音节

There are two types of syllables: the open syllable and closed syllable.

音节有两类：开音节和闭音节。

Dactyl: It's made up of one stressed and two unstressed syllables, with the stressed in front.

扬抑抑格：扬抑抑格由一个重度音节和两个非重度音节组成，重读音节在前。

This paper is an investigation of the differences between monosyllabic and disyllabic time adverb as a synonymy which display in three aspects: the difference of syllable of the modifying object,the difference of pragmatic rank and the difference of grammatical function.

同义的单音节时间副词和双音节时间副词之间，存在三个方面的差异：修饰对象的音节差异、语用移位的差异以及语法功能的差异。

Four parts that compose the thesis are as following: The first part discusses the pragmatic differences of the symonymly monosyllable and disyllable nouns through analyzing and contrasting their meanings, and classifies them into several categories.

本文共分为四个部分：第一部分通过对近义单、双音节名词词义的对比分析讨论对应的近义单、双音节名词在语义上的差异，并归纳出近义单、双音节名词词义区别的若干类别。

And although Italian poets have used trisyllabic lines, and hendecasyllables, and every type of line in between, the most popular have been the lines of five, seven, and eleven syllables, with the trisyllable most favoured among those that remain.

而且尽管意大利诗人使用过三音节、11音节诗行，以及介于两者之间的所有变体，最流行的还是5、7、11音节诗行，而3音节诗是所有保存下来的诗中做受欢迎的。

A metrical foot consisting of one accented syllable followed by two unaccented or of one long syllable followed by two short, as in flattery.

扬抑抑格诗韵的韵脚，由一个重音节紧接两个非重音节或一个长音节接两个短音节组成，如在flattery中

"Dactyl:a metrical foot consisting of one accented syllable followed by two unaccented or of one long syllable followed by two short, as in flattery ."

&扬抑抑格：诗韵的韵脚，由一个重音节紧接两个非重音节或一个长音节接两个短音节组成，如在flattery中。&

"Dactyl:a metrical foot consisting of one accented syllable followed by two un accented or of one long syllable followed by two short, as in flattery."

&扬抑抑格：诗韵的韵脚，由一个重音节紧接两个非重音节或一个长音节接两个短音节组成，如在flattery中。&

Conflicts between statements and transcriptions of this kind will be discussed further below4,the gestures for consecutive stops overlap,so that stops are unexploded when they occur before another stop in words 5,in many accents of English,syllable final/p,t/are accompanied by an overlapping glottal stop gesture ,as in pronunciations of tip,(this is another case where transcription cannot fully describe what is going on)6,in many accents of english ,/t/is replaced by a glottal stop when it occurs before an alveolar nasal in the same word7,nasals are syllabic at end of a word when immediately after an obstruentNote that we cannot say that nasals become syllabic whenever they occur at the end of a word and after a consonant.the nasals in kils,film are not syllabicity of /l/by saying simply.8,the lateral /l/ is syllabic at the end of aword when immediately after a consonant.

之间的冲突的声明和抄录这种将进一步讨论见下文） 4 ，连续的姿态站重叠，因此，车站未发生时之前停止在另一个字 5 ，在许多口音的英语，音节最后/磷，吨/年的同时，重叠喉塞音的姿态，在发音的提示，（这是另一个情况下，转录不能完全说明是怎么回事） 6 ，在许多口音的英语，/吨/年是取而代之的是一个喉塞音发生时肺泡鼻前的同一个词 7日，鼻骨的音节在一个单词的结尾时后立即obstruent 请注意，我们不能说鼻骨成为音节何时何地发生在一个单词的结尾之后consonant.the鼻骨在kils ，电影不是syllabicity的/升/说简单。 8 ，横向/升/是音节在年底时aword后立即辅音。

Similarly, in the syllable duration model, four affecting factors of tone, syllable position in word, base-syllable, and inter-syllable coarticulation are considered. We also assume that these affecting factors are independent and additive.

在音节长度模型中，我们考虑了声调、音节在词的位置、基本音节以及前后音节连音的四种影响因素，我们同样假设这些影响因素为彼此独立且具加成性。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。