音的

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，"超验"与"妙悟"的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

The presence of guttural sounds, diacritic aspirations, epenthetic and servile letters in both languages: their antiquity, both having been taught on the plain of Shinar 242 years after the deluge in the seminary instituted by Fenius Farsaigh, descendant of Noah, progenitor of Israel, and ascendant of Heber and Heremon, progenitors of Ireland: their archaeological, genealogical, hagiographical, exegetical, homiletic, toponomastic, historical and religious literatures comprising the works of rabbis and culdees, Torah, Talmud, Massor, Pentateuch, Book of the Dun Cow, Book of Ballymote, Garland of Howth, Book of Kells: their dispersal, persecution, survival and revival: the isolation of their synagogical and ecclesiastical rites in ghetto S.

218两种语言都有喉音、区分的气音、增音以及附属性的字母。两种都是古老的语言，大洪水后二四二年，费尼乌斯。法赛在西纳尔平原所创办的学院就开了这两种语言的课程。他是以色列民族的祖先挪亚的后裔；又是爱尔兰民族的祖先埃贝尔与赫里蒙的始祖。用这两种语言写成的考古学的、系谱学的、圣徒传记学的、注释学的、布道术的、地名研究的、历史的以及宗教方面的著作，其中包括犹太法学博士和神仆团团员的著述：托拉、《塔木德》、马所拉本、《五经》、《牛皮书》、《巴利莫特书》、《霍斯饰本》、《凯尔斯书》，记述这两个民族的离散：，受迫害，幸存，复兴。

7 To 3.3 V operating supply voltage 44.1 kHz sampling frequency 16.9344 MHz (384fs) system clock Built-in crystal oscillator circuit 16-bit, MSB rst, rear-packed serial data input format ( 64 fs bit clock) 8-times oversampling digital lter · 32 dB stopband attenuation ·+0.05 to -0.05 dB passband ripple Deemphasis lter operation · 36 dB stopband attenuation ·-0.09 to +0.23 dB deviation from ideal deem- phasis lter characteristics Attenuator · 7-bit attenuator (128 steps) set by microcontrol- ler Soft mute function set by parallel setting ·(approximately 1024/fs total muting time) Mono setting · Left or right channel mono selectable by micro- controller Built-in innity-zero detection circuit , two-channel D/A converter · 3rd-order noise shaper · 32fs oversampling Built-in 3rd-order post-converter low-pass lters 24-pin VSOP package Molybdenum-gate CMOS process

2.7至3.3 V工作电源电压为44.1千赫的采样频率16.9344兆赫（384fs）系统时钟内置晶体振荡器电路的16位，MSB在前，后包装的串行数据输入格式（64飞秒位时钟）8倍超采样数字滤波器·32分贝的阻带衰减·+0.05至-0.05分贝通带纹波去加重滤波器的运作·36 dB抑制频宽衰减·-0.09到0.23 dB的偏差认为不理想，症状困扰评估滤波特性衰减器·7位衰减器（128级）集由单片机在-莱尔软静音功能的平行设置·（共约1024/fs静音时间）单声道设置·左或右声道单声道微控制器可选的内置的无限零检测电路Δ，两通道的D / A转换器·第三阶噪声整形·32fs过采样内置三阶后转换器的低通滤波器24引脚VSOP封装钼栅CMOS工艺

