音节的

Sometimes,"er" is combined with another final in the preceding syllable to form a retroflex ending.

er 有时和前一个音节的韵母结全成为儿化的韵母。

Each of Fuwa has a rhyming two-syllable name--a traditional way of expressing affection for children in China.

每一个福娃有两个有韵律音节的名字-一种传统的方式来表达感情。

He's even adopted a different stage name for his solo music career.

他甚至为了自己的音乐事业起了个艺名，Bunodata――是他名字音节的反向排列。

Namely, English is considered a stressed language while many other languages are considered syllabic.

具体来说，英语是一种讲究重读的语言，而很多其他语言是讲究音节的语言。

In next lecture, we will come to "Open syllable", which you will find very easy to understand.

下一讲，我们解决"开音节"的问题，学学看，很容易的。

These nouns are compared as they denote the regular patterned ebb and rise of accented and unaccented sounds, especially in music, speech, or verse.

当这些名词意为有规律地形式化的重读与非重读音节的降低和升高时，尤其在音乐、演说或韵文中，它们有所区别。

In the readers' book Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell parafes his polysyllables.

菲斯德尔。法雷尔用龙飞凤舞的字体写下了他那多音节的名字。

In the three decades since Richard Nixon was turfed out of office, Ronald Reagan has been the only Republican candidate with a surname longer than one syllable.

在理查德·尼克松被赶出白宫之后的30年间，罗纳德·里根是唯一一个姓氏超过一个音节的共和党候选人。

Music A style of music evolved from southern Black American secular songs and usually distinguished by slow tempo and flatted thirds and sevenths.

蓝调音乐，布鲁斯：一种源于美国南部黑人通俗歌曲的音乐风格，通常表现为音速低缓，演奏第三和第七音节的降音调

Pianist and composer Jennifer Lin gives a magical performance, talks about the process of creativity and improvises a moving solo piece based on a random sequence of notes.

钢琴演奏家和作曲家Jennifer Lin给大家演奏了富有魔力的钢琴表演，她同时也谈到了创作而且即兴演奏了一段根据随意音节的独奏作品。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。