音阶

Most music scales are subsets of the chromatic scale, and chord progressions are the simplest relationships among these subsets.

所有的音阶都是由半音音阶所组成，渐进和弦是这些半音阶组合的最简单形式。

The closest analogy is that of music, whereby after seven notes on your western type of scale, if you will, the eighth note begins a new octave.

你们西方音阶系统有七个音阶，如果你愿意，第八个音阶开启一个新的八度音阶。

In this scale the seventh degree of the natural minor scale is raised a half step or semitone.

自然小音阶的第七级音阶升高半音。A小调和声音阶为A - B - C - D - E - F –升G - A。

The half steps occur between the second and third degrees of the scale, and between the fifth and sixth degree. Thus the natural minor scale of A minor can be played on the white notes of the piano from A to A.

半音介于第二级和第三级音阶间，第五级和第六级音阶间。A小调自然小音阶在钢琴的白键上演奏，从A到A。

Based on the method of the Third structure, the writer analyzed Bartok way to build up the work kernel motive from the simple relation of the third, then to establish three pitch combinations to control the whole piece: heptachord collection, octachord collection and the twelve-tone collection.

文章将立足于三度结构手法，分析巴托克如何从简单的三度关系建立起乐曲的核心动机，然后借助动机建立控制全曲的三种音高组合――七音音阶组合、八音音阶组合及十二音组合（twelve-tone collection），再依靠不同音阶组合建立了段落结构，由小至大、由表及里，创作了这首弦乐四重奏的核心乐章。

In this study, we try to provide the examples of the application of mathematics to music; the application of golden ratio to musical structure; the calculation and derivation of Pythagoras scale、pure scale and twelve-tone equal temperament scale; the application and analysis of mathematics in fifth-degree co-generation method; and the two-dimension research of the interval and scale. These discussions apparently show the strong correlation of mathematics and music.

本文藉由数学与音乐的多元对话，探讨音乐领域中数学的应用范例；黄金比例在乐曲结构之应用；运用数学推演和计算毕氏音阶、纯律音阶和十二平均律音阶的组成；探讨五度相生律的应用范例与数学的密切关系；归纳和分析音程和音调的数学二元图表，在在都显示出数学与音乐密不可分的关系。

The paper subsumes scale study into modes relation, reveals the relation between the sympathetic tone of the two scales and framework interval as well as allocation of modes, and holds that there are close relation between pentatonic Slendro and heptatonic .

论文把音阶研究纳入调式关系之中，揭示了这两种音阶的共同音与框架音程的关系以及调音模式的配置，认为五声斯连德若与七声佩罗格这两类甘美兰音阶之间具有密切的血缘关系并建立在共同的结构形态之上。

Javanese gamelan uses two scales with different numbers of notes; North Indian music has 32 different scales.

爪哇的加麦兰乐器使用两个音阶范围，每个音阶具有不同的音符数；北美印第安音乐具有32个不同音阶范围。

Although these three systems are innovational, these have their theory origin. Especially, man-made scale of non-octave cycles breaks the structure of traditional scale and the limitation of octave cycles to be man-made scale. But it still keeps the characteristic of circulation cycle as the same of the traditional scale to be the sister of the traditional scale.

这三种创作手法虽然具有创新性，但都有其理论渊源，尤其是&非八度循环周期人工音阶&，首先突破了传统音阶的结构而成为&人工音阶&，进而突破了八度循环周期的限制，但仍然保持了与传统音阶相同的&有循环周期&的特性，成为了传统音阶的&姐妹&。

For the original pentatonic scale, the palace, Ninomiya PM candidate will commit to the development of six scale, and further into seven scale, coupled with the so-called "sub-lease", initially forming a "plate cavity."

原为五声音阶，后宫、徴二宫调相犯发展为六音阶，进一步又成七音阶，即所谓加上&批子&，初步形成了&板腔体&。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