音高

Double bassoon 低音大管】The largest and lowest pitched of the double-reed wind instruments, sounding an octave below the bassoon.

双簧管系管乐器中音高最低的也是最大的乐器，比低音管的音高低一个八度。

Double bassoon 低音大管:The largest and lowest pitched of thedouble-reed wind instruments, sounding an octave below the bassoon.

双簧管系管乐器中音高最低的也是最大的乐器，比低音管的音高低一个八度。

It focuses on examining the subjects' abilities to find tonality and mode, perceive tendency of melodic pitches and harmonic functional progression, and recognize meter and segment the groups of rhythm. We can thus consider whether or not receiving harmonic training has an influence on recognizing meter and segment groups of rhythm.

它包含调式调性的确定、旋律音高的倾向、和声的功能解决、拍号的识别以及节奏组合的划分等测验项目，实验结果表明，师范类音乐专业大学生对调性音乐音高层面基本组合规则的感知能力不存在统计意义上的差异；是否学过和声对个体把握音乐在时间层面的基本组合规则具有影响作用。

A reed stop in an organ , having eight foot pitch .

倍双簧系管乐器中音高最低的也是最的乐器，比的音高低一个八度

Enjoying the phonic pitch has something to do with frequency, differently the adjust type pitch of dissimilarity is the frequency which depends orotund signal to distinguish analyse of, therefore judge the piano musical instrument each key or chord whether pronunciation is accurate or not can pass to measure its frequency chart to judge.

乐音的音高与频率有关，不同的调式不同的音高是靠声音信号的频率区分的，因此，要判断琴类乐器各个键或弦发音是否准确就可以通过测量其频谱来判断。

A symbol indicating the pitch represented by one line of a staff, in relation to which the other pitches of the staff can be determined.

谱号一个标明五线谱一行所代表的音高，由此五线谱的其它音高标准可以确定

Furthermore, applying the deductive and comparative approach by the classification and organization of chord structure, harmonic progress and the tonality management in six chamber music. Stravinsky use pitches material on the basis of diatonic tone and pitch organizing principle on the basis of polytonality to form his unique harmonic language. Accordingly, we get the further understanding about Stravinskys precise and rational music creation style as well as his extraordinary arractive music language.

文章采用总结归纳和比较研究的方法，通过对六部室内乐作品在和弦结构、和声进行、调性处理等方面和声应用技术的梳理和分类，探讨斯特拉文斯基以自然音为音高基本材料，以多调性为音高组织原则而形成的独特和声语言，从而进一步理解斯特拉文斯基严谨、理性的创作风格以及个性化和极富魅力的音乐语言表达。

In Luo Zhong-rong"s modern compositions, the pitch organization and the form of it"s structure hold the prominent position and issue significant function in music context, and the researches of these aspects in this dissertation occupied referentially also a more wide space. The first three chapters introduced three kinds of pitch organization used in these compositions: serial set, twelve-tone tonality and pentatonic aggregate.

音高的组织与结构方式在罗忠铬的现代音乐创作中有着十分突出的作用，论文在这方面的研究也相应占据了较大的篇幅，前三章分别介绍了作曲家在这些创作中使用的三种音高组织："序列"、"十二音调式体系"以及"五声性十二音集合"。

The research manifests the complementary relationship between pitch and duration in sentence stress of Chinese.

其中在"重读"条件下音高和音长的负相关关系，证实了在汉语语句重音表达中，音高和音长之间的互补关系。

Chapter II of the Seventh String Quartet in general on the background, with pitch-class set theory analysis of three replacement sound relationship between the unified group of pitch throughout the whole idea of music, as well as the theme of fragment replacement pitch twelve-tone theme with a free form.

第二章大致阐述第七弦乐四重奏创作背景，用音级集合理论分析出三音组音高置换关系统一贯穿全曲的思路，以及主题片段音高置换与自由十二音主题形态。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。