音节

Police in the British city of Birmingham have raided a massage parlor to free 19 women they had believed were being forced to work as prostitutes.

忽然想明白，这里的 they 是代表 police ，原来我竟然一直以为是 19 women ，这样再听我觉得应该就是简单的 they believe ，没有拖泥带水的任何其他音节。

Her surviving scores reveal Caccini to have taken extraordinary care over the notation of her music, focusing special attention on the rhythmic placement of syllables and words, especially within ornaments, on phrasing as indicated by slurs, and on the precise notation of often very long, melodically fluid vocal melismas.

她幸存的分数显示卡奇尼已接管了她的音乐符号特殊照顾，重点是有节奏的音节词和安置特别注意，特别是在饰品上，措词如诬蔑指出，而在往往很长的精确符号，旋律流体声

Of or relating to a metrical system based on the duration of syllables rather than on stress.

音量的：基于音节的音长而不是重音的韵律系统的，或与之有关的。

Of or relating to or containing a metrical foot of two unstressed syllables.

属于、关于或含有一种有节奏的步伐，上有两个无重音的音节。

Verse metrically complete; especially having the full number of syllables in the final metrical foot.

韵律上完整的；特别是在最后一个韵脚有完整的音节数。

Verse having an extra syllable or syllables at the end of a metrically complete verse or in a metrical foot.

在韵律完整的诗歌的结束部分或者一个韵脚的结束部分有额外的一个或多个音节。

Having a metrically complete pattern , especially having the full number of syllables in the final foot .

押韵的，完全韵脚的：格律完整的形式，尤指最后的韵脚其音节数完整。

Having a metrically complete pattern,especially having the full number of syllable s in the final foot.

押韵的，完全韵脚的格律完整的形式，尤指最后的韵脚其音节数完整。

Verse metrically incomplete; especially lacking one or more syllables in the final metrical foot.

韵律上不完整；特别是在最后一个韵脚缺少一个或多个音节。

With lots of data, we have determined that Mang is an independent language in Mon-khmer sub-family of Austroasiatic.

我们对莽语次要音节的性质、种类进行了界定，对莽语的声调起源提出了自己的观点，并在大量比较材料的基础之上，确定了莽语是属于南亚语系孟高棉语族的一种独立的语言。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。