Chapter one is "Introduction". On the basis of summarizing the history of the study of the pictophonetic characters, we suppose some theoretical principle, such as the principle of the correspondence between the form and the meaning of the individual graph of Chinese characters, the principle of the total graphs of Chinese characters being a character-formation system, and the principle of the optimum development of the character -formation system in the history, and som analytic methods, such as the methods of structrue-function analysis, form-position analysis and meaning factor analysis, in the study of the pictophonetic characters. Chapter two is titled"General knwledge of the pictophonetic character." We discuss their origins, nature and some standards of distingnishing them, introduce the knowledge about the editions of SHUO WEN JIE ZI, analyse the functions of the modules of pictophonetic characters in detail, discuss concretely the function of phonetic graphs showing origins and pronunciations, the function of meaning graphs showing meanings and analogies, and the function of distinguishment when the two kinds of graphs are conbined. Chapter three is"The system of meaning graphs of Xiao Zhuan system."After we describe the structure of the meaning graph system, the relations between meaning graphs, the distributions of the function of meaning graphs showing meanings, and the frequency of all this kind of graphs, we get a table of all meaning graphs, a table of the frequency. Chapter four is"The system of phonetic graphs of Xiao Zhuan system."We describe the structure of the phonetic graph system, the relations between phonetic graphs, and between their function showing origins and their function showing pronunciations, and their frequency, then we get ageneral table of phonetic graphs and table of their frequency. Chapter five is "conclusion". We think that systematical methodology is useful in describing and analysing the formation system of Chinese characters. The methodology is adaptable in describing the formation system of modern Chinese characters as well as the historical character systems, adaptable in describing horizontally as well as comparing vertically. Only when we finish the systematical vertical compare on the base of systematical horizontal decription, could we know the true history of the system of Chinese characters, recover the rule of the system's development, and supply the theoretical supports for the scientifical arrangement of modern Chinese characters.

第一部分—绪论，在总结形声字研究历史状况的基础上，提出了研究形声系统的理论原则和分析方法，即汉字个体字符形义统一的思想，汉字字符集合构形系统的思想，汉字构形系统历史演变系统优化的思想等三项理论原则和结构功能分析法，形位分析法，义素分析法等三种分析方法，还扼要地介绍了具体的工作程序和论文的主要内容；第二部分—形声字概述，论述了形声字的来源、性质和鉴别标准，介绍了对《说文解字》正篆形声字说解中的传抄讹误，版本异文，说解错误校勘和考证的经过，详细分析了形声字构件的功能，具体讨论了声符的示源功能与示音功能，义符的示意功能与类化功能以及声符与义符组合中的相互区别功能；第三部分—小篆字系的义符系统，从义符系统的构成、义符间的相互关系，义符示意功能的分布及义符的构字频度等不同侧面，对义符系统进行了全面的描写，产生了义符总表、义符间意义关系总表和义符构字频度总表；第四部分—小篆字系形声字的声符系统，从声符系统的构成、声符间的相互关系，声符的示源功能与示音功能的关系以及声符的构字频度等不同侧面，对声符系统进行了全面描写，产生了声符总表和声符构字频度总表；第五部分—结束语，在全面测查小篆字系形声字的基础上，对研究汉字的方法和现代汉字发展方向的问题提出了一些看法，认为系统论的方法是描写和分析汉字构形系统行之有效的方法，系统论方法，不仅适用于历史上文字系统的描写，也适用于现代汉字构形系统的描写，不仅适用了断代描写，也适用于历史比较，只有在对汉字断代系统描写的基础上进行系统的历史比较，才能认清汉字系统历史演变的真相，揭示汉字系统发展的客观规律，为科学地整理现代汉字提供理论上的依据。

Right now the nurse answers with gentle language, patient manner sucks phlegmy necessity and importance to patient and family member specification, and the serious consequence that rejects to suck phlegmy likelihood to bring about, and signal patient and gentleness of movement of family member operation, at the same time directive and sober patient cooperates to may decrease those who suck phlegmy place to bring is unwell, cooperate in order to obtain what the patient reachs a household. Whether do the 5 distances that check tracheal spile to be apart from fore-tooth have fluctuant reach auscultation sound of double lung breath is symmetrical. Sound of breath of 6 auscultation double lung, in order to judge the place of phlegmy fluid. The 7 patients as a result of tracheal spile, what aeriform exchange does not pass nose pharynx ministry is wet change, make inside tracheal spile drier, reason should time do pulverization inspiratory 2 / D~4 second / D, arrive in order to rise the wet path that spend energy of life, avoid the end with phlegmy scabby fluid.

