风格上的

Taiwan under Japanese governance in early years influenced the demonstration of CD cover styles which existed in the delivering of the symbols of authoritativeness and governance. After Taiwan restoration, the record cover designs in Taiwan now represented multiple visions. Due to the limitation of the record production and lack of planning abilities, people in Taiwan still could not produce records on their own. Meanwhile, the poor Chromolithography technology at that time also made the presentation of the record contents or cover designs bland.

早期受到日本统治的影响下，导致唱片封面在风格上的呈现存在著权威性、受统治性等符号意涵之讯息传递；而光复后至今，台湾的唱片封面设计已开始呈现多元化的视觉图像，但却受限於唱片制作、企划能力不足的情况下，仍无法自制、生产唱片，再加上当时的彩色印刷技术不佳，导致唱片内容或是封面设计的视觉呈现，皆显得单调、乏味。

The research instruments included " Science Concept Comprehension Test, Science-related Attitudes Scale, and Problem Solving Ability Test". The results of this study were that: STS group had significantly positive effect than traditional group on SCCT, SRAS and PSAT.(2) Field-independent students had significantly positive effect than Field-dependent on SCCT.(3) There were no interaction between teaching methods and cognitive styles.

刊究结果发现在问题解决能力、科学理解与科学相关态度三方面，STS组学生皆较一般组学生有正向的表现，且前测并不影响学童在此三方面的后测表现；在认知风格上，场地独立性的学童在科学概念理解上表现较场地依赖性者正向，但不同认知风格学童在科学相关态度和问题解决能力两方面并没有显著差异；学生的认知风格和教学法之间，在科学概念理解、科学相关态度和问题解决能力三方面皆无交互作用产生。

This article is divided into four parts: The first part is introduction, summarizing the avant-gardeliterature's ideological trend,context backgrounds and the emphatical andenergetic atmosphere. From this we grasp his creations, the specialcharacteristics, combing around his two times in the theme and the stylestyle.This period is "the false form", entering the later period of "thereality ".

本文共分四部分：第一部分引言，着重简述先锋文学思潮的时代背景和精神氛围，由此把握余华小说创作的精神特质，并梳理出他前后两个时期在创作主题和风格上的风貌及其变化，即告别前期&虚伪的形式&，进入后期&现实的生活&。

Tubo period sculpture and painting at the absorption of foreign art nutrition, integrated Tibetan folk arts development stage, showing the diversity of artistic styles, with a typical artistic style of Gandhara, with a clear Dunhuang in the Tang Dynasty style, there are the Central Plains sculpture style , a Nepalese style of ancient art, but also a Tibetan folk art combined with the new forms, in a sense it can be said that the development of the arts in the history of Tibet during the opening.

吐蕃时期的雕塑和绘画处于吸收外来艺术营养、融汇藏族民间艺术的发展阶段，表现出艺术风格的多样性，有典型的犍陀罗艺术风格，有明显的敦煌唐代风格，有中原雕刻风格，有尼泊尔古代艺术风格，同时也出现了同藏族民间艺术结合产生的新形式，在某种意义上可以说是西藏艺术发展史上的开放时期。

This article starts form carding the formation and development of the animations in the United States, Japan and Europe, in their respective national television animation style characteristics. In the second chapter, from the national culture, folk customs and ways, the character and geographical four conditions explore the United States, Japan, Europe, ethnic style animation in the film formation due to the dynamic; Chapter III trays to find the common aesthetic features of the Television Animation factors in United States, Japan, Europe, also this part describes the characters from four aspects, such as to find truthfulness, to find kind and so on. Chapter four is the key of this article, this part colludes several parts , such as film animation level, the way how animation to present to the concept of integrity, the character and language of the text character and so on . This end of this article is a summary of papers, down from globalization understanding of the vision of China Television Animation, the theoretical study of the ultimate goal is to practice creative services, what is more important is a comparative analysis, which received some of reference, identify China Television Animation and the gap between other countries, in order to learn from foreign advanced development of the film and television animation experience in the domestic film and television animation themes and concepts updates, in the localization of the close integration with the international on the road to the former OK, can have a more far-reaching significance.

