飓风

This may be the windiest movie ever made, and the wind isn't just actual, it's also metaphorical: It's the wind of history roaring through the story, but it's also the wind of romance, courage, opera and, uh, rubbish.

这也许是以往电影中风势最猛烈（注，windy一语双关，另一意为空洞夸张）的一部，那风不仅仅实实在在，而且隐喻味道十足：贯穿于整个故事之中的不仅是历史的飓风，也有浪漫、勇气、以及——哦，垃圾之风。

The whirlwinds of revolt will continue to shake the foundations of our nation until the bright day of justice emerges.

在正义的光明之日出现前反抗的飓风会继续动摇我们国家的基石。

These upswings correlate with a rise in sea surface temperatures.

飓风upswings的兴起与海面温度升高有关。

Once you\'ve picked your groove, it\'s Street Fighter as usual with the typical fireballs, hurricane kicks, and dragon uppercuts.

一旦您\ '维生素E挑选您的凹槽，它\的街霸像往常一样，典型的火球，飓风踢，和龙uppercuts 。

In both typhoons and hurricanes, the forces of wind and rain combine to cause damage and death.

台风与飓风都结合了风和雨的威力，造成损失及民众死亡。

In both typhoons and hurricanes, the forces of wind and rain combine to cause damage and death.

台风与飓风，即风力与暴雨两者相结合，引发的危险和死亡威胁。

The world's natural calamities and disasters—its tornados and hurricanes, volcanoes and floods—its physical turmoils—are not created by you specifically.

世界上的天灾――如龙卷风、飓风、火山、洪水――这类物理性的骚动――并不是你确实创造出来的。

The company also trialled the cloth in New Orleans in the wake of Hurricane Katrina.

该公司还紧随卡特里娜飓风之后，在新奥尔良对这种布进行了试验。

Tornados and storms have been blamed for at least 23 deaths in three states including at least 14 in Missouri.

飓风和暴雨造成三个州至少23人死亡，仅密苏里一州就有14人。

That after three tornados ripped through the state yesterday, destroying buildings and cars and injuring more than two hundred people.

昨天三股飓风横扫弗吉尼亚州，摧毁了大量房屋和汽车，并造成200多人受伤。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。