马克斯

OEcolampadius placed James, Jude, II Peter, II and III John in an inferior rank. Even a few Catholic scholars of the Renaissance type, notably Erasmus and Cajetan, had thrown some doubts on the canonicity of the above-mentioned Antilegomena. As to whole books, the Protestant doubts were the only ones the Fathers of Trent took cognizance of; there was not the slightest hesitation regarding the authority of any entire document. But the deuterocanonical parts gave the council some concern, viz., the last twelve verses of Mark, the passage about the Bloody Sweat in Luke, and the Pericope Adulter in John.

厄科兰帕迪乌斯置於詹姆斯，裘德，二彼得第一，第二和第三约翰在劣势的职级，甚至少数天主教学者的文艺复兴式，尤其是伊拉斯谟和cajetan ，投掷了一些疑虑，对正规的上面提到的antilegomena ，至於整个书籍，新教怀疑是唯一屹立父亲的遄了认识，有没有丝毫犹豫就管理局的任何整份文件，但该次经零件给安理会一些关注，即，过去十二个月的小诗马克，通过关於血腥汗水在路加，和pericope adulter在约翰。

Members: Steve Barber, Peter Barnes, Ilene Burnstein, Michael Davis, Amr El-Kadi, N. Ben Fairweather, Milton Fulghum, N. Jayaram, Tom Jewett, Mark Kanko, Ernie Kallman, Duncan Langford, Joyce Currie Little, Ed Mechler, Manuel J.

委员：史蒂夫修发，彼德班，Ilene伯恩斯坦，迈克尔戴维斯，穆萨萨尔瓦多，卡迪，注本费尔韦瑟，米尔顿Fulghum，注贾亚拉姆，汤姆朱伊特，马克观光，厄尼卡尔曼，邓肯朗福德，乔伊斯柯里小，埃德梅希勒，曼努埃尔J。

This article is a comparative study of Shakespeare's "Macbeth" and its three modern versions: Jarry's "Ubu Roi", Ionesco's "Macbeth" and Marowitz's "Macbeth".

本文将莎士比亚的悲剧《麦克白斯》与它的三个现代翻版(雅里的《乌布王》、尤奈斯库的《马克白》和马洛维茨的《麦克白斯》)作了比较研究。

Enter King Duncan, Malcolm, Donaldbain, Banquo, Lennox, Macduff, Ross, Angus, Attendants and Lady Macbeth

入场：丹肯，马克穆，纳德本，班克，尼诺斯，麦克达夫，罗斯，安格斯，仆人和麦克白夫人。

For small orchestra by Maximilian Steinberg , and was subsequently performed by conductors such as Darius Milhaud and Serge Koussevitsky , and recorded by both Felix Prohaska and Eugene Ormandy .

由马克西米利安斯坦伯格小乐队，并随后得到执行，如指挥大流士米尧和塞尔Koussevitsky，并由费利克斯普罗哈斯卡和尤金奥曼迪记录。

The show-stopping stars of Glee – Cory Monteith, 27; Matthew Morrison, 31; and Mark Salling, 27 – also hit the Vegas strip for their sexy shoot.

欢乐合唱团》中演技出众的演员们，27岁的克里·蒙蒂斯、31岁的马修·莫瑞森（Matthew Morrison及27岁的马克·赛林也去拉斯维加斯拍照了。

Maximus expected to be made patrician in place of Aetius, but was blocked by Heraclius.

马克西姆斯指望获得埃提乌斯的位置，但却被赫拉克留斯抢在了前面。

After the defeat of Marcus Antonius, his father, Augustus had not only granted him his life, but after honouring him with the priesthood, the praetorship, the consulship(10 B.C), and the governorship of provinces, had admitted him to the closest ties of relationship through a marriage with his sister's daughter.

在其父马克·安东尼被击败后(BC29年)，奥古斯都不仅绕过了尤鲁斯·安东尼的性命，还让他担任祭司，转任**官和执政官，而后又出任行省总督；奥古斯都将自己姐姐的女儿嫁给他，令他成为自己的至亲。

Ralph Ellison nimbly defends the blacks' humanity with his outstanding cultural vision, and his witty use of metaphors in language. He outdid the traditional literature focusing on moralistic propaganda by Mrs. Stowe, and the naturalistic protest fiction centering on hard boiled remonstration and violence by Richard Wright, firstly by speaking highly of the 191 century classic works by such white writers as Melville, Faulkner and Mark Twain, who showed humanistic spirit affirming the blacks' humanity, and secondly by making use of the highly symbolic arid subversive language both to represent negro's humanity and whites' inhumanity, and more importantly by probing into the universal human nature by alluding to the Riddle of the Sphinx, which demonstrates, in a broad sense, the author's humanistic concern for the living dilemma of the contemporary people and also his advocatory tendency to revive the humanistic spirit of the 19th century writers.

拉尔夫埃利森通过对梅尔维尔、福克纳和马克吐温等19世纪美国经典白人作家的作品解读，赞赏了这些作家在肯定黑人人性时表现出的人道主义精神；同时运用高度象征性和颠覆性的语言，展示了黑人的人性，揭示了白人的非人性；并通过"斯芬克斯之谜"典故的阐释，对普遍意义上的人性作了探讨，体现了作者对所有现代人的生存困境的关注，从而超越了以斯陀夫人小说为代表的注重道义宣传的传统文学，以及以理查德赖特的创作为代表的注重态度强硬的抗议与暴力表达的自然主义文学，体现出回归与提升19世纪人文主义作家人道主义精神的创作倾向。

And this actually came to pass; for, as we have previously related, Macrinus murdered Antoninus; then, after he had been acclaimed emperor in the camp, together with his son, he gave the latter, who was called Diadumenianus, the name Antoninus, for the reason that an Antoninus was earnestly desired by the praetorian guard.

马克林努斯在与他的儿子来到军营接受众人欢呼称帝之后，他就给他的儿子狄阿杜门尼亚努斯赐名为安东尼努斯，因为禁卫军真切的渴望能有一个安东尼努斯被拥立。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。