骇人的

There is no better evidence of this than the election of an African-American to the presidency of the United States.

今天的美国已经是一个完全不同的世界了，骇人的残忍和可怕的偏执一去不复返了。

America today is a world away from the cruel andfrightful bigotry of that time.

今天的美国已经是一个完全不同的世界了，骇人的残忍和可怕的偏执一去不复返了。

America today is a world away fromthe cruel and frightful bigotry of that time.

今天的美国已经是一个完全不同的世界了，骇人的残忍和可怕的偏执一去不复返了。

As in any good Gothic horror story, this ominous world hides terrible secrets.

就像所有好看的歌特式恐怖故事，这个不祥的世界里有骇人的秘密。

What began with the Twilight Saga, the luridly romantic young-adult series by Stephenie Meyer, followed by "Twilight," the movie, has become a pandemic of unholy proportions.

作家史蒂芬妮梅尔笔下一系列的《暮光之城》，原来只是少女骇人的罗曼史，改编成电影《暮光之城：无惧的爱》之后却掀起一阵旋风。

He was barely able to spit out the tale of the cursed monstrosity responsible for his broken body as his life drifted away.

在勉强叙述完是什么样的怪物给他的身体留下这骇人的伤痕后他就死去了。

It was one of those moments when he was exercising without control, but subject to all the scruples of a severe conscience, his redoubtable discretionary power

这正是他独当一面、执行他那种骇人的专断大权的时候，他总是用那种硬心肠的苛刻态度来处理一切。

I lapped up every word about monstrous crimes, dreadful accidents and hideous butcheries committed in faraway wars.

每天我津津有味地读报上恐怖的犯罪案件，骇人的意外事故，以及发生在远方战场上的血腥屠杀，连一个字都不放过。

All this cavalry debouched on the plateau, and it was like the appearance of an earthquake.

一阵骇人的寂静过后，忽然一长列举起钢刀的胳膊在那顶点上出现了，只见铁盔、喇叭和旗帜，三千颗有灰色髭须的人头齐声喊道：&皇帝万岁！&

There ensued a most terrible silence; then, all at once, a long file of uplifted arms, brandishing sabres, appeared above the crest, and casques, trumpets, and standards, and three thousand heads with gray mustaches, shouting,"Vive l'Empereur!"

一阵骇人的寂静过后，忽然一长列举起钢刀的胳膊在那顶点上出现了，只见铁盔、喇叭和旗帜，三千颗有灰色髭须的人头齐声喊道：&皇帝万岁！&

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。