风格上的

Nonetheless, Carnival in the Black Forest region Carnival differs from Carnival in other regions in that it preserves a much more primitive flavor, taking as its costume theme the spirits and demons of the natural world -- a throwback to the region's primeval animism -- mixed with legends and customs from the Middle Ages, signifying the Swabian and Alemanni people's determination to maintain the vibrancy of old traditions in the face of Church efforts to suppress them.

这样的想法起源与欧洲各地的嘉年华并无二致，都是沿循自基督教诞生之前的久远异教徒风俗，可是，在表现方式上，黑森林的嘉年华就明显多了浓烈的原始风格，取材自然界精灵、魔鬼的扮相造型，即便加上中古世纪广为流通的传说、典故，以及教会不断想要介入干预的情况，黑森林地区的「史瓦本－阿勒曼尼」嘉年华活动依旧维持著原本的强烈风格。

This paper mainly studies on people Jui-Tu neglected to look further into these questions.:one, through the works of Zhang Rui Figure comprehensive carding, so can their have a comprehensive understanding; 2, the morphological changes from the works start, to explore its origins calligraphy; 3, through their works shall know Handscroll analysis to help determine without the banners section in the approximate age of the work; 4 of their book to learn the concept of analysis, in order to more clearly understand the formation process of calligraphy styles. 5. Allograph home and at the same time learn the concept of the book, we can know that the formation of personality style and its concept of an independent study of the book is closely related to, but also deepen their understanding of the law of Zhang Rui.'s calligraphy.

本文主要就人们研究张瑞图时所忽略的一些问题做进一步的探讨：1、通过对张瑞图作品的全面梳理，以求能对其有一个全面的认识；2、从其作品的形态变化入手，探寻其书法的渊源，并尝试对其书法上一个很长的空白期进行探索；3、通过对其手卷作品进行款识分析，以帮助对无年款的条幅作品进行断代；4、对其书法观念进行论述，以求更清晰地理解其书法风格的形成；5、与同时代书家书法观念的比较，可以知道个性风格的形成与其独立的书学观念密切相关，更能加深对张瑞图书法的理解。

Her brisk and elegant fiction with implicative and romantic plots subconsciously assumes responsibility of belles-lettres while profoundly analyses the emotion and spirit of characters in modern city li...

从文本细读出发，在对潘向黎的小说创作进行总体把握和系统的梳理与分析的基础上，着重从小说的主题、形象、艺术特征与美学风格几个方面进行，对于意象叙事及女性视角的运用所形成的诗的意蕴和散文化风格、小说的激情创作与温情之美都进行了一定的阐述。

Treating the humanism spirit as the thread, this paper concludes the intension and extension of the humanism spirit by comparing the soul of humanism spirit in the China and foreign countries, and then explains them from three parts: the true, the selflessness and the beauty. First, the content of writings expounds the essence of human nature, human rights and humanism that are the intensions of humanism spirit. Second, the purpose of writings reflects intensively the special and active method of constructing the author's morality by analyzing the connection of humanism and religion in thewritings of Bajin, and obvious religious sensibilities of Bajin. Third, from the viewpoint of artistic style, we can get the conclusion that the buskin style of Bajin's writings has close relations with humanism spirit by the method of inducing the buskin style of his writings.

全文以"人文精神"为根基和线索，首先通过梳理和比较中西人文精神传统及精髓，确定了巴金作品人文精神的内涵和外延，然后以此为统领，从真、善、美三个方面展开论述：从巴金作品的内容上看，它对人性、人权、人道作出的真理性阐释，恰恰就构成其"人文精神"的具体内涵；从创作意图看，通过分析巴金作品人文与宗教的相互关系及其流露的鲜明的宗教情感，从而突显出其特别的、积极的理想道德建构方式；最后从艺术风格看，通过归纳其作品的悲剧范式，亦得出了巴金的悲剧风格与人文精神旨向密切统一的关系。

January 19, 2006 - by Summer LiuAmerican-born Taiwanese pop star Lee Hom Wang's new album, Heroes of Earth, was released at the end of December. Using the standard hip-pop look on the cover, Lee Hom is a dishy combination of charm and talent. His intention was to create a very Chinese album with a smattering of traditional sounds that has international market appeal. The release of this album marks a new stage in Lee Hom's career.

