音节的

The weakened tones and atonic syllable is reflected differently in the Tails In order to show the property of its original tone, weakened tones will dissimilate so as to restore its pitch to a certain degree, causing adjoining syllables' pitch antithesis to differ.

调核前音节跟调核后音节相同也受到调核的影响，它的音高趋势发生变化。但是，其变化程度跟调核前一音节本身的词义轻化程度有关。在调尾中，正常重音音节的轻化和轻声音节的表现有所不同。

It is in accordance with the vowel letters, vowel combinations of letters, consonants and consonant-letter acronym in the open and closed syllable syllable pronunciation of the law of memory.

它就是按照元音字母、元音字母组合、辅音字母及辅音字母组合在开音节和闭音节的读音规律记忆。

Various rules of elision sometimes prevent a grammatical syllable from making a full syllable, and certain other lengthening and shortening rules can create long or short syllables in contexts where one would expect the opposite.

各种规则的省音有时防止语法音节作出全面音节，和其他一些加长和缩短规则（如correption ）可以建立长期或短期在音节的情况下可以预料相反。

Stress is a relative notion; only words with two or more syllable can be said to have word stress, and monosyllabic words, can not be said to have word stress.

重音是一个相对的概念，只有两个或两个音节以上的单词才可以说有单词重音，单音节的单词，即只有一个音节的单词，是不可能有单词重音的。

Their vocal quality is better than non-passerine, but still much less than oscine passerine. Compared with non-passerine, they appeared longer syllable length, higher basic frequency and more viable frequency ranges. Though the amplitude modulation properties enhanced their vocal production, the type of syllable is still stable and less of variety. So thephrase consisted of syllables are comparatively few and changes of the tone are relatively less.

且表现出很强的频率调制特性和特有的幅度调制特性，相对的音节时程比较长，基频较高且频率变化范围较大，所特有的幅度调制特性更增加了其控声的能力，但其音节的种类仍很单一，缺乏变化，由音节所组成的句型较少，音调变化幅度不大，因此，其叫声质量尽管较非鸣禽有所改善，但相对鸣禽而言却又远远不如。

For verbally language, the basic meaningful unit is two-syllable representation. The nomenclature of insects basically follows two-syllable expression; moreover, it extends to be three-syllable expression for continuous derivative.

以口头语言而论，「最小的意义单位」大都是以双音节的形式呈现；虫仔名不但多「双音节化」，更倾向於以「三音节化」的方式继续衍生。

Alliteration is repetition of homophonous accented, syllable-initial phonemes, as in house and home, cash and carry, tea for two , usually for stylistic or poetic effect.

Alliteration ：头韵，指几个音节的首个辅音相同，且辅音所在音节都是重读音节，目的是达到某种文体或诗歌效果。

It has some specialties as follows:Unsymmetrical lip contour model was used to extract the information of pouting;Chinese pronunciation of vowel and consonant was enhanced to improve the dynamic process;considering the developing of lip-reading techniques,this database was fit for expanding.

不同于现有的数据库，该数据库的设计具有以下特点：采用了非对称唇形轮廓模型，提取了嘴唇突出度的信息；针对汉语音节的特点，增强了汉字音节中信息变化过程；兼顾未来唇读技术的发展，以音节为基本元素，具有可扩充性。

When two-syllable prefixes form a three-syllable word, there is usually primary stress on the first syllable, followed by an unstressed syllable and secondary stress on the third syllable.

如果双音节的前缀成为一个三音节单词的一部分，强重音通常放在第一个音节，接着第二个音节是非重音，次重音则放在第三个音节。

Based on the language materials collected, the third chapter analyses the understanding restriction conditions of "VP+NP_1+DE+NP_2" ambiguity structure from the NP_2"s life and the VP"s mobility. The author comes to the following conclusions: the NP_2"s life rank with the "VP+NP_1+DE+NP_2" structural ambiguity in understanding becomes the correlation dependence, the monosyllable verb which expresses the hands" and the foot"s movement, easily combining with the tense auxiliary, enter the "VP+NP_1+DE+NP_2" structure to form the latent ambiguity structure; the double syllable verb which has the causes feature is easy to enter the"VP+NP_1+DE+NP_2" structure to form latent ambiguity structure; the double syllable "noun-verb", with the influence of the behind noun NP_1, both can be understood as the valency combination, and the non-valency combination, thus causes the "VP+NP_1+DE+NP_2structure to appear ambiguity.

在第三章中，我们将在语料分析的基础上分别从NP_2的生命度和VP的动性这两方面探讨这一歧义结构在理解上的制约条件：NP_2的生命度等级与&VP+NP_1+的+NP_2&歧义结构理解为偏正结构的几率成正相关关系：表示手、脚等的单音节动词容易与时态助词结合，进入&VP+NP_1+的+NP_2&结构形成潜在的歧义结构；带有致使特征的双音节动词容易进入&VP+NP_1+的+NP_2&结构形成潜在的歧义结构；双音节的&名动词&由于受其后所跟的名词NP_1的影响，既能理解为配价组合，又能理解为非价组合，从而使得&VP+NP_1+的+NP_2&结构出现歧义。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。