风格上的

Early in 1995, in his "Desire" series where red and blue lines come in strong contrast with each other, Ma Yiping instinctively used his personal experience to drop a hint of the transcendence of life. From 1996 to 2001, his "Images" series established the development direction of his art, owing to its artistic expression_r_r of overloaded psychological priori images. In his works before or after 2003, dream-like symbolic images presented perplexed feeling of human beings about the universe and the physical world. In his "images" series in 2006, uncertain images stood on black cube-shaped objects and ambiguous edges pointed to various uncertain directions with the accompaniment of silver light and shadow. At this point, the intuitive perception of the essence of nature made his artistic style gradually take shape. In his later "fetish" series, in which he gradually became mature in spiritual and symbolic expression_r_rs, Ma Yiping fully grasped the eternal sense of the spiritual world.

在早期，1995年的《欲望》马一平用对比强烈的红色、蓝色层层涂盖、本能地运用自身感受以暗示的手法表达对生命的超越。1996-2001年以物象为主题的系列作品对超载心理先验物象的表达方式确定了他艺术作品的发展方向，2003年前后的作品中，梦一般的暗示性物体程现了生命本体对宇宙物理世界的茫然，在2006年的《物象》系列中，黑色的方体上不确定的物状、模糊的边缘在泛着银色光影的衬托下，泛生着各种不确定的指向感，此时对本质直观的感知性的把握使作品艺术风格基本形成，到后来的《神物》已经充分地把握了精神世界里的永恒感，画面中所能达到的精神性和神密暗示意义的表现手法已近成熟。

It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. But garages and cotton gins had encroached and obliterated even the august names of that neighborhood; only Miss Emily's house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps--an eyesore among eyesores. And now Miss Emily had gone to join the representatives of those august names where they lay in the cedar-bemused cemetery among the ranked and anonymous graves of Union and Confederate soldiers who fell at the battle of Jefferson

这是一个宽敞的方形屋宇，香气袭人，以前曾一度被刷成白色，另外配以炮塔和尖屋顶，以及涡旋装饰的阳台，使它更具有七十年代的浮华风格，它坐落在镇上最讲究的街道上，但是车库和轧棉机几乎吞噬了这片尊贵的地区，只有Emily小姐的房子留了下来，在丑陋的马车和发动机的喧嚣中，也留下了它顽固而迷人的奢侈，而现在，Emily小姐已经归入了那些显贵的名单，他们葬在掩映于沉默雪松的公墓里，在Jefferson战役中牺牲的有名和无名的士兵们也一并葬在那儿。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

Into Beijing International Home Living Museum of the large 3000 square meters of space, not only have come from Milan, Paris, New York and other international cities to display the latest home fashion trends, and the most fashionable furniture dynasty romantic of the seven series, more than brand-name products section, such as a layer of wood Santa brands internationally popular Scandinavian style and the Italian brand new perfect combination of modern minimalism, with a slight浅紫Medium lavender blue color, pure , simple, extremely elegant; second floor of the "I HOME" series of products will be China's traditional red and western gray perfect combination of fashion, with the color of the most poetic, and then add pure white decorations, pieces of furniture will become a pleasant works of art, constructed by the home, it is full of art; came three Dynasty furniture is the most "cool" furniture series - light series, Sapele series, only use material neat and simple metal the plates, just a crisp, beating about the bush in no way express the modern flavor; enter the four-story, we will see more than 1000 million family favorite, with traditional Eastern United States, another implication of modern simplicity and art of "Collected Essays" shallow Hu, black HU Series .

到北京国际家庭生活的大型3000平方米的空间，不仅有来自米兰，巴黎，纽约和其他国际城市来，博物馆展出最新的家居流行趋势，以及最时尚的家具浪漫的王朝7个系列，品牌名称的产品部分，如木材层圣品牌在国际上流行的北欧风格和意大利全新现代简约完美结合，有轻微浅紫中等薰衣草蓝色，纯净，简单，非常优雅，第二次&我主页&产品系列地板将是中国传统的红色和灰色的西方时尚的完美结合，与最富有诗意的颜色，然后添加纯白色装饰，几件家具将成为愉快的工作艺术，是由民政兴建，它充满了艺术；来到三时期的家具是最&酷&的家具系列-灯系列，沙比利系列，只使用简单的材料整齐，金属板，只是一个清晰的，转弯抹角绝不表达现代气息，进入四层，我们将看到1000多万个家庭喜爱，与传统的美国东部，另一个现代简单，&文集艺术的影响&浅胡，黑胡系列。

We can trace his footprints through these special signs in the ancient walls of Pingyao, the tableau of new buildings in Guangzhou, and migrant laborers' dormitories in the Pearl River Delta, the images of two camels strolling on the wild plains he captures on his Trans-Siberian journey, of a withered tree lying low on a barren piece of land, of a tranquil anonymous lake, all conveying a sense of dusky desolation. They are no different from his trans-Balkan, around Black Sea or the Baltic shores photos. What we see is not a landscape of a particular place, but the journey that the photographer has made in his mind.

