音节的

He fine-tuned everything from top to bottom to make sure that our capacity is maximized and our voices joint in the best tonal harmony. Under his leadership, the choir shined with dazzling glamour--we had SYF Gold Medal every year, We were the only school choir honored to sing carols for the President and the public in the Orchard Road; We sang in international operas such as the Phantom of the Opera and Aida; We held concerts and operas in Victoria Concert Hall; we received the gold medal in the International School Choirs Competition in Austria; and in 1998 we published our first CD with all the songs and music written by ourselves.After graduation from secondary school and enrollment in Junior College, I started to join other clubs and interest groups to explore more wonders life has to offer. Yet my chorus connection is never lost. Due to some lovely coincidences, fattie Kwei is also the kapellmeister in Victoria Junior College and National University of Singapore.

黄胖的最大优点就是善于发挥每个人的特长，对细节掌控的非常好，如依据每个人音质和音高的不同调整站位精确到几厘米，每两音节间的停顿精确到0.1秒，有时还会依据需要对歌词做临时变声处理（亦即有些英语或拉丁语的单词不发他们正常的本音而换成别的音标，使得歌词在音乐中更加流畅），在黄胖子的带领下立才中学的合唱团每年都创造奇迹--连续数年新加坡合唱比赛第一名，圣诞节在乌节路给总统、总理、议会还有公众的1个多小时的独家献歌，负责诸多著名国际歌剧(Aida， the Phantom of the Opera等)的合唱部分，在维多利亚剧院举办音乐会、歌剧，一举夺得奥地利国际校际合唱比赛金牌，98年更是推出了我们的第一本专辑，专辑里所有歌曲和歌词都由我们自己创作。

He fine-tuned everything from top to bottom to make sure that our capacity is maximized and our voices joint in the best tonal harmony. Under his leadership, the choir shined with dazzling glamour--we had SYF Gold Medal every year, We were the only school choir honored to sing carols for the President and the public in the Orchard Road; We sang in international operas such as the Phantom of the Opera and Aida; We held concerts and operas in Victoria Concert Hall; we received the gold medal in the International School Choirs Competition in Austria; and in 1998 we published our first CD with all the songs and music written by ourselves.After graduation from secondary school and enrollment in Junior College, I started to join other clubs and interest groups to explore more wonders life has to offer. Yet my chorus connection is never lost. Due to some lovely coincidences, fattie Queck is also the kapellmeister in Victoria Junior College and National University of Singapore.

黄胖的最大优点就是善于发挥每个人的特长，对细节掌控的非常好，如依据每个人音质和音高的不同调整站位精确到几厘米，每两音节间的停顿精确到0.1秒，有时还会依据需要对歌词做临时变声处理（亦即有些英语或拉丁语的单词不发他们正常的本音而换成别的音标，使得歌词在音乐中更加流畅），在黄胖子的带领下立才中学的合唱团每年都创造奇迹--连续数年新加坡合唱比赛第一名，圣诞节在乌节路给总统、总理、议会还有公众的1个多小时的独家献歌，负责诸多著名国际歌剧(Aida， the Phantom of the Opera等)的合唱部分，在维多利亚剧院举办音乐会、歌剧，一举夺得奥地利国际校际合唱比赛金牌，98年更是推出了我们的第一本专辑，专辑里所有歌曲和歌词都由我们自己创作。

He used to utilize concise language and plain poetic form: vocabulary in his poems is mainly informal, and most of them belong to monosyllables; on syntax, Frost mainly adopts normal, prosaic lingual orders and strict and orthodox grammars; on the poetic form, he often writes traditional blank verse, sonnet and pays more attention to the phonetic natural rhythm, lines' musical effect and the relations between sound and meaning, which form his unostentatious artistic style.

他的诗歌通常运用简洁凝炼的语言和平淡的诗歌形式：诗歌中出现的大多是口语化的词语，并且大多数词都属于单音节词；在句法方面，大多的句式采用的都是正常的、散文化的语序和严格正统的语法；在诗歌形式上，他主要使用无韵诗和十四行诗，他也十分重视语音的自然节奏和诗句的音乐效果以及音与义之间的联系，从而形成质朴无华的艺术风格。

Four aspects are studied in this paper: the study of non-linear syllable theory of the analysis ofdengyunxue of the syllabic structure of Chinese character, the study of the distinctive feature theory of the four types of the articulation of initials, the study of the markedness theory of the devoicing of the fully voiced initials and the study of the feature geometry theory of the correlates between the devoicing of the fully voiced initials and tonal change. Through our studies, conclusions can be drawn as follows:(1) Contemporary phonological theories can be used to elucidate the principle of Chinese dengyunxue;(2) Contemporary phonological theories can be used to explain the historical phonetic change of Chinese;(3) Different theories and methods of contemporary phonology should be applied to deal with different problems of Chinese phonology;(4) The application of contemporary phonological theories to the study of the historical phonetic change of Chinese is helpful to test and verify the universalizability of these theoretical hypotheses

