音节的

If in English pronunciation's short vowel, consonant cluster, by the fricative, the affricate conclusion syllable and so on do not have in Chinese.

如英语语音中的短元音、辅音连缀，以摩擦音、破擦音收尾音节等在汉语中都没有。

"General Kutuzov has been kind enough to have me as an aide-de-camp," said Bolkonsky.

"LegénéralKoutouzoff，"博尔孔斯基说道，像法国人一样，说库图佐夫一词时总把重音搁在最后一个音节上，"库图佐夫将军要我做他的副官……"

The main stress in 'photography' falls on the antepenultimate syllable.

photography一字的主重音在倒数第三个音节上。

Furthermore, syllable counts give no direct evidence of the rate at which articulatory organs move.

此外，音节数并不能直接显示发音器官移动的速度。

Assonance describes syllables with a common vowel.

准押韵通过一个共同的元音来描述音节。

An atonal spelling of a word is constructed with syllables of sound proper.

不记调拼字就是语辞内各音节全为主韵的拼字。

The disyllabic pitch model is obtained with the help of cubic polynomial approximation and neural network technique.

双音节音高模型是韵律调节的基础；将Kohonen自组织神经网络技术应用到音高模型的分类，并取得了较好的分类效果；（4）基于正弦模型表示的汉语语音分析与合成：将正弦模型引入到汉语的语音分析合成中来，提出了汉语的基于正弦模型表达的分析合成算法，并对在汉语普通话语音合成中的应用，包括汉语四声的变调、时长音高的调整等进行了深入的研究；对于合成音节之间的拼接问题作了探讨，并提出了自己的观点；在国内外的文献中，还没有对于该方法用于汉语语音的分析合成的应用的报道，因此是本文的主要贡献之一。

From the angle of analysis, Mandarin segmental structure and syllable structure are the basis for the constraint hierarchy to derive the grammatical surface forms; from the theoretical angle, there exists the question such as whether unary segmental specifications and the non-linear representations of the syllable structure are compatible with the surface oriented constraints and the constraint hierarchy.

从分析的角度来看，对普通话的音段结构和音节结构的研究是依靠制约条件推导符合语法的形式的基础；从理论的角度来看，音段结构和音节结构的非线性表达方式和以表层形式为作用对象的制约条件本身以及制约条件系统之间存在着理论兼容的问题。

Akkadian scribes wrote the language using cuneiform script, an earlier writing system devised by the Sumerians using wedge-shaped signs pressed in wet clay that in Akkadian could represent either Sumerian logograms (i.e. picture-based characters as in Chinese), Sumerian syllables, Akkadian syllables, and phonetic complements.

阿卡德的抄写员用楔形文字的字体来记录，是一种源自苏美尔人的较早期的书写体系，是把楔形的符号印入湿润的粘土上，这样阿卡德语就可以表现为四者其一：苏美尔语的语标符号（也就是以图画为基础的字符，就像中国文字一样）；苏美尔语的音节；阿卡德语的音节；还有文字的声旁。

Fourteen parts of grammar were described, including the measure words, the location component, pronouns, helping words, adverb, verb auxiliaries, comparative sentence, giving sentence, dispositional sentence, passive sentence, negative sentence and question sentence.

在清末粤方言语法材料的基础上考察历时演变，共出现29个变化点，主要包括：（1）量词&样&、&回&和&个&使用减少；（2）&度&由量词发展为处所词后附成分；（3）清末疑问代词&边&和&乜&竞争，今天&乜&的用法被削弱；（4）&V得&的用法扩大，改变&可以&和&能&的地位，助动词&识&的用法增加；（5）副词&啱&意义扩大，一些双音节副词出现语素更替；（6）动词后补成分&高&被&上&取代，&起嚟&和&去归&消失；（7）表示完成的动态后助成分&哓&完全消失，由&唨&取代，&V下&之外出现动词重叠表短时、随意的用法；（8）句末助词&呢&的读音、&咋&表达的事态或者语气的意义稍有变化；（9）给予句&俾+N〓+过+N〓&是清末的主流形式，今天以双宾语形式&俾／V+N〓+N〓&为主，&过&消失；（10）出现像普通话的&比&字句；（11）清末文献里可以引出处置对象的&戒&不再使用；（12）&俾&发展为一个比较成熟的被动句标记，&被&的使用消失；（13）单音节形式的否定词增加；（14）正反疑问句发生根本性的变化，宾语和补语等补足成分转而出现在否定形式之后，选择疑问句连接选择项的&嚊&或&口被&消失。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。