风门片

On bright ,calm days they lie in thousands on the now darkening water,mostly yellow flotillas of popular,floating continuously down from great trees that themselves shake in the windless air with the sound of falling water,but on rainly days or after rain they seem to swim or be driven away,and nothing remains to break the surface except the last of olive-yellow lily pads that in high summer covered every inch of water like plates of emerald porcelain .

在晴朗无风的日子里，树叶成千上万聚集在颜色转暗的湖面上，这黄色的如同小舟一般的落叶--大多数是白杨树叶---纷纷从那些即始无风也抖动不已的高树上飘落下来，淅淅沥沥，仿佛水声，但是遇上雨天，它门又漂得无影无踪，于是，除了那在盛夏时节宛如盏盏翠莲把湖面覆盖而如今只是一片橄榄黄的睡莲残叶

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。