马克斯

Fred Schutz began his sociology studies by the method of phenomenology owing to his dissatisfying with some ideas of Max Weber's social action theory.

bstract 基于对马克斯韦伯的社会行动理论有许多不满意，阿弗莱德舒茨开始用现象学的方法进行社会学的研究。

His voice in Mad Max (1979) was dubbed for the film's US release.

他为疯马克斯( 1979 )的配音被命名为影片的美国释放。

The wild things roared their terrible roars and gnashed their terrible teeth and rolled their terrible eyes and showed their terrible claws, but Max stepped into his private boat and waved goodbye and sailed back, over a year and in and out of weeks and through a day and into the night of his very own room, where he found his supper waiting for him and it was still hot.

众野兽疯狂地咆哮，露出锋利的牙齿，骨碌碌地转动着他们凶残的大眼睛，伸出尖尖的爪子。但马克斯还是上了他的专用小船，向他们挥手告别，往回驶去。他又航行了几乎一年，航行了好几个星期，航行了一天一夜，回到了他自己的房间。在那里，他发现晚餐还在静静地等着他，而且还是热的呢。

The story of the quantum revolution has been told so many times that it has become as ritualized as the stations of the cross. How Max Planck, faced with some curious observations about hot glowing objects, reluctantly proposed that light is sputtered out in packets — the quanta. How Albert Einstein , seeing deeper, realized that light must also travel that way, that its waves were also particles. How Bohr brought the graininess into the atom, with electrons hopping between orbits in quantum jumps. How Heisenberg, marooning himself on the bleak isle of Helgoland, saw that there were no orbits, that what happened inside atoms was different from anything that could be pictured by a human brain.

量子革命的故事已讲述过很多遍，就象讲述耶稣受难经过的画像一样已经仪式化，诸如：马克斯·普朗克面对炽热物体一些不寻常的观测数据，如何艰难地提出辐射是一单元一单元地射出的，这种最小的单元即能量子；爱因斯坦观察得更深刻一些，如何意识到光线也是这样运行的，光波也是粒子；玻尔如何利用量子跃迁过程中电子在轨道之间来回跳跃，来揭示原子的多微粒结构；海森堡自我流放到阴冷的赫尔戈兰岛上，如何观察到原子内部并没有轨道，其内部所发生的情况不同于人脑可想象出的任何情况。

I don't know who's more excited, Frank or Max.

我不知道是谁更激动，弗兰克还是马克斯。

A mixture of real actors, computer animation, and live puppeteering, Where the Wild Things Are follows the adventures of a young boy named Max as he enters the world of the Wild Things, a race of strange and enormous creatures who gradually turn the young boy into their king.

一个真正的行动者，电脑动画混合，生活木偶，凡野生事情如下名为马克斯（最大记录一个小男孩的冒险），因为他进入野生的东西，一个奇怪的种族和巨大的动物世界，逐步谁变成他们的国王的小男孩。

He had only reseated himself a few minutes when Phoebe Marks entered the room to announce Lady Audley.

他刚重新坐下几分钟，菲比·马克斯便进房间来通报：奥德利夫人来访。

Max: It was longer, but I shortened it.

马克斯：它过去长些，但我把它缩短了。

He had made three black and white positive transparencies, one each through a green, a red, and

在1861年5月马克斯韦尔在王室的机构中演讲关於视觉颜色的主题，在他演讲一部分中他展示了一块苏格兰格子的照片，他使用三张黑色和一张白色的幻灯

Liberty was untidier than that. It was students camped in his LSE office; it was cross-bench voting in the House of Lords, to which he was appointed in 1993; it was his father's passionate underlinings, in red crayon, in Max Weber's "Politics as a Vocation"; it was a schoolboy ripping up his prison mattress in order to write down, defiantly, all the Latin he knew.

自由比一个公民社会要来得纷杂多元：它是那些寄宿在他伦经办公室的莘莘学子；它是1993年那场令他成为英国上院独立议员的投票表决；它是他的父亲用朱笔在马克斯·韦伯的《作为一种职业的政治》一书中所勾画的那些热情洋溢的下划线；它是为了挑衅地写上他全部已知的拉丁文而撕破牢狱床垫的那名男学生。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。