马克斯

A new maid was brought from London to replace Phoebe Marks about the person of my lady--a very showy damsel, who wore a black satin gown, and rose-coloured ribbons in her cap, and complained bitterly of the dulness of Audley Court.

从伦敦雇来一个新的侍女代替菲比·马克斯侍候爵士夫人——那是个浮华艳丽得过分的姑娘，穿一件黑色缎子枪子，帽子上缀一条玫瑰红的缎带，她尖刻地抱怨奥德利庄院府邸枯燥乏味。

We do not know what occurred at Stanford Financial Group, but one thing is indisputable: Sir Allen is a flashy egomaniac.

一个魅力四射的主导人物最终走向犯罪的明显例子是罗伯特·马克斯韦尔。

Max Scheler, the great philosopher, ethician, Catholic thinkerphenomenology second leading scholar, philosophy anthropology founder in German.

中文摘要马克斯·舍勒（Max Scheler 1874——1928）是20世纪初德国伟大的哲学家、价值伦理学家、现象学的第二泰斗、哲学人类学的创始人。

Max Scheler, the great philosopher, ethician, Catholic thinkerphenomenology second leading scholar, philosophy anthropology founder inGerman.

马克斯·舍勒(Max Scheler 1874——1928)，是德国伟大的哲学家、伦理学家、天主教思想家、现象学第二泰斗、哲学人类学的创始人。

Tracy Farnham | The News Herald Max McKee and Bertie Wehr of Arizona, left, look at tourism information with Rosemary Niewold, executive director of the Burke County Travel and Tourism Commission.

李翠farnham|新闻导报48-马克斯和伯蒂软膏亚利桑那，左边看看旅游信息与迷迭香niewold总裁的伯克县旅行和旅游委员会。

The film maker visits Lomax one year prior to his death.

这部电影的作者在离罗马克斯去世的一年之前访问了他。

American folklorist Alan Lomax suggested that "Shenandoah" was a sea-shanty and that its "composers" quite possibly were French-Canadian voyageurs.

美国民俗学者阿兰洛马克斯认为，"雪兰"是海简陋，它的"作曲家"很可能是法国和加拿大

American folklorist and musicologist.

洛马克斯，约翰·艾弗里：(8'7-948)美国民俗学者和音乐研究家。

Mark:马克: Exactly what I needed, gracias.

正是我需要的，格拉西亚斯。

Max: For example, he's "red- haired, blue-eyed and good-looking".

马克斯：比如，他是个"红发，蓝眼很好看的人"。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。