音节的

And with heroic truth in every word and sound which thou utterest

满足于你说出每个词和音节中的勇敢的真诚

What we do know—however incredible it may be—is that within the poem lay the entire enormous palace, whole and to the least detail, with every venerable porcelain it contained and every scene on every porcelain, all the lights and shadows of its twilights, and every forlorn or happy moment of the glorious dynasties of mortals, gods, and dragons that had lived within it through all its endless past.

别的人讲这个故事讲得可不一样。世界上不可能有两件事情完全相同。他们说，这位诗人只要吟诵一首诗就可以使皇宫消失不见，那座皇宫就像被诗的最后一个音节抹去了一般，或者被吹成了碎片一般。这种传说，当然，不过仅仅是文学的虚构。

Calls were found from sonograms to be very simple with more harmonics and with high note repeat. Songs are more complex.

同时发现其声谱图结构比较简单，表现出高度的音节重复并多有谐波的现象。

Part Two: In this part, we would conclude the ways of explaining the meaning of the monosyllabic and disyllabic semantemes in "Xiandai Hanyu Cidian", then we would compare the proportion of each method so that we can be clearer about the relationship of the two.

并且就语料范围对同素同义单双音节名词在形式对应关系上进行归纳，统计每种形式在语料中的比例，对它们比例悬殊的原因进行初步探讨。

It is experimentally proved in Section Two that the first syllable tones of tone sandhis of Narrow Type are the tones on postlexicon stratum.

本章第二节用实验方法证明：传统方言学的两字组窄用式变调的前字变调其实就是片语层单音节声调。

Most two-syllable words in English are stressed on the first syllable.

英语中的很多单词的重音都是在第一个音节。

Each of Fuwa has a rhyming two-syllable name--a traditional way of expressing affection for children in China.

每 Fuwa 有一个押韵二-音节名字--为中国的孩子表达爱的传统方法。

Each of Fuwa has a rhyming two-syllable name -- a traditional way of expressing affection for children in China.

每个福娃都有一个由两个音节构成的名字，在中国，这是一种传统方式，来表达对小朋友喜爱的。

The differences of syllable tone have no effect on the words' meanings, but they should combine with the sentences.

词中音节声调高低没有区别词义的作用，它们要服从全句的语调。

In prosody, Chaucer mostly used the ten-syllable line in rhymed couplets (later developed into the most fashionable "heroic couplet " of the 18th century).

从体裁上说，乔叟多用每行十音节、双行一尾韵的诗体(后来演化为18世纪风行的英雄双韵体)。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。