饭店

More design for London: designer Neil Barron has won a competition to design a carafe for serving tap-water in London's restaurants, bars and hotels.

更多设计的伦敦：设计师Neil巴隆赢得了竞争，设计一个玻璃水瓶在职自来水在伦敦的餐馆，酒吧和饭店。

I did not know how to get to the hotel, so I asked a cargador for help.

我不知道去饭店的路该怎么走，于是向一个搬运工打听。

No. 2. Amy Winehouse --"Exploding beehives above, tacky polka-dots below, she's part 50's carhop horror."

点评："头上顶着炸开的马蜂窝，下面是俗不可耐的波卡圆点，活脱一个50多岁的饭店服务员。"

A woman's carryall gets parked in some nasty spots: on the floor of the bus, beneath the restaurant table — even on the floor of a public bathroom.

妇女的大手提袋搁在各种肮脏的地点：巴士的地板上，饭店桌子下面－－甚至是公共卫生间的地上。

Then can become the own brand but the catena management hotel.

才能形成自己的品牌而连锁经营饭店。

Some rich people will buy a car of cattle and sheep, entrusted to a reliable hotel, so that they were slaughtered and cut into massive, meat distributed to the poor.

一些有钱人会买来一车的牛羊，委托给可靠的饭店，让他们屠宰后切成块状，把肉分给穷人。

It has become one of the most influential down brands of the industry. FELIHON has two series of hotel down quality and down ceiba health which is presently having thousands of products in hundreds of lines.

目前，飞利弘品牌下属酒店羽绒品质系列和羽绒木棉健康系列两大系列上百个品类近千款产品，与沃尔玛、金马饭店等有过友好的合作关系。

Restaurants should also have cellular-phone and no-cellular-phone sections.

饭店也应有移动电话区和非移动电话区。

Non-没有,无 before lighting up 点燃 Restaurants should also have cellular-phone and no-cellular-phone sections.

本句翻译：饭店里本来也都应该设有手提电话区和非手提电话区。

And Monsieur Bombarda, the magnificent eating - house keeper, gives you those three hundred and seventeen fathoms for four francs and fifty centimes.

而那位漂亮的饭店老板蓬巴达凭着这三百十七个脱阿斯，却只卖你们四法郎五十生丁

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。