飞的

The thinkers of the Lunyu School fully expressed their persistence of individualism and their reconsideration in literary modernity Yet the persistence and escape existed side by side, this mode of behavior and thinking indicated that the self-subject of the modern scholars was illusive and was hard to carry on when the modern scholars were covered by the powerful tradition and deeply controlled by modernity's consciousness of time Chapter Two Reconsidering on the character of modernity with leisure ampleness, resisting the human alienation caused by modern materialism and mechanism with humor, reaffirming the space of self-expression, which formed the humor, the leisure, the modern, and the aesthetic spirit implication of Lunyu School But the modern scholar's powerful inclining to the tradition made Lunyu School's aestheticism draw close to live in seclusion And its aesthetic modernity is also discounted for that reason Chapter Three It is the emotion and the leisure manner owning by the middle aged people that help to bring about Lunyu School's essay's adjusting in main key and moving massively in theme Lunyu School changed the way for "gaining the experience of life"in the twenties'prose It went from highly enthusiastic writings to reserved life-concerning and recite with appreciation in everyday life

第一章 三十年代左翼文学以其"新"、"进步"和"时代性"确立了自己的合理性地位，而时代思潮的转换、文艺与政治的日益密切使五四自由知识分子所坚持的个人主义成了"落伍""颓废"的表征。论语派自由思想者充分表达了对个人主义的执着、对文学现代性的反思，但坚持与逃逸并存的行为与思维模式表明现代士子在忧生伤世的强大传统笼罩下和一往无前的现代性时间意识的深刻控制下，个人主体的难以为继和虚幻性。第二章以闲适的余裕对奔竞躁进、汲汲功利、一往无前的现代性特征进行反思，以幽默对抗现代物质主义机械主义对人灵智的异化，重申自我表现的空间，构成论语派幽默闲适的现代性审美精神内涵。但现代文人对于传统的强大趋同力，则使论语派审美主义向隐逸文化靠拢，其审美现代性由此大打折扣。第三章中年情感与闲适气度直接促成论语派散文基调上的调整及主题的大幅横移，在趣味、游戏、幽默、闲适中改变了二十年代散文"问世"的径路，从意兴湍飞的激扬文字走向了沉潜适世的生命关怀与日常人生的吟味与咀嚼。

The Golden Fleece 金色的羊毛 king athamus of northern greece had two children, phrixus and helle.after he left his first wife and mar ried ino,a wicked woman,the two children received all the cruel treatment that a stepmother could devise ,at one timethe kingdom was ruined by a famine.ino persuaded her credulous husband into believing that his son,phrixus,was the actual cause of the disaster,and should be sacrificed to zeus to endit.the poor boy was then placed on the altar and was about tobe knifed when a ram with golden fleece was sent down by thegods and carried off the two children on its back.as they flew over the strait that divides asia from europe,helle,faint at the vast expanse of water below ,fell into the sea and was drowned.thus the sea of helle,hellespont, became the ancient name of the strip of water.her brother kept on and arrived in colchis on the eastern shore of the black sea.there he sacrificed the ram to zeus and gave its golden fleece to king aeetes,who nailed it on a sacred tree and put a sleepless dragon in charge .

希腊北部国王阿塔玛斯有两个孩子，法瑞克斯和赫勒。当国王离开第一个妻子和一个名叫伊诺的坏女人结婚后，两个孩子受到后母残忍虐待，整个王国也受到毁灭性瘟疫的侵袭。伊诺在爱轻信的丈夫耳边进谗言，终于使国王相信：他的儿子法瑞克斯是这次灾害的罪魁祸首，并要将他献给宙斯以结束瘟疫。可怜的孩子被推上了祭坛，将要被处死。正在此时，上帝派了一只浑身上下长着金色羊毛的公羊来将两个孩子驮在背上带走了。当他们飞过隔开欧洲和亚洲的海峡时，赫勒由于看到浩瀚的海洋而头晕目眩，最终掉进大海淹死了。这片海洋古时候的名称叫赫勒之海，赫勒拉旁海峡便由此而来。金色公羊驮着法瑞克斯继续向前飞去，来到了黑海东岸的科尔契斯。在那里，法瑞克斯将公羊献给了宙斯；而将金羊毛送给了埃厄忒斯国王。国王将羊毛钉在一棵圣树上，并派了一条不睡觉的龙负责看护。

I felt the undulations of the trilobite as it flew to its base, amused myself by remembering the things we called "pill bugs" when Mark and I were eight, wood lice, how if you touched their underbellies they balled tightly and rolled around your hands with only the hard shell exposed.

当它对它的基础飞的时候，我感觉了三叶虫的波动，愉快的我自己藉由记得我们呼叫了"药丸虫"的事物当马克和我是八的时候，木材 lice，如何如果你接触他们紧紧地球而且在和只有难的贝壳你手的周围卷的他们下腹部的暴露。

In a meeting held at Harbin 1959, discussing the possible over-winter sites of theOriental armyworm, Leucania separata Walker, in the Northeast, a hypothesis was pro-posed (Chang, 1959) that this insect most probably did not over-winter in the Northeast,but the outbreak every spring was due to mass migration of the adult moths along withthe south or southwest trade winds.

