马库塞

Preface: The origin of aesthetic ideas of Schiler and Marcuse in history.

前言部分：席勒、马尔库塞审美乌托邦思想的历史由来。

In this article, we should analyze the relations and differences of the two human theories and make an objective statement on Marcuse' thought.

分析二者内在的关联和差异，对马尔库塞的人学观进行客观评价，同时也进一步加深对马克思人学思想、乃至马克思整个思想的认识。

Marcuse realistic analysis of modern capitalism and certainly deserved approval, some of his ideas are positive for us to develop Marxism, however, he also has the typical ideological mistakes and limitations.

马尔库塞对现代资本主义现实的分析和批判值得肯定，他的一些思想对我们发展马克思主义有一定的积极作用，但是他的思想也有着其特有的缺陷和局限性。

We can say that the core and the final destination of Marcuse's humanistic thoughts is to achieve the liberation of human nature and a change from one dimensional man to two dimensional man .

马尔库塞一生主张人性至上，追求人的解放，他的人本哲学思想的核心和最终归宿就是要实现人性的解放，实现单向度的人向双向度的人的转变。

Reinforcing Marxism with the Metapsychology of Freud so as to criticize advanced capitalist society.

爱欲与文明》一书标志着马尔库塞思想发展的一个重大转变，即用弗洛伊德的元心理学（弗洛伊德对生命需要、心理力量和能量之间构成性相互影响的动态思考）来补充马克思的思想，借此批判发达资本主义社会。

Marcuse is the representative of the main left-wing Frankfurt School, One-Dimensionality advanced in contemporary industrial society-the totalitarian characteristics of his life is the essence of thinking.

中文摘要：马尔库塞是法兰克福学派左翼主要代表人物，单向度理论揭示了当代发达工业社会的极权主义特征，是其一生思想的精华所在。

By analyzing the phenomena of Alienation and Assimilation in modem Capitalist society, Marcuse pointed out its main characteristics neimensionality?to arouse man"s diniensionalities of denial,critique and transcendense. Thus, his unique theory, the theory of "One-Dimensionality came into being.

通过透视现代资本主义社会中人的异化、人与社会制度一体化，马尔库塞指出其中的单向度性，以此概括现代资本主义的主要特征，唤起人们内心中的否定性、批判性和超越性的向度，形成独特的思想体系——"单向度"理论。

But it also has extreme radicalism attitude and Utopian colour.

马尔库塞的艺术功能论在西方美学史上具有独特的价值和意义，但同时也存在着极端的激进主义态度和乌托邦色彩。

Was renowned in Rome as a statesman, lawyer, and writer, and he is remembered today for his skills as an orator and rhetorician.

马库斯·图留斯·西塞罗是古罗马著名的政治家、律师和作家。

Accepting the aesthetic thought of Kant and Schiller, and Heidegger\'s artistic truth view, Marcuse points out in sensibility and morals, i.e. during people\'s the two poles present," the aesthetic dimension " is occupying the status of centre, as the soul ability of person practicing, imagine strength having function mediated and liberated to perception and reason; Aesthetic form, self-containment and truth are identical, art not merely has a function of ideology, have political latent energy criticized , denied even more, it strives for the individual\'s freedom and happiness; Aestheticsis the people\'s life style, therefore has proposed the theory of "not constraining life style", it make up one\'s mind bad smell look at latitude of "remember" emphatically really.

接受康德和席勒的美学思想，以及海德格尔的艺术真理观，马尔库塞指出在感性和道德性，即人的存在的两极之间，"审美之维"占据着中心地位，作为实践的人的心灵能力，想像力对感性和理性有着调和与解放的功能；审美的形式、自律和真理是一致的，艺术不仅具有意识形态的功能，更具有批判、否定的政治潜能，它争取个体的自由与幸福；美学是人的生存方式，"非压抑性生存方式"理论的确立意味着重视"回忆"的纬度。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。