韵

Devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects.

设备，如韵，韵，拟声和节奏，有时用于实现音乐或incantatory影响。

When dealing with the dialogue, Beckett uses rhyme and alliteration which are common to be seen in poetry.

贝克特在处理剧中对白时，采用了尾韵、头韵、以及半谐音等诗歌中常见的修辞手法以增强语言的诗歌化倾向而获得一种音乐感。

In the 15 phonological figures, assonance, alliteration, rhyme and others, are directly responsible for its poetical tendency.

在 15 种语音修辞格里，半谐韵、头韵、押韵等，对小说的语言诗化起到了直接的作用。

Adopting Benjamin's designation of the traditional work of art by the concept of aura, the presence of that which is not present, the culture industry is defined by the fact that it does not strictly counterpose another principle to that of aura, but rather by the fact that it conserves the decaying aura as a foggy mist.

如果采用本雅明通过灵韵（aura，一种不在场的在场）这个概念所表达的对于传统的艺术作品的看法，那么，文化工业被这一事实界定了：它并非从严格的意义上使用另一个原则反对灵韵的原则；它更是被这一事实界定了：它保持着已经消逝成一层薄薄的雾的灵韵。

Chapter five looks at the mutation in language stream with contemporary philologic theories. The characteristics of mutation in changshan dialect are supposed to be show by tone changing , light syllable, r-suffixation, z-suffixation,etc.我每is possibly the r-suffixation of women我们;Some final varied pattern of suffix子is actually r-suffixation;Changshan dialect"s light syllable lies in every level of language and it has multifold forms; There is rich tone change of verbs which can present certain grammatical meanings in Changshan"s dialect.

第五章动态的描写了长山方言中的语流音变，利用当代语音、语法、语义理论从轻声变调、语法变调、小称变韵、子变韵等几个方面考察长山方言语流音变的特点，认为&我每&有可能是&我们&的小称形式；以闻喜方言为代表的&子变韵&并不是&子&音转变而来，而是&儿化&的一种形式；长山方言的轻声变调存在于词汇、短语、句子等多个语言层面，有三种表现形式；轻声助词&了&、&着&、&到&省略后，会引起前面动词的语法变调，等等。

ChapterⅠintroduces the intention, significance and methods of the research from the angle of Chinese historical phonetics. Following the course of re-examining materials, ChapterⅡsurveys the pattern of rhyme, excerpting the metrical feet, ChapterⅢconnects the rhyme categories, the rhyme of different systems contacting with each other, and literary reading and colloquial reading. ChapterⅣcompares the rhyme cateories of traditional Hua-gu opera in Changsha with traditional rhyme tablesd, as well as those of traditional Hua-gu opera in Shaoyang. The total study is conducted to become united with dialect. ChapterⅤcontains the surplus discussion with three theories: the rhyming quality, the connection between rhyme categories and oral speech, between those of literary readings in traditional Hua-gu opera.

本文正文分为五章：第一章从音韵学角度，讨论了花鼓戏用韵研究的背景、意义以及研究方法；接着谨遵韵脚字系联法的步骤，第二章侧重材料分析，包括甄别材料、审度韵例、摘录韵字，第三章侧重韵部系统，包括归纳韵部、异部相押以及文白异读的情况；第四章对传统剧目的韵部系统进行了纵横(与邵阳传统花鼓戏韵部系统的比较)两条线的考察，结合方言是纵横考察过程中的重要环节；第五章是余论部分，主要讨论了三个理论性问题：长沙传统花鼓戏押韵的性质、韵部与实际语音的关系以及与长沙读书音的关系。

QunjingYinbian was the most systematical and self-contained dictionary on alternative pronunciation words then and there. Because it could offer some reference and convenience for the editing of Jiyun, the editors had paid highly attention on it and used it to compose Jiyun as an important reference, thus having significant effect on Jiyun in many aspects.

由于该书可称得上是当时一部最为系统和完备的异读词词典，可为《集韵》增收异读音义提供诸多参考和方便，因而引起了他们的高度重视，于是被列为重要的参考书用来参酌编修《集韵》，由此在诸多方面都对《集韵》产生了重要影响。

Listed are to show the rimes' development from Archaic Chinese to the phonetic system of He-Luo in the Wei-Jin by West and East Han.

中古纯二、四等韵已基本独立，一、二等重韵以及部分重纽韵在河洛音中读音有别。

Body Rhythm" and appeared to solve the kinds of Chinese classical dance drama arises from the existence of the style of dance on functional lines with the contradiction, change the Chinese classical dance and classical ballet at the Opera dilemma between, and in the "Body Charm "play a less important role of the classical dance based on" Body Rhythm Method is even more important.

身韵&的出现，解决了中国古典舞从戏曲种产生时就存在的风格化舞蹈与功能行的矛盾，改变了中国古典舞在戏曲和古典芭蕾之间进退维谷的局面，而在&身韵&对古典舞起到那么重要作用的基础上，&身韵教学法就更加重要。

Body Rhythm" and appeared to solve the kinds of Chinese classical dance drama arises from the existence of the style of dance on functional lines with the contradiction, change the Chinese classical dance and classical ballet at the Opera dilemma between, and in the "Body Charm "play a less important role of the classical dance based on" Body Rhythm Method is even more important.

诎晚韵&的出现，处理了中国古典舞从戏曲种产生时就存在的风格化舞蹈与功能行的矛盾，改变了中国古典舞在戏曲和古典芭蕾之间进退维谷的局面，而在&身韵&对古典舞起到哪么重要作用的基础上，&身韵教学法就更加重要。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失