风格上的

The form of Rococo music is introduced, and a viewpoint is put forward, that is, accompany with the appearance of Chinoiserie, the Chinese art styleinfluences the form of Rococo musical style to a certain extent.

三、洛可可音乐风格与18世纪"中国热"。此部分对洛可可音乐风格的形成作了介绍，并且初步提出一个观点：伴随着"中国热"出现的中国艺术风格在一定程度上影响到了洛可可音乐风格的形成。

The integrate style fleuret players were most excellent than other styles' in speed, accuracy and stability of decision-making.

整合化风格的花剑运动员在决策速度、准确性和稳定性上最好，灵活性风格次之，层次化风格的决策速度最慢，决断性风格的决策稳定性最差。

Research methodology adopted the foundation of Erwin Panofsky's Iconology to inspect cultural origin of peony prototype, and adopted the definition of third level to connect image of woman and peony for attempting to explain the definition of peony to maternity and family. This creation displayed there styles: remindful style, decorative style, and surreal style, and then planed three glue watercolor creative series that were "guardian series","flowerage series", and "riches as floating clouds series".

方法学上以般洛夫斯基（Erwin Panofsky，1892-1968）的图像学为基础，探讨以牡丹为原型的文化脉络，以第三层的意义将女人与牡丹的形象连结在一起，并将牡丹延伸意义为母性与家，以此为创作主轴，发展出三个风格：怀旧风格、装饰风格、超现实风格，并规划出三个胶彩创作系列：「守护系列」、「花解系列」、「富贵如云系列」。

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

音乐结构上，通过作品曲式结构与古典协奏曲典型曲式结构的对比，总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新，展现了肖邦在协奏曲创作的继承和创新精神；旋律上，主要围绕作品旋律的歌唱性和色彩性进行论述，充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征；节奏上，通过对第三乐章的节奏分析，展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏，阐述作品的民族特色，并追溯特征节奏的原形，进一步揭示肖邦创作的民族本质和素材来源；和声上，从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手，分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。

About the style I study the close intrinsic relationship between his preferring to prose and his philosophy of life and how the changes of his prose style show the ones of his thoughts. Concerning the subject matter of writing I discuss how Zhou" s loving life and "common humanity influenced it. For example, he like to write the fate of unimportant person, the local snacks, the folk arts, the slight changes in nature and so on. As regard to the genre of writing, I set forth that the contradiction of his philosophy of life make his works present the contradictious style which not only is peaceful but also shows his teeth.

关于文体，着重研究周作人的人生哲学和他对散文的偏爱有什么样的内在联系以及他一生不断创造和尝试不同的散文体式背后的思想变化；关于题材，着重论述周作人对生命的关注热爱与&平凡人道观&在其选材上的体现，如喜欢写小人物的命运故事、不起眼的地方小吃和民间手工艺、大自然的细微变化等等；关于风格，着重阐述周作人人生哲学的矛盾性如何使他的散文也呈现出一种&平淡腴润&与&浮躁凌厉&矛盾统一的复杂艺术风貌。

Japanese housewife hair and makeup meets '70s fashion, which made it to China in the '80s, for one of the best Stylites yet.

日本家庭主妇风格的发型和妆容，跟70年代的时尚风格混合在一起（西方70年代的风格可以说是在80年代影响到了中国）。她可以算是&Stylites&上最有风格的人之一。

The translators' translation strategies and especially their thinking at various stages are the major concerns of the investigation. The findings are as follows: 1. As soon as the translator uses his visual recognition system to build a linear sentence, the sentence will move down to the translator's FLS and FSS, which functions as sifters. 2. It is important to analyze out "participants","process" and "relations among them" by semantic analyzer. 3. Pragmatic analysis is sometimes conscious and sometimes unconscious. 4. During the synthesis stage, translators tend to retain products synthesized from synthesis stage same in meaning, structure and style as the products analyzed from analyzer, which is the default way. However if he was not satisfied with the tentative products, he would send them back to syntactic analyzer or semantic analyzer to process them again. 5. Relative to synthesis, analysis is supposed to be the starting point.

主要推论如下：1、当译者用视觉辨认系统建立起线性的句子以后，句子就进入了译者的常用词汇存储和常用结构存储中，它们就像一个筛子，句子经过它们之后，在译者的短暂记忆中就剩下与它们没有重叠的生词和新句式结构了，然后这些生词和新句式结构就分别进入译者的词汇搜索机制和句法分析器中了。2、在翻译过程中进行&参与者&，&事件过程&以及&参与者与事件之间的关系&的语义分析，对于得到正确合适的翻译是非常重要的。3、语用分析有时是有意识的有时是无意识的。4、在合成阶段，译者通常都保持合成的结果和分析的结果在意义、形式、风格上一致，这是默认的途径，但是如果译者在合成阶段发现可能得到的结果不通顺或者译者不满意，他则会返回分析阶段，重新进行语用、语义或句法分析。5、分析是起点，合成是终点。

The form of Rococo music is introduced, and a viewpoint is put forward, that is, accompany with the appearance of Chinoiserie, the Chinese art styleinfluences the form of Rococo musical style to a certain extent.

三、洛可可音乐风格与18世纪&中国热&。此部分对洛可可音乐风格的形成作了介绍，并且初步提出一个观点：伴随着&中国热&出现的中国艺术风格在一定程度上影响到了洛可可音乐风格的形成。

This article illustrates the art characteristic of Fu Gengchen, researching on his music works in his creating career, through carrying on the systemic, concrete discussion to the music creation and representative works of various types.

本文以傅庚辰创作的音乐作品为研究对象，从探究其创作历程出发，对各种体裁的音乐创作及其代表性作品进行系统、具体的讨论后，又总结出傅庚辰音乐创作的艺术特征：从题材的广度看，抒写军队和人民的社会生活，使作品中蕴涵了革命军人的&大我&精神，同时，他以这种精神表达一种对党和军队、人民的&大爱&；从风格上看：豪情、激情随处可见，大志、壮志贯穿始终，形象、意象生动鲜明。

This article illustrates the art characteristic of Fu Gengchen, researching on his music works in his creating career, through carrying on the systemic, concrete discussion to the music creation and representative works of various types. For example,in view of the extent of the subject matter , he described the army and social life of people , endowing works containing " Self " spirit of the revolutionary armyman. Meanwhile, he expressed a kind of " Great love " on the party , army and people with this kind of spirit . In view of the style: Lofty sentiments and passion are seen everywhere, high aim and lofty ideal are carried throughout, and the visualization and imageination are vivid and distinct.

本文以傅庚辰创作的音乐作品为研究对象，从探究其创作历程出发，对各种体裁的音乐创作及其代表性作品进行系统、具体的讨论后，又总结出傅庚辰音乐创作的艺术特征：从题材的广度看，抒写军队和人民的社会生活，使作品中蕴涵了革命军人的&大我&精神，同时，他以这种精神表达一种对党和军队、人民的&大爱&；从风格上看：豪情、激情随处可见，大志、壮志贯穿始终，形象、意象生动鲜明。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。