风格上的

Post-modernism reached music and painting at very similar moments, on one hand, the spareness, purity, love of mechanism, abstraction and the grid which are very modernist traits were preserved, as was the emphasis on personalizing style and experimentalism.

后现代主义的思想在音乐和绘画上的发生具有相似的情境。一方面，对于机械论式的诠释喜好逐渐降低，现代主义的手段被弃置；取而代之的是个人主义化的风格和实验主义。

Since through the study of original works, a general concepts will be hold in one's own heart together with the direction for which the discipline researches.

其实你可以说，如果一般人想研究一副画作的技术方面的东西，比如颜料的质地啊，混的是什么油啊，某些风格的画家怎么样通过颜料制造立体感啊，就没办法通过复制品研究了，因为电脑上的画是二维的，怎么研究咧。。。

The academy constructs took the academy culture the transformation carrier, in the long-term development, forms by the teaching, the sacrificial offering, the book collection "three big enterprises" primarily, has "the rituals of state" intensely the characteristic planar configuration, and in selected location and in scenery environment management, prominent person and building, environment coordinated unification, pursue " Human and natural fusion" the ideal boundary, is one kind in the cultural connotation, the artistic feature and the esthetic style has the originality the construction type, also is in the Chinese tradition construction system an important constituent.

书院建筑作为书院文化的物化载体，在长期的发展中，形成以教学、祭祀、藏书"三大事业"为主，有强烈的"礼制"特征的平面布局，并在选址和风景环境的经营中，突出人与建筑、环境的协调统一，追求"天人合一"的理想境界，是一种在文化内涵、艺术特色和审美风格上有独到之处的建筑类型，也是中国传统建筑体系中一个重要的组成部分。

On the subject, it is mostly selected based on the historical themes and natural scenery. Part of the works take the traditional black-and-white mimeograph and woodcut techniques in order to pursue a traditional interests' inheritance, from theme to form, part of the works follow the orthodox Realism style to represent a realistic foundation and skillful printmaking techniques.

题材方面，大多为历史题材与自然风景，其中部分作品采取了传统的黑白油印与木刻技法，追求一种从题材到形式上的传统趣味的继承，有的则沿袭了正统的写实主义的风格，表现出精良的写实功底与纯熟的版画技艺。

Part of the works take the traditional black-and-white mimeograph and woodcut techniques in order to pursue a traditional interests' inheritance, from theme to form, part of the works follow the orthodox Realism style to represent a realistic foundation and skillful printmaking techniques.

题材方面，大多为历史题材与自然风景，其中部分作品采取了传统的黑白油印与木刻技法，追求一种从题材到形式上的传统趣味的继承，有的则沿袭了正统的写实主义的风格，表现出精良的写实功底与纯熟的版画技艺。

The second section mainly focuses on the initial stage of Chinese film, its imitation of foreign movies while showing distinctive inclination towards Chinese and Western styles. The early films by Commercial Press Film Studio, Shanghai Photoplay Company and Star Film Company will be discussed in this section.

第二部分《初始的模仿与选择》，讨论1920年代初期中国电影如何从仿制入手，开始了侦探片、爱情片和喜剧片的试验与探索，以《阎瑞生》、《红粉骷髅》、《海誓》和《劳工之爱情》等影片为例，探讨了中国试制电影与欧美影片的影响关系，在此部分还讨论了在"商务"、"上海影戏"和"明星"形成的竞拍态势中，初露端倪的"欧化"与"华式"两条发展路径，包括"商务"早期长片的国家意识和影像风格上"欧化"色彩；"上海影戏"对欧美儿童片的摹仿以及"明星"以《孤儿救祖记》为代表的比较民族化的创作方向。

The second is the change of his style. The previous figures just pay attention to size and shape, which might reflects Deng Jianjin's pursuit of professional identity in his sub-consciousness. Along with the art trend of pop and pictorialization, this pursuit is not necessary, or his achievement no longer depends on this identity, so the pursuit of self-image turned into the self-expression of form.

其二是风格的变化，以前的人物表现讲究体积与塑造，这可能反映了邓箭今在潜意识中对专业身份的追求，随着艺术的波普化与图像化，这种追求已不必要，或者说他的成就已不取决于这种身份，于是形象的自我追寻变成形式上的自我表现。

Whether this imperfection of structure arises from an enlargement of the plan; or from the imperfect reconcilement in the writer's own mind of the struggling elements of thought which are now first brought together by him; or, perhaps, from the composition of the work at different times-- are questions, like the similar question about the Iliad and the Odyssey, which are worth asking, but which cannot have a distinct answer.

无论这种结构上的不完美是源于过分肥大的写作计划，还是源于作者思想之中不断涌现却又矛盾重重的协调性缺憾，还是极有可能发生的因创作时间不同导致的写作风格差异——这些至今仍是有待研究的题目，然而就像《伊里亚德》和《奥德赛》一样，是值得去求证的，只是不容易得出清晰而可靠的结论罢了。

Chapter five: the conclusion, it will use the the Linkou county's slip yuteki tenmoku glaze in one's own art works and plan design of the exhibition, finally by exhibiting in way that to present this achievement of this research, I hope to transmit individual's artistic expression on the creation in the slip yuteki tenmoku glaze through the performing and appreciating of the works, set up my own art practice and connect with local ly.

第五章结论，将针对林口尼将可烧出的油滴天目釉、应用泥浆釉於自己的创作与展览的计画设计，最后藉由作品展览的方式来做为这个研究的成果发表与林口泥浆釉之运用的心得，希望透过作品的展演与欣赏能传达个人於泥浆油滴釉与个人创作上的艺术表现，建立自己的创作风格与并当地互动与连结。

That's a nice turn of phrase, but one might also say that he represented the desire for — not the reality of — a free, expressive, creative style of playing, a collective wish to stem the tide of time and return to an era when classical music mattered more.

这是词语表达上的漂亮的转换，但你也可以说是他代表了这样的愿望--而不是现实--一个自由，富于表情，创作性风格的演奏，一个阻止时间浪潮的前进、返回到古典音乐更重要的时代的共同愿望。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。