风格上的

At last, from the angle of creation style, the revealment of language changeable in mood, the construction of behavior mode of the the "destruction" and "rivival" persons, the phenomenon of "dreanlandland" and "illusion", all above these show the authors contradiction.

第三，从创作风格上来看，情绪化语言的流露、"毁灭"和"复活"的人物行为模式的建构及"梦境"与"幻觉"的人物潜意识描写中的"异质"现象，从另一个角度显示了作者创作思想上的矛盾所在。

MS14Not only Bogart,nearly all the other characters on Miguel Street do likewise.When Edward goes to work at the American base at Chaguaramas,he adopts the American styles of dress and behavior and alternates between a Trinidadian and an American accent.Morgan,who is the subject of derision on the street,will feel depressed if he is not laughed at by others.To make the others laugh and thus gain a self-concept from them,he even plays jokes on his children by conducting a family court and public flogging to punish them.When all his efforts fail to arouse laughter from other street dwellers,Morgan becomes desperate and eventually sets his house and fireworks on fire.

MS14不仅·博加特，几乎所有的其他特征对米盖尔街做同样的事情当爱德华去上班了，他在Chaguaramas美军基地，采用美国风格的服饰、行为和变换Trinidadian之间，带上了美国口音摩根，谁是这个主题的街道上的人，就会感到沮丧，如果他不是被别人嘲笑…让别人发笑，并由此得到一个自我，他甚至从他们对他的孩子们发挥玩笑进行家庭法院和公众的鞭打惩罚他们当他所有的努力失败引起欢笑从其他街的居民，并最终成为绝望。

Curiously, the look is not one of style as much as degree. There is no army of winsomely tousled RPattz clones. Instead, there are Afros, mohawks, dreadlocks and pompadours. There are "Idol"-ized punky pincushions, Allman-esque hippie cascades and Bowie-style, parti-colored shags. And these are just the styles that have names.

奇怪的是，这种头型几乎算不上一种严格意义上的风格，主要包括非洲式，莫霍克式，拉斯塔法里式和后梳式，并没有大量对RPattz蓬松式的模仿，这里有"偶像"式的朋克针垫，奥曼式嬉皮士瀑布头以及包威式和色彩斑斓的烟丝式，这些还是有名字的。

This research focuses both on acoustic parameters of recordings and traditional literatures and will display distinctly the process of the changing style and clarify some amphibolous concepts of music performance that can not be well described in words or even perceived by human senses.

本研究所采用的科学手段与传统文献相对照的综合视角，直观的展现了虽均有所感但通过人类知觉和文字描述又无法明确捕捉的演奏风格特征演变的动态过程，并澄清了一些历史上长期模棱两可的演奏实践基本概念上的误区。

However, Post-Modernism itself hasn't combined form and perfectly. Ultimately, it is resulted from natural defect caused by garbling and compromise. The style turns into "Decoratedshed" which faded away in 90th. However, I believe that Post-Modernism is comparatively acceptable in boundary science such as relationship among architecture, human beings and nature, and also on the topic of urban development.

但后现代主义自身也并未真正解决形式与功能的所谓完美结合，究其根本，我认为是在于其形式感上的断章取义和不得已的折衷理论所造成的天生缺陷，其风格变成了&一张装饰的皮&（Decoratedshed《历史主义不是一种类型》波菲罗斯）因此在90年代终于衰退，但是我觉得后现代主义在一些边缘科学如建筑、人、自然的关系、城市文脉等议题上的研究是相当可取的。

Curiously, the look is not one of style as much as degree. There is no army of winsomely tousled RPattz clones. Instead, there are Afros, mohawks, dreadlocks and pompadours. There are "Idol"-ized punky pincushions, Allman-esque hippie cascades and Bowie-style, parti-colored shags. And these are just the styles that have names.

奇怪的是，这种头型几乎算不上一种严格意义上的风格，主要包括非洲式，莫霍克式，拉斯塔法里式和后梳式，并没有大量对RPattz蓬松式的模仿，这里有&偶像&式的朋克针垫，奥曼式嬉皮士瀑布头以及包威式和色彩斑斓的烟丝式，这些还是有名字的。

Tonally, the film is typical To, with a range extending from moments of goofy visual humour (To regular Lam Suet clowning around) to an absolutely chilling, relentlessly extended torture sequence whose sickening specificity (it evokes the horror of the tortured more than their actual physical abuse) echoes, perhaps unconsciously, Abu Ghraib.

影片基调具有典型的&杜氏&风格，从疯狂的视觉幽默片段（杜氏御用演员林雪的小丑形象）到一个完全森冷无情的施刑人形象层次上的递进使得影片视角得以扩展。后者在技巧上的娴熟独特所引发的受刑人或许无意识的恐惧感的共鸣更有甚于加诸于其肉体的凌虐。

The author thought Li He and Keats'similarity, lies not merely in the work content, the style and the rhetoric technique, looking from deeper one, they both have inherited and developed romanticism technique, also have advancing, have the symbol and only the beautiful tendency, but this is related with the psychology which created with theirs special situation , their unsimilarity, besides experience different, also is closely linked with the different cultural tradition they inherited.

本文从浪漫主义向唯美主义、象征主义转化的这一大背景出发看李贺诗歌在诗歌史上的地位和意义，并将其与济慈比较，认为李贺与济慈的相似，不仅仅在于作品的内容、风格和修辞手法上，从更深一层看，他们在继承和发展了浪漫主义手法的同时，又具有超前性，有象征和唯美的倾向，而这与他们的特殊处境所造成的心理状态有关，他们的不同之处，除了经历的不同外，也与他们所继承的文化传统息息相关。

This musical work for xun and orchestra is not based on the traditional Chinese pieces. However, by featuring a historical subject, it makes us to gain more experience and idea about the age-old musical instrument xun, its timbres and multiple power of expressing the feelings of Qu Yuan's poem in music.

这部用埙与乐队写作的音乐作品，就历史音乐风格而言，并无曲调上的依据，但是通过与特定历史题材的结合，使我们对埙这件古老乐器特有的音色以及它对原作情感内容在音乐上的多种表现力，有了更多的体验和认识。

Ceramic tile ridge Lingnan unique architectural shrine, temple were decorated with six large-scale ridge tiles, decorative tiles at the temple gate on the long ridge of 32.03 meters, is the world's longest ceramic tile ridges, a total of 252 stories shaping the figure; There are life-like plaster, rich layers and techniques delicate brick carvings and exquisitely carved lacquer style of bold gold and stone carvings, theme mostly historical stories, folklore, ancient myths, rich in content, layout compact, lively atmosphere.

陶塑瓦脊是岭南祠堂独有的建筑装饰，祖庙共装饰有六条大型瓦脊，装饰在祖庙山门上的瓦脊长32.03米，是世界上最长的陶塑瓦脊，共塑造252个故事人物；还有栩栩如生的灰塑、层次丰富、技法细腻的砖雕、玲珑剔透的漆金木雕以及风格豪放的石雕，题材大多以历史故事、民间传说、古代神话，内容丰富，布局紧凑，场面热闹。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。