音节

The measured arrangement of words in poetry,as by accentual rhythm,syllabic quantity,or the number of syllable s in a line.

韵律诗歌中字词的有格律的排列，如重音的韵律，音节的数量或一行内音节的总数

The accented or long part of a metrical foot, especially in accentual verse.

强音节音步中长的或重读的部分，尤指在重音节诗歌中

Meter The measured arrangement of words in poetry, as by accentual rhythm, syllabic quantity, or the number of syllables in a line.

韵律：诗歌中字词的有格律的排列，如重音的韵律，音节的数量或一行内音节的总数

The pattern or flow of sound created by the arrangement of stressed and unstressed syllables in accentual verse or of long and short syllables in quantitative verse.

韵律：重音韵文中重读与非重读音节排列造成的声音形式或声流，或由数量长短为基准的韵文中长短音节的排列造成的声音形式或声流

The preordained frangibility of the hymen: the presupposed intangibility of the thing in itself: the incongruity and disproportion between the selfprolonging tension of the thing proposed to be done and the selfabbreviating relaxation of the thing done; the fallaciously inferred debility of the female: the muscularity of the male: the variations of ethical codes: the natural grammatical transition by inversion involving no alteration of sense of an aorist preterite proposition (parsed as masculine subject, monosyllabic onomatopoeic transitive verb with direct feminine object) from the active voice into its correlative aorist preterite proposition (parsed as feminine subject, auxiliary verb and quasimonosyllabic onomatopoeic past participle with complementary masculine agent) in the passive voice: the continued product of seminators by generation: the continual production of semen by distillation: the futility of triumph or protest or vindication: the inanity of extolled virtue: the lethargy of nescient matter: the apathy of the stars.

671处女膜先天的脆弱性，物体本身预先假定的不可触性。为了达到目的而自我延长的那份紧张以及完成之后的自我缩短与松弛，这二者之间既不调和也不均衡。女性之虚弱及男性之强韧乃基于谬误的臆测。道德的准则是可变的。自然的语法转换：在不引起意思变动的情况下，由主动语态不定过去式命题（从语法上分析：男性主语，单音节拟声及物动词，女性直接宾语）转位到相关的被动语态不定过去式命题：3）（从语法上分析：女性主语，助动词与准单音节拟声过去分词，男性主动补语）。借着生殖，不断地生产播种者们。借着酿造来连续地生产精液。胜利也罢，抗议也罢，复仇也罢，都是徒劳的。对贞操的颂扬煞是无聊。无知觉的物质毫无生气。星辰之情感淡漠。

The importance of tone is limited in the modern shanghainese, especially in the atonic syllables

由于现代上海话声调作用有限，联拼时候只需标出重读音节，用西班牙语重音符号′表示去声以外的声调非重读音节可以不标调。

The importance of tone is limited in the modern shanghainese, especially in the atonic syllables. One marks only the accentuated tones.

由于现代上海话声调作用有限，联拼时候只需标出重读音节，用西班牙语重音符号′表示去声以外的声调非重读音节可以不标调。

It is in accordance with the vowel letters, vowel combinations of letters, consonants and consonant-letter acronym in the open and closed syllable syllable pronunciation of the law of memory.

它就是按照元音字母、元音字母组合、辅音字母及辅音字母组合在开音节和闭音节的读音规律记忆。

In the closed syllable "a"sounds //.Ss: name, age, face …T : Very good. What about /(/Ss: am, has, an …2. Listen to 1 and pay more attention to the pronunciation.

学生会发现都是字母a，发/eI/时后面有字母e等，根据学生讲的，老师再进行补充说明开音节、闭音节。

Apparition" reaches two ways, toward ghosts and toward invisible revealing. 'Petals," the pivotal word, relies for energy on the sharp cut of its syllables, a consonantal vigor recapitulated in the trisyllabic "wet, black bough".

幽灵"指向两个含义，鬼怪和不可见的形体；关键词"梨花，简单又锐利的音节却又依附了能量，以辅音夹带的气势引出三个音节——潮湿的，黑的，枝条。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。