音响效果

The acoustics in the Festival Hall are extremely good.

节日大厅里的音响效果极好。

To provide appropriate authentic sound effects of the war canoes, Gerth and Holm used a thirty-five-foot model, similar to those used in the film.

为了提供战船正确而真实的音响效果，哥特和霍姆使用了与影片中相似的35英尺型号的战船。

In Iberia Volume IV, Albeniz used Spanish idioms as composing materials, such as flamenco dance rhythms and cante hondo. He also mixed French and German augmented sixths to create new sounds, which was so-called "Iberian sixth". In addition, he used guitar idioms into Iberia to make it full of unique sounds and also brought a new wave into Spanish music.

由本论文的探讨中得知，阿尔班尼士将西班牙民俗音乐的特色，像是佛朗明哥舞曲节奏及深沉歌谣风格加以运用，不断地开发特殊的音响效果及音乐语言，以及吉他语法融入作品中，并以自己独特的音乐语法，赋予作品更丰富的特性，为西班牙的音乐注入一股新气象。

The primary features of exprssionism are: emphasis on subjectivity, emphasis on abstraction, and the use of various kinds of expressionistic techniques such as dream, chorus effect, interior monologue,etc.

表现主义的基本特点就是强调主观性，抽象性及用象征，面具，音响效果，心理外化，内心独白等来表现人物的内心世界，通过这些表现主义手法，可以使读者了解人物的心理活动，把人物的内心情感外化在舞台上，使读者和观众一目了然。

This article will research into the performance style, ways of touching keys and the acoustics of it. Through the comparison of the Intermezzo in three periods, I will also make an intensive study of his Intermezzo, especially the late period one. I hope that this research can provide valuable reference.

Op.117这一作品是其"间奏曲"中最为著名的一部，同时也是钢琴独奏音乐会中使用较多的一首，本文将对其演奏风格、触键方法及应该表现的音响效果方面进行研究，并通过三个时期间奏曲的对比对其间奏曲，尤其是晚期间奏曲进行比较系统的研究，希望这一研究可以为这一方面提供有价值的参考。

The first chapter discusses the origin of poly-choral style, including historical background on the tradition of psalms singing. The second chapter focuses on Renaissance time at Venice, and discusses the politics, artistic, glass craft, mosaic art synopsis at that time. The third chapter discusses poly-choral music of Venetian school in the early times of 16th century, and main composers of Venetian school including: Andrian Willaert, Andrea Gabrieli, Giovanni Gabrieli, and Claudio Monteverdi in early time of Baroque period. The fourth chapter discusses poly-choral works, the effects of the acoustics "stereo sound", questions of chorus establishment, textures, and questions of annotation and questions when conducting these pieces based on the discussion and summary from the previous three chapter.

第一章讨论的是复合唱风格的源起，包括诗篇对唱式唱法的传统溯源；第二章讨论文艺复兴时期的威尼斯，包括政经情况，及艺术、玻璃工艺、马赛克艺术的简介；第三章讨论威尼斯乐派在十六世纪早期的复合唱雏型，及盛期的主要作曲家，包括：威拉尔、安德拉E噶布里埃利、乔望尼E噶布里埃利，及巴罗克早期的孟特威尔第…等复合唱作曲家的风格；第四章整合前三章的论述，由实际的复合唱作品，讨论「立体声」的音响效果、合唱团的编制、织度问题，以及诠释及指挥上会遇到的问题。

Some phoneme s in English can produce sound effects in assisting and enhansing meaning expression.

英语的某些音素，能产生一种辅助表达或强化意思的音响效果。

Everything you'd ever find in a real pinball machine is here in Mystery Mansion Pinball: ramps, bumpers, tilt, etc. And just like the real thing, each time you pull off a nice move, you'll be showered with light and sound effects!

你曾经有在一个真正的弹球机中找的每件事物在秘密大厦钉球戏中在这里：斜坡，缓冲挡，倾斜，等等而且仅仅喜欢真正的事物，每一次你顺利完成一次美好的移动，你将会与光和音响效果一起淋浴！

A loud, reverberant noise.Fade out the storm effect here, and turn up the music.

至此宜使雷雨声的音响效果减弱而使音乐声渐强。

Entertainer when manufacture putty toy, the custom grips in the putty toy different spot passes the hole, the time which the children plays also may when the whistle blows,"cluck 咕" the scat singing is accompanying the children smiles the sound to spread the village and the field, this kind of delightful interesting to listen to acoustics, have brought the infinite pleasure for the children.

艺人在制作泥玩具时，习惯在泥玩具的不同部位扎上通孔，孩子们玩耍的时候还可以当哨子吹，"咕咕咕"的哨声伴着孩子们的笑声响遍村庄和田野，这种悦耳动听的音响效果，给孩子们带来了无穷的乐趣。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。