骇人的

To all appearance, he seemed to be occupied in the constant contemplation of something terrible.

看他那神气，仿佛随时在留心瞧着一种骇人的东西。

A beginning full of terror, in which is mingled a sort of formidable gayety.

开始时人们心中充满了惊恐，同时也搀杂着一种骇人的得意劲头。

These are brutal shock tactics.

这些是骇人的伎俩。

Embarrass, insult, shout down and mischaracterize Christians, hoping to intimidate them into silence.

尴尬，侮辱，大喊下来骇人的基督徒，希望能吓住他们噤若寒蝉。

And no dinosaur show would be complete without the terrifying Tyrannosaurus Rex.

若少了骇人的雷克斯暴龙，恐龙秀就做不起来了。

My equilibrium was slightly upset by the scenes the video-recorder in the waiting room were showing – ghastly traffic accidents in which cars drove off cliffs, crushed pedestrians, crashed into trees and upended cyclists, leaving trails of bloody corpses – but I was confident.

然而当在候考室里看到电视录像播放的汽车冲出峭壁，冲上人行道，撞上大树，撞倒骑自行车的人，看到那一起起骇人的交通事故和那些事故造成的一具具血淋淋的尸体，我原本平静的心情有些紧张，不过我仍信心十足。

In order to manifest himself, Walachia requires that a certain condition be met: The community in which he should appear must be circulating an increased amount of malignant information, such as urban tales, fright stories, unfounded assumptions and all manner of rapidly spreading but ultimately void rumours.

他存在的实体在他的固有结界，瓦拉齐亚之夜之内，能允许恐惧具现化为物理的存在为了显示他自己，瓦拉齐亚要求一定要遇上一个确定的条件：他应该出现的地方必须有一个关于恶意信息总数增加的循环，比如都市传说，骇人的故事，没有理由的假设并且很多人很快的传播但最终也只是一个空虚的传闻。

Terrible unjustice what you can do about it

遇到骇人的不公平事件，你会怎么做？

From the moment David Bentley scored an outrageous chip to Tottenham's last gasp fightback with two injury time goals, it was completely unmissable.

从本特利打进一个骇人的搓射到托特纳姆在伤停补时阶段展开了绝地大反击，扳回2球，这场比赛绝对不可错过。

The film is peopled with monstrosities.

电影通篇都是骇人的鬼怪。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。