论文首先从美、日、欧、中影视动画各自民族风格的特点出发，对其民族风格的形成与发展进行系统的梳理；进而在第二章中，从民族文化、民风民俗、民族性格和地域条件四个方面探究美、日、欧、中影视动画民族风格形成的动因；第三章是对美、日、欧、中影视动画的同质性因素进行比较，论文从启真、扬善、弘美、尚趣四个维度来寻求其共通的美学特征；第四章中外影视动画民族风格的异质性因素比较是本文的重点，也是论文的难点，这一章涉及到许多影视动画本体性的层面，拟从动画的观念品格、文本品格和行为品格三个方面进行把握、比较；最后一章是论文的总结，从全球化的视野下来认识中国影视动画，理论研究的最终目的是要为实践创作服务的，因而，论文更主要的是通过比较分析，从中获得一些借鉴性意见，找出中国影视动画和其他国家之间的差距，更好的学习国外影视动画先进的发展经验，以期对国产影视动画在题材和观念的更新上、在本土化与国际化紧密结合的道路上如何前行能够有更为深远的指导意义。

His poesies were studied from the longitudinal and horizontal angles respectively.

中文摘要：本文以中唐诗人权德舆的诗歌艺术为研究对象，从纵向与横向两个角度切入，以三个部分展开：正文第一部分为纵向对其诗歌分期研究，注意分析其入阁前后两个时期的生活与诗歌创作的关系及在艺术风格上的差异，其基本方法是&知人论世&。

982 freshers and juniors in universities of different ranks were investigated by drawing form sampling study in Liaoning Province.

通过对辽宁省不同层次的大学982名大一与大三年级学生进行分层整体取样调查，结果显示：（1）大学生心理健康素质在适应和应对风格分量表上的得分大三年级高于大一年级，在归因风格分量上的得分大一年级高于大三年级，年级差异显著；（2）在人际素质、个性素质、认知风格分量表上性别差异显著；（3）大学生心理健康素质在适应、人际素质、动力系统、自我和应对风格分量表上均存在显著的专业差异，艺术类、文史类学生得分高于理工类学生。

The Macao metropolis had being developed from a village to town, and proceeded from town to modem city, there were 3stages of architecture style which including Jesuit Style, European Style and Portuguese-Eclectic Style within three and a half century during the MING and CHING period.

中文摘要：明清时期的澳门城市建筑发展，在三个半世纪里经历了从农村到半农村半城、继而城市化后进入现代，期间在城市建筑风格上存在过耶稣会风格时期、欧陆风格时期及葡式折衷主义风格时期三个阶段。

Www.baiaogu.hb.cn 也为您提供了英语的内容,希望对您有帮助:Wu Rujun, an artist in Japan, the current president of Japan's Beijing Opera, Chinese Opera Institute Visiting Professor, Institute of Jinan art special artistic advisor, is currently active in the arena once the only male actors, from performing to writing and swordsmen, has self-compiled, self-guided, self-acted in sensational,"Empress Wu" and "Royal Dongdu" and other opera drama, but he was still living in Japan more than ten years, successfully for hundreds of years has been in a position Jinghu accompaniment of musical instruments and the most fashion mastery of musical elements, original style, distinctive tones of a light music for the opera to the world towards young people, had rendered meritorious service.

吴汝俊，旅日艺术家，现任日本京剧院院长、中国戏曲学院客座教授、济南艺术创作研究院特邀艺术顾问，是目前活跃在舞台上的唯一男旦演员，从表演到创作，样样精通，曾自编、自导、自演过轰动一时的《武则天》及《贵妃东渡》等京剧大戏，而且他还在旅居日本的十余年中，成功将数百年来一直处于伴奏乐器地位的京胡和最时尚流行的音乐元素融会贯通，独创出风格鲜明的京胡轻音乐，为京剧走向世界、走向年轻人，立下汗马功劳。

They have therefore been more rigorous in putting in Execution the only Remedy, that can be found for this Extravagance, and that has been a constant Resolution, to reject all the Amplifications, Digressions, and Swellings of Style; to return back to the primitive Purity and Shortness, when Men deliver'd so many Things, almost in an equal Number of Words.

因此，他们已更加严格地实施对这种浮夸能找到的唯一补救措施，这是一项坚定不移的决定，即：拒绝任何风格上的夸大、离题、膨胀；回到原初的纯净和简短，人们谈论一定数量的事物时，几乎使用同样数目的词汇。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。