音节

Apparently, the evolution have generated the situation of the separation of monosyllabic form and disyllabic form, and thus generated the form system of direction words. The totally different paralleling dual system is the basis of the later evolution. The monosyllabic and disyllabic direction words has gradually come into the weakened meaning or morpheme,while disyllabic direction words has more substantive nature,with more freedom in the sentences.

可见，语义的发展变化最终导致了汉语方位词形式系统单双音节两分的局面，这两种形式方位词的不同语义特点也是后来发展演变的基础，单音节方位词逐渐走向虚词性或词法平面，而双音节方位词则具有更多的实词性，更为自由地出现在句子中。

Various rules of elision sometimes prevent a grammatical syllable from making a full syllable, and certain other lengthening and shortening rules can create long or short syllables in contexts where one would expect the opposite.

各种规则的省音有时防止语法音节作出全面音节，和其他一些加长和缩短规则（如correption ）可以建立长期或短期在音节的情况下可以预料相反。

Like a five-fingered fluff,Folded into my palm,Only that's not enough.In the good aftermath,World was festively lighted

其中奇数句压的是阳韵，因为诗行以重读音节结尾，偶数句压阴韵，因为重读在倒数第二个音节，最后一个音节非重读。

Stress is a relative notion; only words with two or more syllable can be said to have word stress, and monosyllabic words, can not be said to have word stress.

重音是一个相对的概念，只有两个或两个音节以上的单词才可以说有单词重音，单音节的单词，即只有一个音节的单词，是不可能有单词重音的。

It may be a syllable another morpheme, possibly less than one syllable, there might have been more than one syllable.

它的另一个语素可能是一个音节，也可能不到一个音节，也可能不止一个音节。

Their vocal quality is better than non-passerine, but still much less than oscine passerine. Compared with non-passerine, they appeared longer syllable length, higher basic frequency and more viable frequency ranges. Though the amplitude modulation properties enhanced their vocal production, the type of syllable is still stable and less of variety. So thephrase consisted of syllables are comparatively few and changes of the tone are relatively less.

且表现出很强的频率调制特性和特有的幅度调制特性，相对的音节时程比较长，基频较高且频率变化范围较大，所特有的幅度调制特性更增加了其控声的能力，但其音节的种类仍很单一，缺乏变化，由音节所组成的句型较少，音调变化幅度不大，因此，其叫声质量尽管较非鸣禽有所改善，但相对鸣禽而言却又远远不如。

The modulation of sound properties over a wide range of time scales is one of the most obvious characters of Oscine passerine\'s vocal, whose song contains many different kinds of syllables that consist of many more multiple song phrases. In oscine passerine, ipsilateral projections of RA to NXIIts innervates the ipsilateral syringeal muscles exactly, and thus they have strong ability of vocal control with variable tones, high frequency and higher lever of quality.

鸣禽鸣啭的最大特点之一便是其单次鸣唱时间长，鸣唱所包含的音节数量和音节种类繁多，因而由这些音节所组成的句型结构也是复杂多样富于变化，且由于NXIIts严格的侧别控制(每一侧核团只支配同侧鸣肌)，使其具有更强的控声能力，其鸣声音调变化幅度大，频率高，品质因数大，音色好，因而其鸣声也悦耳动听。

This article has selected nearly two hundred attributive words which have been used more often in this period, identified their semantic characteristics and classified them into two categories: monosyllabic attributive words and disyllabic or polysyllabic attributive words.

本文挑选出近二、三十年来新出现的近两百个使用频率较高的区别词，根据上面分析出的区别词的三个语义特征，对它们的区别词性质进行了确认，并将它们分成单音节区别词和双音节或多音节区别词两大类。

Into the F0 contour. And based on the idea of optimization, this paper inversely extracts the parameters associated with optimization (namely the top-line, the bottom-line, the smoothness, the distortion, the stress) from the clustered F0 contour using the MMSE principle for the monosyllable, the disyllable, the trisyllable chunks.

基于这种优化思想，该文针对聚类后的单音节、二音节和三音节韵律块的基频曲线，利用最小均方误差准则通过反演提取了各个单元的优化相关参数(高音线、低音线、平滑因子、形状失真度、重音强度)。

For verbally language, the basic meaningful unit is two-syllable representation. The nomenclature of insects basically follows two-syllable expression; moreover, it extends to be three-syllable expression for continuous derivative.

以口头语言而论，「最小的意义单位」大都是以双音节的形式呈现；虫仔名不但多「双音节化」，更倾向於以「三音节化」的方式继续衍生。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。