此时护士应以暖和的语言，耐心的态度向病人及家属说明吸痰的必要性和重要性，以及拒绝吸痰可能导致的严重后果，并示意病人及家属操作动作轻柔，同时指导清醒病人配合可能减少吸痰所带来的不适，以取得病人及家属的配合。5检查气管插管距门齿的距离是否有变动及听诊双肺呼吸音是否对称。6听诊双肺呼吸音，以判定痰液的位置。7由于气管插管的病人，气体交换不经过鼻咽部的湿化，使气管插管内较干燥，故应定时做雾化吸入2次/d~4次/d，以起到湿化气道、防止痰液结痂的目的。

With AudioEdit Deluxe you can perform two-way conversions among CD, MP3, MP2, WAV, WMA, and OGG; open, create, and save audio files in any of the supported formats (can also save any portion of a loaded file to disk as a new file); display audio data waveform (Zoom Full, Zoom In, Zoom Out, Zoom Vertical); play audio files or any portion of the files; record audio data from a microphone or any other available input device; edit audio files visually (Cut, Copy, Delete Selection, Crop, Trim, Paste, Paste From File, Mix, Mix From File); apply various effects (Amplify, Compressor, Delay, Equalize, Fade In and Fade Out, Flanger, Invert, Normalize, Phaser, Reverb, Reverse, Shrink, Silence, Stretch, Vibrato); apply different filters to any selected portion of audio files (Band Pass Filter, High Pass Filter, High Shelf Filter, Low Pass Filter, Low Shelf Filter, Notch Filter); insert noise or silence into audio files; Insert information into audio files (Album, Artist, Copyright, Genre, Title, Year); complete, multi-level undo and redo capabilities; advanced, burn-proof audio CD recording; and much more.

与audioedit豪华您可以执行双程转换之间的CD ， MP3等， mp2 ， wav ，的WMA ，和OGG ；打开，创建和保存音频文件中的任何支持的格式（也可以保存的任何部分，加载文件到磁盘作为一个新的文件）；显示音频数据的波形（放大充分，放大，缩小，缩小垂直）；播放音频文件或任何部分的文件；记录音频数据从一个麦克风或任何其他可输入设备；编辑音频文件的视觉（剪切，复制，删除选择，剪裁，修剪，粘贴，粘贴文件，混音，混音，从文件）；适用於各种效果（放大，压缩，延时，均衡，淡出在和淡出，镶边，反转，正常化，相位，混响，扭转，收缩，沉默，舒展，颤音）；适用於不同的过滤器，以任何选定的部分音频文件（带通滤波器，高通滤波器，高货架过滤器，低通滤波器，低大陆架滤波器，陷波器）；插入噪音或沉默到音频文件；插入信息转化为音频文件（专辑名称，艺人，版权，流派，标题，年）；完整的，多层次，撤消和重做的能力；先进，烧伤证明音频CD烧录；得多。

However, relating to investigate the modes, courses and characteristics of the orogenetic process in Paleozoic and after orogenetic process, the cognitive divergence have still occurred.

通过对新疆北东部地区不同构造区带构造作用的方式、过程和特点的研究，确定：①南天山榆树沟高压麻粒岩地体的正变质原岩是一个基本完整的蛇绿岩套，其经历了俯冲至下地壳的高压麻粒岩相、构造抬升至深地壳麻粒岩相以及快速构造折返至角闪岩相的变质过程，代表了南天山洋壳俯冲、变质、随后折返的过程，并首次确定了变质过程的PTt轨迹；②奥陶纪末期中天山北缘发生洋盆俯冲、地体增生作用，此时萨日达拉地区处于岛弧活动带；中石炭世晚期中天山小型洋盆关闭，准噶尔地块与伊犁—中天山板块斜向对接随后发生脆韧性质近水平高温低速右行走滑剪切；③根据巴音沟地区不构成蛇绿岩套有效成分的硅质岩具有与活动大陆边缘密切相关的地球化学特征以及洋中脊玄武岩显示其岩浆源区受到消减带流体交代作用的影响，结合区域地质资料，首次提出巴音沟蛇绿岩带所代表的洋盆古构造环境为弧后盆地，并于早石炭世至中石炭世末期间，经历了扩张、收缩和闭合过程；④首次在克拉麦里蛇绿混杂岩带中分解出具有N-MORB、T-MORB与OIB三种不同类型的火山岩岩石组合，反映了洋盆俯冲

