骇

The windows were so high up that one could not look outside, and the sole ornament was a set of rules threatening dire penalties to any casual who misconducted himself.

窗户高高在上，没有人能看到外面的情况，要说有什么装饰物，那就是墙上挂着的一整套条例或制度之类，内容无非是些骇人的、针对行为不当的无业游民的惩治措施。

The film is peopled with monstrosities.

电影通篇都是骇人的鬼怪。

Then, the barricades having been built, the posts assigned, the guns loaded, the sentinels stationed, they waited, alone in those redoubtable streets through which no one passed any longer, surrounded by those dumb houses which seemed dead and in which no human movement palpitated, enveloped in the deepening shades of twilight which was drawing on, in the midst of that silence through which something could be felt advancing, and which had about it something tragic and terrifying, isolated, armed, determined, and tranquil.

后来街垒建成了，各人的岗位都指定了，枪弹进了膛，哨兵上了岗，行人已绝迹，四周房屋全是静悄悄的，死了似的，绝无一点人的声息，暮色开始加深，逐渐进入黑夜，他们孤孤单单地留在这种触目惊心的街巷中，黑暗和死寂的环境中，感到自己已和外面隔绝，向着他们逼来的是种说不出有多悲惨和骇人的事物，他们紧握手中武器，坚定，安闲，等待着。

Thus he shut himself up, he lived there, he was absolutely satisfied with it, leaving on one side the prodigious questions which attract and terrify, the fathomless perspectives of abstraction, the precipices of metaphysics--all those profundities which converge, for the apostle in God, for the atheist in nothingness; destiny, good and evil, the way of being against being, the conscience of man, the thoughtful somnambulism of the animal, the transformation in death, the recapitulation of existences which the tomb contains, the incomprehensible grafting of successive loves on the persistent _I_, the essence, the substance, the Nile, and the Ens, the soul, nature, liberty, necessity; perpendicular problems, sinister obscurities, where lean the gigantic archangels of the human mind; formidable abysses, which Lucretius, Manou, Saint Paul, Dante, contemplate with eyes flashing lightning, which seems by its steady gaze on the infinite to cause stars to blaze forth there.

他自己便隐藏在那里，生活在那里，绝对心满意足，不理睬那些诱人而又骇人的重大问题，如抽象理论的无可揣摹的远景以及形而上学的探渊，所有那些针对同一问题的玄妙理论他都抛在一边，留给上帝的信徒和否定上帝的虚无论者去处理，这些玄论有命运、善恶、生物和生物间的斗争、动物的半睡眠半思想状态、死后的转化、坟墓中的生命总结、宿世的恩情对今生的&我&的那种不可理解的纠缠、元精、实质、色空、灵魂、本性、自由、必然，还有代表人类智慧的巨神们所探索的那些穷高极深的问题，还有卢克莱修①、摩奴②、圣保罗和但丁曾以炬火似的目光，凝神仰望那仿佛能使群星跃出的浩阔天空。

But because most proxies cost nothing to install and operate, this is the favorite of students and hackers in China.

但是由于大多数代理服务器是免费的，所以这种方法成为中国学生及骇客的最爱。

America's new budget, which simply punted on the medium term, was a shocking failure in that regard.

美国的新预算仅谈及中期，从这方面讲是个骇人的失败。

Jesse Vincent, the guy who's brought out some of the best hacker t-shirts ever put it succinctly:"Web 2.0 is digital sharecropping."

Jesse Vincent——他搞出一些史上最好的骇客T恤一语道破：&Web 2.0就是数字化的佃农租种地主的土地。&

One dark night two guys were walking home after a party and decided to take a shortcut through the cemetery. When they got to about the middle of the graveyard they were startled and stopped moving. There was this terrifying noise,"TAP-TAP-TAP" coming from the shadows. Trembling with fear, they spotted an old man with a hammer and chisel, chipping away at one of the headstones."Holy cow, Mister," one of them said after catching his breath."You SCARED us half to death. We thought you were a GHOST! What are you doing working here so late at night?"

一个漆黑的黑夜，两个小伙子到场完聚首，决议抄近路穿行一片坟地走回家走到坟地的中间，从阴晦处传出来可骇的&嗒、嗒、嗒&声音，吓患上她们再也走不动了浑身哆嗦着，她们发明有个老人正拿着鎯头和凿子凿一块墓碑&噢，主啊，&此中一个屏住呼吸说，&你吓死我们了，我们还以为你是鬼了这么晚了你在这干啥子呢？&

DARMSTADT, dpa — To combat hackers' ever-renewing methods of invasion, experts advise that Internet users always select tough-to-crack passwords and use different passwords for each Web site.

达姆施塔特，德通社—为了对抗骇客日新又新的入侵手法，电脑专家们建议网路用户尽量选择难以破解的密码，并在每个网站上使用不同的密码。

In 2003, while working on The Animatrix, Arias picked up Tekkon Kinkreet again.

在03年，还在做动画版骇客帝国的时候，Arias接过了这个项目。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。