风格的诗

Her brisk and elegant fiction with implicative and romantic plots subconsciously assumes responsibility of belles-lettres while profoundly analyses the emotion and spirit of characters in modern city li...

从文本细读出发，在对潘向黎的小说创作进行总体把握和系统的梳理与分析的基础上，着重从小说的主题、形象、艺术特征与美学风格几个方面进行，对于意象叙事及女性视角的运用所形成的诗的意蕴和散文化风格、小说的激情创作与温情之美都进行了一定的阐述。

Metaphysical poetry: The poetry of John Donne and other 17th century poets who wrote in a similar style.

玄学诗：约翰·多恩的诗或17世纪其他诗人写的相同风格的诗。

Composed of long takes of indirect gazes and oppressively alienated temps morts (where an eclectic assembly of anonymous residents alternately stare out the window, smoke a cigarette, handle their rifle, voyeuristically peep, awkwardly flirt, become inebriated, and even mischievously set on fire laundry that has been hanging on a clothesline), the fragmented, collage-like portraits of the tenants are interstitially connected through the recurring image of the building's dimly lit hallways, a visual metaphor for a culture adrift and in transition - a conduit to an undefined destination.

塔尔齐名的东欧诗电影导演，他的大部分电影都没有对白，只用近乎静默的长镜头去探索人物内心的孤独和绝望，展现后共产主义的东欧社会巨变下人们精神世界的空虚，94年的《走廊》无疑是这种风格的代表作，其中的长镜头堪称能与同年那部赫赫有名的《撒旦探戈》相媲美。巴塔斯与俄罗斯的安德烈。索科洛夫，匈牙利的贝拉。塔尔共同被称为继承塔尔科夫斯基诗电影风格的当代重要导演，他们的作品或多或少都受到了塔尔科夫斯基的影响，无论是在电影艺术语言还是在作品的主题上，但三人之间又有所不同。

The writing style of TaoYuanming's poems is unique. You cannot find the similar style from other pouts before or after his time .Many people accept the point, but no one tries to find the cause of formation of his writing style.

陶诗语言风格看起来似乎是横空出世，从前代诗人中找不到他的榜样，而后世诗人的诸多拟作皆不能得其神韵，人们对于这种独特风格的描述是趋于一致的，然而对于其成因却缺少系统的研究。

There are five chapters:chapter one is the writing motive and study method, chaper two to four annalises the formation of the three characters in three sections, and chaper five is about the affection of the contribution factor of the language style of TaoYuanming' s poems.

文章分为五部分：第一章阐述写作动机和研究方法；第二章至第四章依次从语言运用角度分析陶诗平淡、蕴藉和自然语言风格的形成；篇末结语点明了结论及其对未来研究的启发。

This paper mainly consists of five parts. The Introduction mainly defines the scope and relative concepts, and covers the present situation of research about it. The first chapter traces the Seeing-off-poetry's cultural origin, classifies its emotion contents and artistic achievements, and differentiates the flows from the base of comprehensive reorganization of the Seeing-off-poetry from pre-Qin to latter-Han Dynasty. The second chapter studies its variations about styles, artistic expressions, and gentries' spirit features. And in this part we also discuss the reasons of Four-word-see-off-poetry's booming and its peculiarities in Jin Dynasty. The third chapter demonstrates the influence on Seeing-off-poetry in the Early and Glorious Ages of Tang Dynasty such as the construction ways, poetry images and emotion styles. The Appendix enumerates all the 465 Seeing-off poems' tittles, authors, their birth and dead time, writing time and sources of quotation one by one, so that all of them can be checked to prepare the investigation.

论文主要有五个部分：&绪论&重在界定魏晋南北朝送别诗的研究范围和相关概念，并对其研究现状作一全面回顾；第一章&送别诗溯源&，在全面整理先秦两汉送别诗的基础上，对《诗经》以来送别诗的文化渊源、情感內容和艺术成就分类概说，辨明其源流；第二章&魏晋南北朝送别诗研究&，从诗体、艺术表达、士人精神风貌三个角度研究这一时期送别诗的演变，并探讨两晋时期四言送别诗的繁盛原因及其特点；第三章&对唐代送别诗影响&，从建构方式、诗歌意象、情感风格三个方面论证魏晋南北朝送别诗对初盛唐送别诗的影响；&附录&部分列出魏晋南北朝送别诗系年一览表，分朝代逐条列举魏晋南北朝465首送别诗的诗题、作者、生卒年、创作时间及其出处，以备查考。

A verse form consisting of 14 lines with a fixed rhyme scheme .

严肃风格的四行诗；韵式是abab。

The piano...更多 divertimento "Xiangtu Jieling Shi (poems of rural seasonal phenomena)" was one of the most important representatives of his later musical creations. This thesis has come up with ths stylistic features embodied by combining the Chinese national styles with Western composing techniques. At the same time, by comparing with Jiang Wenye's former homogeneous works "Five pieces of sketch", this thesis has drawn the conclusion that Chinese style was rooted more deeply in his later works as well as that the "Xiangtu Jieling Shi(poems of rural seasonal phenomena)" has historically and realistically played an important role in his entire musical creation

钢琴套曲《乡土节令诗》是江文也后期音乐创作的重要代表作之一，本文通过对钢琴套曲《乡土节令诗》的创作技法的分析，总结出这部作品在中国民族风格与西方作曲技法结合时体现出来的风格手法的特点；同时通过对这部作品与江文也前期的同类作品《五首素描》等的比较研究，总结出江文也在创作后期作品的中国化风格的深入的特点，同时也充分说明了《乡土节令诗》在江文也音乐创作中的历史意义和现实价值。

The focus of the thesis is on observing the musicality of Yang Mu's poetry, for the purpose of establishing the value of his poetry and grasping concrete content of musicality.

本文选择杨牧诗作为论述对象，是因为他的诗确实展现一己特殊的语言风格，进一步锁定其「音乐性」予以观照，不仅有助於厘清杨牧诗的价值，亦可充分掌握诗之音乐性的具体内涵。

Hauge's first poems were all in a traditional form. He later wrote modernist poetry and in particular concrete poetry. Hauge was inspired by the simplicity of Chinese poetry, and it is reflected in several of the poems, such as in his poem "T'ao Ch'ien" in the collection "Spr vinden".

他早期写的是传统形式的诗，后来他开始写现代诗，特别是具象诗，并且受到中国古诗简约风格的启发，比如《问风》系列中的一首《涛线》。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失