似乎从Hip-Hop在台湾流行以来，近年来的创作歌手就一直在摸索以及创作Hip-Hop歌曲，而到了现在的阶段，似乎是有志一同的把中国风味的音乐元素加进自己的音乐中极力创作出属于自己的风格，陶喆从他的第一张专辑开始就会在专辑中放一首东方风味的歌曲，周杰伦在自己的唱腔中融入了京戏唱腔，王力宏从上张专辑《心中的日月》也开始作此一尝试，如果说《心中的日月》是在摸索他所称之为Chinked-Out风格的曲风，那这张专辑《盖世英雄》就是趋近成熟的成品了。

Lasting Chanel, Chanel has already become the most well-known brand of world;Double the classic LOGO of the C will inherit a vogue forever popular, never be absent.The Chanel madam is born in 1883 and passes away in 1971, the COCO is her childhood name, although she lees us for a long time, the style of its classic always that time still the founder of boundary.She most shows affection for to be with black and white carry on beautifully changing magically and carry out a kind of absolute pleasant impression and perfect harmony.She lee many become the direct mind tutor who guides to spread this ages to popular viewpoints, she think what the United States point is inside outside all beautiful, although spread to continuously put forth new ideas, the style can never be eliminate.In the meantime her believe deeply is the be"simple" st way which lets the fine texture present and her classic design for lee include:NO.5 perfume, be the inclined line soft, double color shoe, black and small dress etc., the accessories of classic is the leather that the assertion lets woman's hands vacate to wear the handbag that the chain take, she show affection for of the mountain camellia also still blooms in the dinner of silk ans stain the pack the ectype pattern.Chanel although from clothing house, as early as 1925 she starts entrust to produce a little amount rouge, lipstick and skin care products and provide oneself and the guest use, display just in the Chanel dress boutique, these merchandises he already beat up the CHANEL name, the perfume of the No.5 appears on market in 1921, beginning go toward perfume, cosmetics development, perfume and cosmetics he become Chanel performance very outstanding item now, separate to release a kind of new perfume for a while each time, in the aspects of leading cosmetics fad, Chanel also takes a lot of trouble, the quarterly releases a new merchandise each time, and lead the quarter don't sell!

永远的香奈儿，香奈儿已经成为全球最知名的品牌；双C的经典LOGO将永远袭卷时尚流行、永不缺席香奈儿夫人出生于1883年、逝世于1971年，COCO是她的小名，虽然她离开我们很久，但是其经典的风格一直是时尚界的鼻祖她最钟爱用黑色与白色进行美丽的幻化，实现一种绝对的美感以及完美的和谐她留下许多对流行的看法，成为引导这个时代流行的直接心灵导师，她认为美指的是内外皆美，虽然流行不断推陈出新，但是风格永远不会被淘汰香奈儿虽然由服装起家，但早在1925年她就开始委托生产少量腮红、口红和保养品，供自己和客人使用，仅在香奈儿服饰精品店陈列，但这些商品已打上CHANEL名号，1921年五号香水上市，开始往香水、化妆品开发，现在香水与化妆品已成为香奈儿表现相当出色的项目，每隔一阵子就推出一种新香水，在领导化妆品流行方面，香奈儿也煞费苦心，每一季推出一项新商品，而且过季不售！

