风格的诗

The present sewer is a beautiful sewer; the pure style reigns there; the classical rectilinear alexandrine which, driven out of poetry, appears to have taken refuge in architecture, seems mingled with all the stones of that long, dark and whitish vault; each outlet is an arcade; the Rue de Rivoli serves as pattern even in the sewer.

今日的阴渠是条漂亮的阴沟，风格淳朴，被赶下诗坛的笔直的十二音节的古典诗好象躲进了这座建筑物之中，似乎已和阴暗微白的长拱廊的每块石块合而为一了，每个排水孔都是一个拱廊，里沃利街在污水沟方面也成了模范区。

TT models, this paper established a new one of "subject omission", designating the overlapped part of the "input variance" and the "output variance", also the common part in both "semantic translation and "communicative translation". Thus, this new strategy not only gets popular with foreign readers, but also conveys and transferred the original flavor. It effectively absorbs the valid ingredients of the "disembodiment approach, and is proposed as a partly foreignization strategy, which are both initiated in this paper. Starting from the definition and function of subject omission, this paper illustrates its correlations with the characteristics of classical Chinese, features of poetic syntax and translation standard, followed by its close intimacy with the many traits of poetic aesthetics.

本文从马藤和纽马克的翻译模型出发，找到了input variance和 output variance，也即 Semantic Translation 与 Communicative Translation 中重叠的部分，即既能为外语读者所熟悉，又能体现原诗风格意境的结点：主语省略，融合了西洋翻译实验中"脱体句法"的合理成分，建立了诗歌翻译和主语省略关系的新模型，提出了中文诗歌部分异化的策略(与荷尔马斯诗歌翻译策略之三吻合)本文首先从主语省略的定义及功能入手，分别阐述了其与文言文的语言特征，诗歌句法的特征及与翻译标准之间的内在联系，及其与诗歌美学众特征之间的紧密联系。

Of all Thomas Hardy's poems,his elegiac poems are the most unique,true-life,and aesthetic experience.

在哈代(Thomas Hardy1840～1928)诗歌中，最能体现诗人的独特而真切的生命体验与审美体验和情感最真挚、风格最朴素、最能体现诗人独特的个性——"这一个"的色彩还是他那些吟唱人间情爱的诗歌，而其中又以写于妻子爱玛去世之后的两年间(1912～1913)的21首悼亡诗——《1912～191

The work was popular with its deep emotion and created quite a sensation among the audience by its characteristics and power of poetic picture and fresh simplicity.Through the portrayal of the rise of the European romantic music and artistic songs and the introduction of Schumann's life and about the composer Cham...更多isso, this paper examines the background of the creation of the divertimento Frauenlieb und leben op.42. It give an analysis of the combination of music and poetry, full of the musical style of romanticism, stressing the expressiveness of piano and connection between music and daily life, bearing the air of German folk music and showing the bright artistic features.

论文通过阐述欧洲浪漫主义音乐的兴起与艺术歌曲的产生和舒曼生平简介以及对词作者沙米索的情况介绍，考察了声乐套曲《妇女的爱情与生活》创作背景；分析了这部声乐套曲与诗融为一体，充满浪漫主义的音乐风格，歌曲旋律与钢琴伴奏完美结合，突出丰富的钢琴表现力；重视音乐与生活的联系，而且具有德国民歌的气息，呈现出鲜明的艺术特色；在套曲的演唱研究方面，论文通过对演唱中德语元音的发音和辅音的发音分析，介绍了在演唱中发音的常见问题，并提出自。。。

He used to utilize concise language and plain poetic form: vocabulary in his poems is mainly informal, and most of them belong to monosyllables; on syntax, Frost mainly adopts normal, prosaic lingual orders and strict and orthodox grammars; on the poetic form, he often writes traditional blank verse, sonnet and pays more attention to the phonetic natural rhythm, lines' musical effect and the relations between sound and meaning, which form his unostentatious artistic style.

他的诗歌通常运用简洁凝炼的语言和平淡的诗歌形式：诗歌中出现的大多是口语化的词语，并且大多数词都属于单音节词；在句法方面，大多的句式采用的都是正常的、散文化的语序和严格正统的语法；在诗歌形式上，他主要使用无韵诗和十四行诗，他也十分重视语音的自然节奏和诗句的音乐效果以及音与义之间的联系，从而形成质朴无华的艺术风格。

Actually, there are many valuable materials of poetics in plentiful notes in Song Dynasty, which concern author theory, writing theory, appreciating theory and so on . By collecting ,classifying ,generalizing and analyzing these materials, it's very useful for us to understand the poetic benshi ,allusions related to writers ; to review the life of poets in Song Dynasty , their excursion , missing-piece collection;to research into the writing background ,writing attitude ,aesthetic fashion .It's also very helpful to understand contents and aesthetic features of poetry correctly.

实际上，在数量众多的宋人笔记中，保存了大量的有价值的诗学材料，其内容涉及作家论、创作论、风格论、鉴赏论等诗学理论的各个方面，对这些材料进行搜集、分类、归纳和研究，对于今人了解与诗歌创作主体相关的诗歌本事、诗坛掌故及奇闻逸事，考察宋代诗人的生平、交游，为其作品辑佚、系年，研究宋代诗歌的创作背景、审美风尚，以及把握宋诗的思想内容和艺术特色等，均具有重要的意义。

His Song of the Dark Forest artfully evokes a folk idiom through its poetic metre (a modified kol'tsovskiy stikh ), word repetition, and spare harmony which avoids the leading note. The seven songs composed between 1867 and 1871 conclude with Borodin's second Heine setting, Iz slyoz moikh ('From my Tears'), which is noteworthy for still further effects derived from 2nds.

他的《黑暗森林之歌》以诗般的韵律（ a modified kol'tsovskiy stikh ），歌词的重复以及避开导音的和声等艺术化的塑造了民歌的风格。1867年和1871年创作的七首歌中包括了鲍罗丁的第二首海涅组曲《从我的眼泪中》，其对于二度音程的进一步作用有显著的影响。

He did indeed use comparatively few mythological images, a fact which only pedants could regret, but his skill in corn- position was, when he chose, equal to that of any of the university dramatists, his style was as brilliant as theirs, and his blank verse no less sonorous, for all that this metre was of learned origin and the humanists had hoped to keep it to themselves.

的确，他使用神话典故较少——此事只有学究才会抱憾，但是他的写作技巧，只要他愿意的话，就会同任何大学出身的剧作家同样的高明。他的风格也同样的光辉，无韵诗同样的响亮，虽然这种诗体起源于古典学识。人文主义者们希望把它据为己有。

It displays the hours and minutes as well as a small seconds at 6 o'clock. And in addition to Vacheron Constantin's exceptional finishing - always discreet and simple in appearance - the 4400 calibre is stamped with the prestigious Hallmark of Geneva.

提供时、分以及位于6时位置的小秒针。4400型号机芯不仅秉承江诗丹顿独特的装饰处理工艺，在外观上始终保持低调、质朴的风格，且均刻有享有盛誉的日内瓦印记。

His professional writings were as playful and eccentric as his light verse and stories, which may be one reason why he is at most a footnote in the history of mathematics.

他的专业论文如同他的谐趣诗和小故事一样，充满着活泼、怪诞的风格。也许这便是他为何在数学史上籍籍无名的原因之一吧。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失