骇

Twice he had experienced that terribly agonising feeling of the dread of death, of the end, and now he had ceased to understand it.

他两次体验过死亡，即终极的恐怖这一骇人而痛苦的感觉，但现在他已不明白这种感觉了。

His antihero Hannibal the Cannibal exploded into the public consciousness after Jonathan Demme's excellent movie version of Silence of the Lambs (1991) came out, with Anthony Hopkins brilliant creepy performance as Lecter. And, of course, fans and Hollywood have had an anxious 11 year wait for Harris to finally publish a sequel.

继1991年Jonathan Demme优秀的电影版《沉默的羔羊》后的11年间，Harris的粉丝和好莱坞的制片人苦等这部作品的姐妹作；这时，他的反派英雄，食人怪 Hannibal通过Anthony Hopkins对于Lecter 出色而骇人的演绎得以深入人心。

The titles alone appal.

但从其名头听来甚为骇人。

At that amazing apparition, he made at first no movement and no sound.

望着这个骇人的精灵，他开头并没有行动，也没有做声。

An lvalue is a variable on the left side of an assignment statement. Some Perl hackers may try to exploit this feature, but I recommend that you avoid this confusing style of programming.

左值就是赋值表达式中传递给等号左边的值）也许一些perl骇客们会努力开发这种特性，但我建议你不要使用这种令人迷惑的编程方式。

I just got astonish with what I read in some of the statement about this phenomenon.

我刚刚骇跟我看过的一些声明中有关这一现象。

To all appearance, he seemed to be occupied in the constant contemplation of something terrible.

看他那神气，仿佛随时在留心瞧着一种骇人的东西。

America today is a world away from the cruel andfrightful bigotry of that time.

今天的美国已经是一个完全不同的世界了，骇人的残忍和可怕的偏执一去不复返了。

America today is a world away fromthe cruel and frightful bigotry of that time.

今天的美国已经是一个完全不同的世界了，骇人的残忍和可怕的偏执一去不复返了。

Calmly and coherently, he gave a bloodcurdling account of how he had practised witchcraft in the jungles of India and Burma.

一句一句的讲他在印度和缅甸山林里练术的骇人经历。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。