根据东北地区的粘虫极大可能不在本地越冬而是每年春季随南、西南风大量迁飞的假设，利用气象资料分析了东北早春粘虫成虫的发生与风向风速的关系。无论由始现期或突增期来看，与地面上或高空850 mb的南、西南风均有较高的符合率；在粘虫出现时期的南、西南风多为每秒5—6米到每秒9—10米的大风。

I felt the undulations of the trilobite as it flew to its base, amused myself by remembering the things we called "pill bugs" when Mark and I were eight, wood lice, how if you touched their underbellies they balled tightly and rolled around your hands with only the hard shell exposed.

当它对它的基础飞的时候，我感觉了三叶虫的波动，愉快的我自己藉由记得我们呼叫了&药丸虫&的事物当马克和我是八的时候，木材 lice，如何如果你接触他们紧紧地球而且在和只有难的贝壳你手的周围卷的他们下腹部的暴露。

And me with my ridiculous looking pierced nose I remember your warm smile in the sun The daydreaming boy without a shirt on The burning ambers fly father Left the mother of three sons You're the oldest juvinile delinquent boy My best friend

我和我的荒谬寻找戳穿鼻子我记得您的温暖的笑容在阳光下该名男童没有白日梦的衬衫上燃烧ambers飞的父亲离开了三个孩子的母亲，儿子您最古老的juvinile欠费男童我最好的朋友

These couples are the same birds in the forest when disaster come to fly their own classic statement, has become a permanent-set; when disaster strikes and that moment, and sent to the heart of the "I can not leave you" warm days move to plain sense of Xin Wo The truth, has been difficult to find, perhaps an eternal hope; laugh poverty but not prostitution and vulgar talk dirty streets and marketplaces, turned out to be a people's gossip about financing coincides with the secular by default; in continuous destruction of the people at the beginning unyielding humanity; corrupting people's fragile mind.

夫妻本是同林鸟，大难来时各自飞的经典语句，已成为一种永恒定势；当灾难降临那一瞬，发至肺腑的&我不能撇下你&暖心窝感天动地朴实无华的心里话，已很难找到，也许是一个永远的期盼；笑贫不笑娼的低俗市井肮脏之谈，竟然也是人们茶余饭后不谋而合的一种谈资与世俗默认；在不断的摧残着人之初真善美的人性；腐蚀着人们脆弱的心灵。

At the early stage of our reform and opening up in 1978, the proposal of Hemudu culture and the implementation of integrative research showed very great vigor like Yuyao economy that began to recovery and also set up an advantaged platform for Yuyao culture building, resulting in the great development for both the economy and culture of Yuyao like rocs flying in the sky and adding important bargaining chips to Yuyao as a historical and cultural well-known city.

1978年，改革开放初期，河姆渡文化的提出和全面研究的开展，也象开始复苏的余姚经济一样，展现出很大的活力，同时为余姚的文化建设搭建了一座得天独厚的平台。由此，推动余姚的经济和文化呈现展翅双飞的喜人景象，也更增添了余姚作为历史文化名城的重要筹码。

Justice is not promoted by asking a witness, as I have heard a witness asked , why he did not see the trafficator on a vehicle which he has already said he did not see at all; nor by pressing a cyclist who was thrown into the air by collision with a motorcycle to state exactly on what part of his machine the impact occurred.

正义并非通过像我曾经听到的那样，&当证人已经表示没有看到车的转向灯的情况，还问证人为什么没看到&这样的方式来推动；也不是通过强迫一位在骑自行车时被摩托车撞飞的人来准确阐述自己车身的哪一部分受力的方式来推动。

Little details of nature can send me shivers all the way up my spine and capture me in great joys: the delicate and fragile fresh yellow buds expanding in the chilly wind of early spring, the dew-bearing silvery hairs of a leaf shining in the sunlight of a summer morning, the red-capped flowering stalks of moss in the late summer, the flagging fluffy tail of a frolicking squirrel on the lawn in the fall, the foot prints of all kinds of animals in the snow, and the eager steps of early returning geese on the surface of thawing ice.

自然界的一些微小细节，可以给我带来透澈脊梁的震撼和极大的欢乐：在初春陡峭的寒冷中不断膨胀的精致而脆弱的鲜黄色的芽，夏日清晨的阳光下小草叶尖细细的银白色毛发上闪亮的露珠，夏末顶端戴红的苔鲜的嫩茎，秋季在草坪嬉戏的松鼠竖起的蓬松尾巴，冬天里雪地上清晰的各种动物的脚印，还有过早回飞的大雁在欲化还凝的冰面上渴望的脚步。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。