The main body of a book set off from the clothing design angle , be tied in wedlock each other by starting to pertinent theoretical analysis , linking the clothing design basal principle with, marketplace , put into practice by cooperating with project of the local TV station, thereby, sum up out a set of the new law that TV variety show anchorperson clothes and ornaments designs , form a set of new method that clothes and ornaments designs to this type thereby:(1) establishes anchorperson clothes and ornaments style , establishes anchorperson clothes and ornaments expressing priority;(2) union anchorperson oneself qualities characteristic , image characteristic , entirety design;(3) sets off from to accepting numerous angles , studies mentality, is had the design being aimed at by numerous appreciation of the beauty;(4) is in anchorperson clothes and ornaments colour being going , seek in the unification change to come to consider style and hue from entire stage indeed at the regular time;(5) heddle skill entertainment anchor-man clothes and ornaments detail designs that priority chooses high-quality material on clothing collar headquarter , shoulder , bosom, emphasize that the meticulous handicraft is right away especially important;(6) when has being anchorperson more in one program, clothes and ornaments designs that emphasizing that the series feels more.

本文从服装设计的角度出发，通过对相关的理论分析入手，结合服装设计的基本原理，与市场相结合，通过与地方电视台的项目合作实践，从而总结出一套电视综艺节目主持人服饰设计的新规律，从而形成对此类型服饰设计的一套新方法：(1)确立主持人服饰风格，确立主持人服饰表达重点；(2)结合主持人自身气质特点、形象特点，整体设计；(3)从受众的角度出发，研究受众的审美心理，有针对的设计；(4)在主持人服饰颜色的确定时，要从整个舞台的风格和色调来考虑，在统一中求变化；(5)综艺娱乐节目主持人服饰的细节设计重点在服装的领部、肩部、胸部上，选取高品质的素材、强调精细的工艺就尤为重要；(6)在一台节目有多个主持人时，服饰设计更强调系列感。

Occasionally Professors of the Chinese Literature Department mentioned that the current thesis form does not totally accord the demand of the Chinese Language Department while giving lecture in class. Regrettably I cannot find any clear instructions from the professor, than I impudently write this novel like thesis to make this experiment by myself. And this also correlated the differences between Dianoia and knowledge mentioned above. When the subjective Dianoia is expressed in novel wording, personal styles of author take express more than subjective Dianoia, and no matter the form of the article, it become a kind of creation.

中文系的教授们，在上课时往往会提到现行的论文格式并不完全符合中文系的需求，但很可惜地，直到我撰写这篇论文时，我并没能从教授这边找到比较明确的答案，於是我只好自己做个实验，放大了胆子来，将这篇论文以小说的形式呈现出来，这同时也呼应著前面所说思想与知识的差异，主观的思想以文字表达时，混入的作者个人风格往往比客观的知识更多，当作者风格进入文章之中，无论那篇文章的形式为何，本身已经成为了一种创作。

Italian furniture world "hegemony" status from the European Renaissance period began, it has inherited the ancient Rome, ancient Greece's architectural styles, and created the "Baroque" and "rococo" and "neo-classical" high-style, in addition to about artisanal sophisticated machines, carving and inlay work, the lines, the proportion of the design, fully show the rich artistic culture.

意大利家具的世界&霸主&地位，是从欧洲文艺复兴时期开始的，它承袭了古罗马、古希腊的建筑艺术风格，创造出&巴洛克&、&洛可可&和&新古典主义&高风格，除了讲究手工精细的裁切，雕刻及镶工外，在线条、比例的设计上，也充分展现出丰富的艺术气息。

In a superficial sense, they seem more obviously Japanese: despite the visible influence of Wyler and Toland, their dominant style - high-angle shots with actors set against landscapes and dispersed throughout the frame - is reminiscent of classical Japanese painting. But one may surmise that the choice of this style was partly motivated by a desire on Mizoguchi's part to create a recognisably Japanese aesthetic for foreign consumption.

从某种表面意义上看，这些影片看起来带有更易察觉的日本特征：尽管它们明显受到了惠勒与托兰德的影响，但其主导风格（即演员以风景为背景、散落于画面各处的俯角镜头）令人回想起日本古典绘画；不过人们也可以猜测，沟口健二之所以选择这种风格，部分是受到了他希望创造出一种能为外国消费者所辨识的日本美学这一愿望的驱动。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。