to replace it by the barrel of powder, to thrust the pile of stones under the barrel, which was instantly staved in, with a sort of horrible obedience,--all this had cost Marius but the time necessary to stoop and rise again; and now all, National Guards, Municipal Guards, officers, soldiers, huddled at the other extremity of the barricade, gazed stupidly at him, as he stood with his foot on the stones, his torch in his hand, his haughty face illuminated by a fatal resolution, drooping the flame of the torch towards that redoubtable pile where they could make out the broken barrel of powder, and giving vent to that startling cry:--"Be off with you, or I'll blow up the barricade!"

这时，在街垒那头挤作一团的国民自卫军、保安警察、军官、士兵，全都骇然望着马吕斯，只见他一只脚踏在石块上，手握着火炬，豪壮的面庞在火光中显出一种表示必死之心的坚定意志，把火炬的烈焰伸向那通了底的火药桶旁边的一大堆可怕的东西，并发出这一骇人的叫嚷：&你们滚开，要不我就炸掉这街垒！&

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。