音色地

Popp was an accomplished coloratura soprano in the early years of her career, but later as her voice changed color slightly, she moved with great success into the lyric repertoire, and still later, into the lighter Strauss and Wagner operas.

Popp在早期她的事业中是成功的声乐的花腔女高音，但之后，她的声音轻微地改变了音色，她成功地移动到了抒情曲目中，以及后来，进入打火机施特劳斯和瓦格纳的歌剧。

Changes may be harmonic, melodic, contrapuntal, rhythmic, and of timbre or orchestration.

将乐曲最初呈示的主题不断地反复，在反复的过程中有变化，变化可以产生在在和声、旋律、对位、节奏上，也可以由不同的配器方法在音色上求变化。

For centuries, musicians and music lovers have often attributed a Strad's magnificent, other-worldly tone--it has been likened to the voice of the human soul--to a secret-formula varnish used by Antonio Stradivarius three centuries ago in his stringed-instrument workshop in Cremona, Italy.

几个世纪以来，音乐家及爱好者们都把这归结于——一把斯琴的华丽、不属人间的音色——被造得与人类灵魂的声音相像，这条秘密处方3世纪前被安东尼奥斯特拉地瓦里在意大利Cremona的工作坊注入了他的弦乐器。

First the formation of composing features is explored with reference to the life experiences of Lehar, the social and cultural background of his age and the development of Viennese operetta; secondly, the composing features are analyzed as to rhythm, melody, instruments device, ensemble and play books; Finally, the work is analyzed from the angle of singing. In this part the style of singing is explained specifically in terms of rhythm, timbre, etc. Also a famous Aria "vilja-lied" in this work is explained in detail and a comparison is made between operetta and opera to impress people with the singing style of operetta in a deeper way.

首先，本文从雷哈尔的生活经历、所处时代的社会文化背景、维也纳轻歌剧的发展来分析《风流寡妇》创作特特征的形成；其次，从节奏、旋律、配器、重唱以及剧本这几个方面来分析作品的创作特征；最后，从演唱的角度分析作品，除了从节奏、音色、起句等方面具体的分析作品的演唱风格外，还对其中的一首著名咏叹调维利亚之歌做了详细地分析，并且从演唱的角度把轻歌剧和歌剧做了一个比较，从而使人们能够更深刻的理解轻歌剧演唱的风格。

A pianist's refinement of touch can be anticipated already from the opening bars of "Ondine" from "Gaspard de la Nuit" by Ravel and Ruei-Bin Chen was successful in his rendering of the triple pianissimo of the introductory chords constantly changing in tone colour, which in the beginning overlie the melody line in the bottom part; he presented the piece, which, in terms of sound language, is evocative of Debussy, with intensity in sustaining and increasing the tension: he painted "Le Gibet in sombre colours and demonstrated all nuances of a pianist's art of touch.

他成功地把这首曲开始的几组和弦，音色不断转变，在低音旋律之上显现极弱段。这首作品在音乐语言上令人联想到德布西，但陈瑞斌的演奏，表现出强烈的延续性和不断增强的紧张气氛。他把《绞台》髹上了灰暗的颜色，亦表现了钢琴家触键艺术的细致处理。拉威尔为诗人亚来奥。

These new possibilities have added to the sonic pallet of violin music to no end.

这些新的可能性被源源不断地加入小提琴音乐的音色资源中。

Watch a good teacher and you will see that he does not sit still before his class: he stands the whole time he is teaching; he walks about; using his arms, hands and fingers to help him in his explanations, and face to express feelings. Listen to him, you will hear the loudness, the quality and musical note of his voice always changing according to what he is talking about.

观察一位优秀的老师，你会发现，他没有纹丝不动地坐在教室前，在他讲课的时候，会一直站着，四处走动，运用手臂、双手和手指来帮助他解释，勇于表达情感；仔细听他说，你将听见他的声音会随着他所讲的内容变化声调、音色和节奏。

Started to attend class, I stepped onto the stage, saw he flushed me to smile kindly, therefore I do not have immediately have been so anxious, played after with single-hearted devotion 0.1 tunes finished, before he steps onto Taiwan, he said that the melody was very exquisite, particularly the timbre was very gentle and clear.

开始上课了，我走上舞台，看到他冲我亲切地笑了笑，于是我立刻没那么紧张了，专心地演奏起来。一曲完毕后，他走上台前，他说，旋律很优美，尤其是音色很柔和及圆润。

By using FFP, you can feel the keys better and control tone and color more easily.

透过直指型，你可更好地感受琴键并更容易地控制音色。

It also carries a strong sense of modernity. In order to achieve appropriate imitation of the timbres of various instruments, players must familiarize themselves with their sound range and certain ...

但要想在演奏乐曲中恰如其分地模拟各种乐器的音色，演奏者必须了解和熟悉各种乐器的音域及演奏特点，观察和分析各种乐器的音色特性，以达到尽善尽美的效果。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。