餐馆老板

The Fat Duck is owned by chef Heston Blumenthal whose style of cooking is often described by foodies as 'molecular gastronomy'.

肥鸭餐馆的老板是厨师赫斯顿·布拉门斯，他的烹饪风格常被称作"分子烹饪法"。

"Boniface:The keeper of an inn, a hotel, a nightclub , or an eating establishment."

老板：小店、旅馆、夜总会或餐馆的主人。

Mr Li and a few good friends meet in a chophouse, the boss recommends newest characteristic course " monkshood hotpot Bao ", it is OK to say lukewarm in relief filling kidney, improve the health.

李先生和几位好友在一家小餐馆聚会，老板推荐最新的特色菜"附子羊肉煲"，称可以温阳补肾、强身健体。

Good Foods to Go's owner, presumably sweating heavily, told the Cherry Hill Courier-Post that the incident had "nothing to do with anything involving the business," and produced satisfactory health inspection reports.

大概一直在冒汗的"好吃店"的老板，告诉Cherry Hill 邮报记者"这件事与我们餐馆一点关系都没有"并且出示了餐馆良好的健康检查报告。

The owner, however, wanted us to come inside. I scooped up Dingo, and we went in.

没想到，餐馆的老板想我们坐进屋内，我就抱起DINGO一起进去了。

Genet la bastille China to a restaurant and the owner occupied business.

热内想拉巴士底中国区一个餐馆陈老板入伙做生意。

Music is the food of love, according to the bard. And classical music, it seems, may be manna for restaurateurs.

诗人说，音乐是爱的食粮；现在看来，古典音乐可能是餐馆老板的甘露。

Restaurateurs have worked out that it just doesn't make sense: too much stuff to buy and store.

现在餐馆老板终于搞清了这个不合常识的道理：店里要购买和储存太多的食品。

Meanwhile, employers from corporate executives to restaurateurs andretailers are frustrated.

同时，用人单位，不管是大公司还是餐馆老板或是零售商，对这样的情况都感到气馁。

These are sometimes known as 'menu costs', drawing on the example of restaurateurs who cannot afford to print menus with new prices every day according to small fluctuations in demand.

这些有时被称为'菜单成本'，这个典故取自餐馆老板仅仅因为小幅度的需求波动而每天印新菜单，换新价格。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。