如果说斯鲁本在中国平遥拍摄的古城墙，广州房地产楼盘的绘画，珠江三角洲的外来工宿舍这些特别符号看到他所走过的痕迹，那么，他在跨越欧亚大陆在旅途中拍摄的两只骆驼漫步无垠的旷野，荒凉的草地上横躺着一棵枯树，无名湖的寂静让人感受到黄昏来临的一丝苍凉，所有的这些，都与他横跨巴尔干、黑海冬季之旅的影像风格浑然一体，我们看到的不是某一地方风景，而是一个摄影者的心路历程。

The overall impression of this collection represents the high-profile, obstinate and unruly personality. The combination of gray and white used in design presents the exquisite, handsome and unique taste. This collection uses warm and rich fabrics which reveal its natural character. The matching pieces subtly yet distinctively displaying the design concept which is simple, exquisite and high quality. It is the clean clothing line, well-fitted tailoring, natural fabrics and designers' vision about OntFront that makes this energetic brand a "winner in the making" in the international fashion scene.

服装整体的感觉展示出高调的个性、桀骜不驯的帅气个性，而灰色与白色的柔和调剂使用在细节处体现着搭配的精致，帅气与独特，从休闲舒适的街头风延续至张扬的风格，选用的面料中也流露出本色的自然情怀；用于细节处的拼接面料上，沉稳而张扬地诠释出简洁、精致、品质生活的设计理念；干净的服装线条、合身的剪裁、天然质感的面料加上设计师对Ontfront的生活萌想，成就了一个国际服装界中冲劲十足的设计品牌，他的时尚地位不容小觑。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

He used to utilize concise language and plain poetic form: vocabulary in his poems is mainly informal, and most of them belong to monosyllables; on syntax, Frost mainly adopts normal, prosaic lingual orders and strict and orthodox grammars; on the poetic form, he often writes traditional blank verse, sonnet and pays more attention to the phonetic natural rhythm, lines' musical effect and the relations between sound and meaning, which form his unostentatious artistic style.

他的诗歌通常运用简洁凝炼的语言和平淡的诗歌形式：诗歌中出现的大多是口语化的词语，并且大多数词都属于单音节词；在句法方面，大多的句式采用的都是正常的、散文化的语序和严格正统的语法；在诗歌形式上，他主要使用无韵诗和104行诗，他也10分重视语音的自然节奏和诗句的音乐效果以及音与义之间的联系，从而形成质朴无华的艺术风格。

Silver's goods, while the selected representatives of different countries style boutique: from the United States brands ECCLISSI Table Silver has always been romantic and nostalgic for its elegant design yet unassuming; and the generations that came from Spain's Pedro Duran Silversmiths the hands of silver ornaments, sophisticated workmanship, great temperament, flashing silver in the blend, while also showing the Royal between the minor nobility temperament with different Ginkgo is a more Chinese style with pearls Wenwan atmosphere , The diamond crystal clear embellishment of the flashing silver sway, jewelry given new vitality.

旗下的银质品，同时精选了代表不同国家风格的精品：来自美国的品牌 ECCLISSI 银表向来以其浪漫而怀旧的设计高贵却不张扬；还有那来自西班牙世代相传的 Pedro Duran的银匠之手的银质装饰品，做工考究，气质非凡，闪烁着银的柔美，同时在细微间还流露出皇家贵族气质；与上不同的Ginkgo则是更具有中国风采，以珍珠的温婉气息，钻石的晶莹清澈点缀银的闪烁摇曳，赋予饰品新的活力。

Giorgione blazed the trail.a top student of bellini,he later forged his own style,inspired by the current vogue for pastoral love poetry based on recently discovered ancient texts,then the bestsellers of Venice's flourishing printing industry.he excelled at what was known among the educated elite as the model a competition between painting and poetry in which painters sought to prove that they could rival poets in conveying beauty by appealing to the eyes,as well as to the mind.this was revolutionary because it implied that painting originated in the imagination of the artist,rather than being a simple recording of the great and the good ,history and religion.it proved painters were creators and not just craftsmen .

Giorgione是这条路上的披荆斩棘者。作为Bellini最好的学生，他随后发展出了自已的风格。他的灵感来自于其时风行的田园诗，从最近发现的古代文本来看，这得益于那个时代威尼斯欣欣向荣的出版业出版的畅销书。他的卓越之处在于一项闻名于知识精英中的对比：就是诗歌与绘画的竞争，画家们致力于证明他们可以在表现美感上与诗人媲美，既可以悦目亦能赏心。这是革命性的，因为它暗示了绘画产生于艺术家的想象而不只是对美好事物、历史、宗教的简单记录。它证明了画家是创造者而非工匠。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。