马克斯

Phoebe Marks caught my lady's hands in hers, and clasped them convulsively.

菲比·马克斯把爵士夫人的双手抓在她的手里，痉挛地紧握着它们。

She and Max fall in love, marry and return to Manderlay, his large country estate in Cornwall.

她和马克斯谈恋爱，结婚，并返回到曼德勒，他在康沃尔的大国遗产。

Max: I'm a cross-dressing homosexual pacifist with a spot on my lung.

马克斯：我是异装癖、同性恋，而且我还是一个有肺病的和平主义者。

Max: Im a cross-dressing homo***ual pacifist with a spot on my lung.

马克斯：我是异装癖、同性恋，而且我还是一个有肺病的和平主义者。

I called MAX a skunk.That raised his dander and he gave me this black eye.

我说马克斯卑鄙，这可惹怒了他，他就把我的眼睛打青了。

At last,Maggie told Max that she shouldn't have any problem making that decision.

最后，麦姬告诉马克斯她做出决定没有任何问题。

His mother told him once in dismay,Max, I am your mother.

一次他母亲很沮丧地告诉他：马克斯，我是你母亲。

This issue, based on the concepts of value rationality and instrumental rationality initiaed by Max Weber, analyzes the essentials of m odern society culture with references of the earliest fruits of the New Institut ional School. The author claims that the west culture, as the representation of modern society culture, does not necessarily disserve two sorts of rationality, while the hiding of generalized value rationality and the showing of the instrum ental rationality are combined to be the right esse...

从 马克斯·韦伯提出的价值合理性和目的工具合理性概念出发，结合制度经济学派研究的最新成果，分析了现代社会文化的实质，认为现代以西方为代表的文化并不具有割裂两种合理性的特质，相反普适性价值合理性隐藏与目的工具合理性的张扬的特殊统一方式构成现代社会文化的必然，所谓现代性危机是对此种隐藏的遗忘，并进而指出中国现代化进程中的真正文化危机是本土化的普适性价值合理性的缺位。

And mark this the construction that the arrival of Cms allows video to stand did not have technical doorsill.

而马克斯cms的到来让视频站的建设没了技术门槛。

The title changes for each location, the media artist Hiroko Tanahashi and dramaturge Max Schumacher will present the work with a different name, as well the video and the sound work, reflecting the architectural history or the social / economical situation of the building being examined.

肤所在》在每个表演场域都有不同的主题，随著表演场所的社经背景，编剧马克斯舒马歇和多媒体艺术家棚桥洋子则会发展出可以反映此建筑历史意义的新故事、录像和声音。这个多媒体表演计画的目标是将影像放入一个具有社会、经济或政治意义的建筑物中，发掘这些层面，并投射在作品上。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。