音节的

Or 2, the extended and rapid octave passages of such pieces as Chopin's Polonaise in A Flat, opus 53, or Liszt's Les Funerailles.

这些钢琴家认为：肌肉疲劳是不可避免的：如当弹奏肖邦练习曲作品10号1或2时，长期和快速的八度音节弹奏如肖邦降A大调波洛涅兹舞作品53号或李斯特 Les Funerailles。

You only have to glance at the credits on a Hollywood movie to see the polysyllabic , ethnic diversity of surnames in the great melting pot of the United States.

你只要瞥一眼好莱坞的电影明星，就不难发现在美国这个大熔炉里有许多来自不同种族的多音节姓氏。

You only have to glance at the credits on a Hollywood movie to see the polysyllabic, ethnic diversity of surname s in the great melting pot of the United States.

你只要瞥一眼好莱坞的电影明星，就不难发现在美国这个大熔炉里有许多来自不同种族的多音节姓氏。

You only have to glance at the credits on a Hollywood movie to see the polysyllabic, ethnic diversity of surnames in the great melting pot the United State.

你只要瞥一眼好莱坞的电影明星，就不难发现在美国这个大熔炉里有许多来自不同种族的多音节姓氏。

Dance and music are inseparable forms; only with Sangeetam (words or syllables set to raga or melody) can dance be conceptualized.

舞蹈和音乐是分不开的形式，只有与Sangeetam（词或设置为曲调或旋律音节）可以跳舞的概念化。

Alliteration, inversion, etc. In a word, simulating the forms of the source language poems does not only bring us the joy of dancing in fetters, but also explores the representability of the target language.

当然，既然不同语言系统在外观上似无共同之处，我们不可能处处照搬，但其中必有相通的道理和规律可循，理应可以做到哪怕是部分的平行对应，例如行数、音节数、节拍数、韵式，甚至头韵、倒装等。

Schwa /FwB;FwB/n sound occurring in unstressed syllables and diphthongs in English,eg the 'a' in 'about

非重读央元音，混元音（英语里出现在非重读音节和复合元音中的中性元音，如中的 a）。

I seldom opened my door in a winter evening without hearing it; Hoo hoo hoo, hooner hoo, sounded sonorously, and the first three syllables accented somewhat like how do you do; or sometimes hoo hoo only.

冬季傍晚，我一打开门常常听到"唿——唿——唿，唿——唿"的呜叫声，声音悦耳，前三个音节听起来有点象英语的"你好哇！"有时便只是呜叫而已。

I seldom opened my door in a winter evening without hearing it; Hoo hoo hoo, hoorer hoo, sounded sonorously, and the first three syllables accented somewhat like how der do; or sometimes hoo hoo only.

Thoreau： Walden 冬季傍晚，我一打开门常听到"唿——唿——唿，唿儿——唿"的鸟叫声，声音很悦耳，前三个音节听起来有点像英语的"你好哇！"有时候便只是鸟叫而已。

I seldom opened my door in a winter evening without hearing it; Hoo hoo hoo, hooner hoo, sounded sonorously, and the first three syllables accented somewhat like how deardo; or sometimes hoo hoo only.

冬季傍晚，我一打开门常常听到"唿——唿——唿，唿——唿"的鸟叫声，声音哼悦耳，前三个音节听起来有点象英语的"你好哇！"

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。