音节

Traditional Japanese haikus are supposed to be composed of just 17 syllables, arranged in three lines and including a "kigo": some word suggesting a season of the year.

传统的日本俳句仅有17个音节，三个句子和一个&kigo&，一些词使人想起一年里的某个季节。

Traditional Japanese haikus are supposed to be composed of just 17 syllables, arranged in three lines and including a "kigo": some word suggesting a season of the year.

传统的日本俳句应该是只有17个音节组成，排列成行，包含了一个& kigo &：一些代表了本年种季节的词。

Traditional Japanese haikus are supposed to be composed of just 17 syllables, arranged in three lines and including a "kigo": some word suggesting a season of the year.

传统的日本俳句仅有17个音节，三个句子和一个季语，季语指的就是一年中的某个季节。

Traditional Japanese haikus are supposed to be composed of just 17 syllable s, arranged in three lines and including a " kigo ": some word suggesting a season of the year.

传统的日本俳句应该由17个音节组成，排列成三行包括一个& kigo &：一些词语暗示一年中的一个季节。

Traditional Japanese haikus are supposed to be composed of just 17 syllables, arranged in three lines and including a "kigo": some word suggesting a season of the year.

传统的日本俳句应该只是由17个音节组成，然后排成3行，包括一个季语。季语是暗示一年中季节的词语。

Traditional Japanese haikus are supposed to be composed of just 17 syllables, arranged in three lines and including a "kigo": some word suggesting a season of the year.

传统的日本俳句应该仅由17个音节组成，排列成三排并包括一个&kigo&：代表一年中某个季节的词语。

Traditional Japanese haikus are supposed to be composed of just 17 syllables, arranged in three lines and including a "kigo": some word suggesting a season of the year.

传统的日本俳句被认为由17个音节组成，排列为三行，包括一个&kigo&。&kigo&是由一些词来解释一年中的某个季节的。

Traditional Japanese haikus are supposed to be composed of just 17 syllables, arranged in three lines and including a "kigo": some word suggesting a season of the year.

传统的日本俳句应只有17个音节组成，排列成三行并且包括一个&kigo&：某种暗示季节的词语。

Traditional Japanese haikus are supposed to be composed of just 17 syllables, arranged in three lines and including a "kigo": some word suggesting a season of the year.

传统上，日本俳句仅有17个假名音节，分为三行，每行还要有一个&季语&，即用来表示一年中季节的词汇（描绘春夏秋冬的四时风情，山川草木的自然风姿，花鸟虫鱼的千姿百态等等

Part Four is a record and composition of its homonyms.

第四部分记录并且整理了茶陵下东乡方言的同音节单位表格。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。