A method of processing a series of input audio signals representing a series of virtual audio sound sources placed at predetermined positions around a listener to produce a reduced set of audio output signals for playback over speaker devices placed around a listener, the method comprising the steps of: for each of the input audio signals and for each of the audio output signals: convolving the input audio signals with an initial head portion of a corresponding impulse response mapping substantially the initial sound and early reflections for an impulse response of a corresponding virtual audio source to a corresponding speaker device so as to form a series of initial responses; for each of the input audio signals and for each of the audio output signals: forming a combined mix from the audio input signals; and forming a combined convolution tail from the tails of the corresponding impulse responses; convolving the combined mix with the combined convolution tail to form a combined tail response;for each of the audio output signals: combining a corresponding series of initial responses and a corresponding combined tail response to form the audio output signal.

提供了一种处理一系列输入音频信号的方法，所述输入音频信号代表放置在收听者周围预定位置的一系列虚拟的音频声源，该方法可以产生一组精简的用于在收听者周围的扬声器装置上进行播放的音频输出信号，该方法包括以下步骤：对每个输入音频信号和每个输出音频信号进行以下步骤：用相应的脉冲响应最初的头部对输入音频信号进行卷积以形成一系列初始响应，其中的脉冲响应充分映射了相应的虚拟声源到相应的扬声器装置的脉冲响应的初始声音和早期反射；对每个输入音频信号和每个输出音频信号进行以下步骤：形成音频输入信号的混音；并根据对应脉冲响应的多个尾部形成复合的卷积尾；用复合的卷积尾对音频信号的混音进行卷积以形成复合尾部响应；对每个音频输入信号进行以下步骤：把相应系列的初始响应与相应的复合尾部响应进行复合以形成音频输出信号。

On the third day, the themes began to emerge out of each group: the wind distortion on the unobstructed river embankment and sounds of stones striking objects, led into the man-made mechanical systems of the MRT at the Taipei Main Station, followed by the Madams speaking with a local twang in a alleyway off Huaxi Street, a young foreign woman whispering and teasing, passersby flipping through pirated DVDs that are encased in plastic cases, and karaoke, the modulated looping of non-melodic electronic effects. These environmental sounds become timeless ambiance and a cross-section of memory. We observe the world through sound, using point of sound as a capturing angel for imagery and through digital wave imaging to illustrate the soundscape.

第三天各组的主题渐渐地浮上来；河堤旁空旷的风阻声与小石击物的动作声，带进台北车站内火车捷运的人造机械系统，尔后，华西街小巷内的老鸨多操著本籍口音，暗暗私语的是外籍年轻小姐的笑骂，旁人翻动盗版DVD的塑胶壳与卡拉 OK，无音律的电子效果经过回路改造再制，转成大空永恒的环境音，切著记忆的片断，以声音去看世界，以发声点为摄像的角度，更透过电子波型图示音景自载的起承转合。

Dainty abandon, sometimes as if Nature laughing on a hillside in the sunshine; serious and firm monotonies, as of winds; a horn sounding through the tangle of the forest, and the dying echoes; soothing floating of waves, but presently rising in surges, angrily lashing, muttering, heavy; piercing peals of laughter, for interstices; now and then weird, as Nature herself is in certain moods --- but mainly spontaneous, easy, careless --- often the sentiment of the postures of naked children playing or sleeping.

严、紧的单音，仿似来自风中；一声号角响彻了茂密纠结的森林，它的消逝却仍在回响；适才抚慰的飘荡的音潮，现在却激涌直上，暴怒地鞭苔着，怨诉着，变得沉重；更透过那宏亮的笑声，消逝在裂隙；时而诡异，仿佛自然之神正处于某种情绪--但更多的时候还是自然的、平易的、不经意的--就象光溜溜的孩童在嬉戏或酣睡时的感觉。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。