音节

Mandarin syllable structure has been analyzed in the thesis.

论文对普通话的音节结构也进行了分析。

Many times the second syllable is a synonym of the first.

很多次，第二个音节是一个别名的第一次。

In this paper,the clustering problem of syllable pitch contours is studied.

主要研究音节基频包络的聚类问题。

In a word,the similarities not only exist in syncopation and syllable structure ,but also in the changing trend of inflection.

英、汉两种语言语音间除切分音位与音节结构的相似性外，其实在这两种语言中音调的音高变化趋势方面也有一定的相似性。

They were doing the Nyau dance—he recognized the syncopation.

他们跳起了"Nyau"舞——他记得那个音节。

Part 3 is on the comparison of the 11 conversing double syllable synonymy verbs.

第三部分，文章对11对双音节同素逆序动词进行了考察并逐一作出比较。

How to correctly use synonymous verbs which contain single or double syllable synonymy is always a difficulty for foreign students in the learning Chinese.

含同一语素的单双音节同义动词的使用一直是对外汉语教学过程中的难点之一。

True love is as luminous as the dawn and as silent as the tomb. Only, Courfeyrac saw this change in Marius, that his taciturnity was of the beaming order.

他宁肯让人家拔掉他的指甲，也不会说出构成珂赛特这个不当泄露的神圣名字的那三个音节中的一个。

We have made some syllables and phonemes rate counts based on tape-recording of three radio newscasts, each by a different speaker.

我们依据三则说话者各不相同的新闻广播录音，计算出每秒平均音节数与音位数。

Montoya himself started to use other chords for the tonic in the doric sections of several palos : F sharp for tarantas , B for granaína, A flat for the minera , and he also created a new palo as solo piece for the guitar, the rondea , in C sharp with scordatura .

Montoya 自己曾开始在一些调式的多利斯音节中使用其他和弦来演奏主音：使用升 F 调演奏 tarantas ，使用 B 调演奏 granaína ，降 A 调演奏 minera ，他还创造了一种吉他独奏曲式 rondea ，使用变格定弦法在升 C 调上演奏。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。