通过对等韵字音结构分析的非线性音节理论研究、声纽四等的区别特征理论研究、全浊声母清化的标记理论研究和浊音清化与声调演变相互关系的特征架构理论研究等四项初探，揭示了：（1）当代音系理论可以阐明汉语等韵学学理；（2）当代音系理论可以解释汉语历史音变现象；（3）不同的汉语音韵问题，应该用不同的当代音系理论方法来研究；（4）当代音系理论在汉语历史音变研究中的运用，有助于验证其理论假设的普适性

The first chapter describes the phonetic system, and arranges the words in the same syllable, at the same time introduces some characteristic vocabularies(mostly the single-syllable vocabularies)as far as possible, then analizes the phonetic changes in initials, finials and tones; the second chapter divides the often-used words into three parts by investigations, then analizes the cause of the change; the third chapter makes a complement to the grammar which other researchers haven"t spoken of; in the end, the paper talks about the author" elementary idea on the relationship between dialect"s research and Putonghua"s use. With the development of our society, this question will be put on more eyes.

论文首先介绍徐州市区方言的语音部分，描写了音系及其特点，在同音字汇部分整理并排列了徐州方言的同音字，同时也尽量搜罗有特色的方言词列入相应的音节内，然后从声母、韵母、声调三个方面分析徐州市区方言的语音变化；其次是词汇部分，通过调查对徐州市区方言常用词的变化情况作了区分，并分析其变化原因；接着在语法部分对前人尚未涉及的语法现象作了补充；最后结合方言研究与普通话使用的关系谈了自己初步的认识，随着社会的不断发展，这个问题将日益引起人们的重视。

Extensive foreign accent studies have long recognized the crucial role of second language (L2) prosody to successfully convey linguistic and pragmatic meaning in exchanges with native speakers. However, much less work has been dedicated to the prosodic differences in fundamental frequency (F0), intensity, and duration between Taiwanese advanced English speakers and native English speakers. In order to bridge the gap, the present thesis (1) compares the acoustic features between compounds and phrases,(2) compares the acoustic correlates in English compound and phrasal stress between NNG and NG, and (3) examine if NNG can differentiate compounds from phrases.

中文摘要本研究的所探讨的问题有三个，第一，比较英语复合词及片语重音在声学上的差异，尤其是在重音节上的比较；第二，比较台湾高等英语学习者在英语复合词及片语重音上与以英语为母语的外国人有什麼声学上的差异，此声学上的差异又分为三大类：音高(F0)、音量、音长，下又细分成14个参数；第三，我们也探讨台湾高等英语学习者是否能在声学特质展现区别复合词与片语的现象。

This I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burned into my bosom's core; This and more I sat divining, with my head at ease reclining On the cushion's velvet lining that the lamplight gloated o'er, But whose velvet violet lining with the lamplight gloating o'er, She shall press, ah, nevermore!

这我坐着专注猜测，但是没有音节表达到炽热的眼睛进入我的胸部核心之内现在燃烧的鸟；这和更多我坐着占卜，藉由我的头在安逸靠在在垫子的，灯火满足地看了 o'er 的天鹅绒的衬里上，但是谁的和灯火的天鹅绒紫罗兰色的衬里满足地看 o'er，她将推进，啊，决不再！

3The results of disambiguity experiments show that:①If speakers are given appreciatecontext,he/she will provide disambiguation information by prosody;②Listeners have ability tomake full use of this prosody to help comprehension to ambiguous sentences;③Thedisambiguation effects of prosody are different in different kinds of ambiguous sentences;④Thevariations of breaks in front of ambiguous syllable and behind it are the main methods in structuralambiguous sentences;⑤Disambiguating demonstrative ambiguous sentences the importantmeans is setting up accent on the corresponding noun,the fundamental acoustic correlate isduration lengthening of corresponding noun.

歧义实验结果表明，如果提供合适的语境，在发音过程中，人能够运用韵律手段提供解歧信息；而听者在理解话语时也能够有效利用这一信息，达到对歧义句语义解歧的目的。在对歧义句进行适当归类的基础上，发现韵律对不同类型歧义句解歧效果不一。对层次切分歧义句和指代歧义句的深入研究表明，歧义音节前后停顿时长的变化是消解层次切分歧义的最主要的手段；发音人消解指代歧义的基本手段是在所指名词上设置相应的重音，其最主要的声学相关物是所指名词时长的延长。

He used to utilize concise language and plain poetic form: vocabulary in his poems is mainly informal, and most of them belong to monosyllables; on syntax, Frost mainly adopts normal, prosaic lingual orders and strict and orthodox grammars; on the poetic form, he often writes traditional blank verse, sonnet and pays more attention to the phonetic natural rhythm, lines' musical effect and the relations between sound and meaning, which form his unostentatious artistic style.

他的诗歌通常运用简洁凝炼的语言和平淡的诗歌形式：诗歌中出现的大多是口语化的词语，并且大多数词都属于单音节词；在句法方面，大多的句式采用的都是正常的、散文化的语序和严格正统的语法；在诗歌形式上，他主要使用无韵诗和104行诗，他也10分重视语音的自然节奏和诗句的音乐效果以及音与义之间的联系，从而形成质朴无华的艺术风格。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。