音节的

Chapter Two Further Study On Two Types of Tone Sandhis Supposed by Traditional Dialectology The further study is relied on the research of F0 and elapsed time, and more phonetic dealing with the original data.

对这一问题的分析将基于论文第一章所论述的上海方言单音节声调和两类变调的声学特性（基频F0和时长两因素），以及在这两个基本声学特性上所作的语音学意义上的对数据的进一步处理。

In order to reduce these artifacts which may occur in the phoneme pontes of the converted speech if the final part of a Chinese character or a syllable is a diphthong or a tri-phthong, we select a main vowel for each final to warp the spectrum in a longer segment: a final.

为了减轻基于音素的声音变换系统合成的声音频谱出现的很多不连续的现象，我们提出为每个韵母选取一个主要元音音素来代替对应的整个韵母部分，这样可以将语音频谱按音节分割成一些较长的频谱段，减少变换后频谱的不连续现象。

After that, we calculate, describe and analyze the usage of each adverb of degree roundly, concretely and detailedly. The angles of study on each adverb mainly include the origin and development, the ability of combination, the function of syntax, the applicability of sentence-type, etc. We also compare the synonymy monosyllable and disyllable adverbs of degree synchronically from the syntactic, semantic and pragmatic angles.

然后对各个程度副词的使用情况进行全面、具体、详尽的计量、描写与分析，研究的角度主要包括来源发展、组合能力、句法功能、适用句式等，并对同义的单、双音节程度副词从句法、语义、语用的角度进行了共时的比较。

The way his voice rises into caustic incredulity on the last three syllables of "celebrity." The way his stringy black hair moves jerkily into his eyes.

他的音调在"名人"这个词的最后三个音节升高，传达出那种刻薄的怀疑的方式；他黑色的直发猛地一甩遮住他眼睛时的样子。

While developed, following phenomena are considered: the characteristics from psychophysics of hearing, one word with one syllable in Chinese, the acoustic model of speech not strictly being consistent with its linguistic model during recognition and the influence of ambient noise on the performance ...

为此， 在系统的开发过程中，考虑了人类语音交互的听觉感知特点、汉语的一字一音节特点、具体识别时语音的声学模型不必与其语言学模型严格一致的特点以及环境噪声对系统性能的影响等，提出以过渡段+韵母段作为识别基元，采取多层识别策略进行识别。

In position based matching method, syllable lattice is explained as a sequence of some competition sets and then position specific posterior probability is calculated for all candidates.

在采用位置匹配机制的检索方法中，将音节Lattice解释为具有特定位置标号的若干竞争集的级联，给出了相应的搜索匹配方法，以及匹配路径处于特定位置的后验概率值的计算方法。

But more uncanny of, is Anne bluish green city just at mumbling read to cantillate of language of writing, that is to grow peculiar language, isn't the curl syllable which comes from Western Regions, but difficult to pronounce but strong and tough accent, good take a certain stupid decision.

而更诡异的，是安碧城正在喃喃念诵着的文辞，那是种古怪的语言，不是来自西域的卷曲音节，而是拗口而坚硬的口音，好似带着某种笨拙的决心。

And then did we, the seven, start from our seats in horror, and stand trembling, and shuddering, and aghast, for the tones in the voice of the shadow were not the tones of any one being, but of a multitude of beings, and, varying in their cadences from syllable to syllable fell duskly upon our ears in the well-remembered and familiar accents of many thousand departed friends.

这下就把我们七个人都吓得从文化合作上一跃而起，一个个战战兢兢直打哆嗦；因为那影子的声音所包含的不是一个的声调，而是许许多多人的声调，它说话时每发出一个音节就变换一种声调，这些声调阴沉沉地钻进我们的耳朵，使我们回忆起成千上万死去的朋友们那熟悉的口音。

And I define as 'combed' those words that, having three syllables, and neither aspiration, nor acute or circumflex accent, nor doubled z or x, nor twinned liquid consonants, nor such consonants placed immediately after a mute, instead seem, as it were, polished, and leave a certain sweetness in the mouths of those who utter them: such as amore , donna , disio , virtute , donare , letitia , salute , securtate and defesa .

我所谓&柔顺的&词是指有三个音节，没有带气音、重音或者声调，也没有双写的z或者x，没有双清辅音，也没有紧跟在哑音后面的类似的清辅音，相反，它应该是光滑的，让说出这个词的口唇留下甜蜜的味道：比如amore、donna、disio、virtute、donare、letitia、salute、securate和defesa。

SHEAHEN: In the programme note you discuss the "challenge of matching singable English phrases to a decidedly Gallic score …the French language being so full of emphatic consonants, staccato tricks of rhythm and fading syllables at the end of sentences which have no ready equivalent in English."

希恩：在节目说明里你说，&最大的挑战，是把可唱的英语短语跟典型的法式音乐配合起来，法语中有大量的塞辅音，节奏韵律长短的巧妙变化，句尾的弱化音节，在英语中无法找到与此对应的形式。&

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。