音乐家的

Several early 14th-century theorists referred to the idea of an Ars Antiqua, represented primarily by Franco, and an Ars Nova instituted by Philippe de Vitry(see, for instance, CoussemakerS, iii, 371,408),but in historical terms the usefulness of the idea is supported more by the treatise Ars novae musicae(c1320)of Johannes de Muris, the 1324-5bull lf Pope John XXII decrying the musicians who were 'novellae scholae discipuli' and the reference in Jacobus of Liege's Speculum musice to 'moderni cantores' and to'aliquinunc novi'.

一些十四世纪早期的理论家已经谈到以弗朗科为首要代表的古艺术的观念，新艺术是由维特利建立起来的，但从历史角度来看，这一观念的实用价值更多是由穆里斯的论文《新音乐艺术》、1324-1325年教皇若望二十二世贬斥那些"信奉新学派"的音乐家们的训令，以及列日的雅各布的《音乐明鉴》中所提到的"当代歌手"和"一些现在的认识"支撑着。

A brief pause to inquire of these "antis" if all Christians agree as to the meaning of their Teacher's message; all musicians as to the "correct" interpretation of a Brahms symphony; all doctors as to the "right" treatment of infantile paralysis; all parents as to the "perfect" way of raising children.

用一个简短的暂停问一下所有的反星象学者，是不是所有的基督信徒都是用同样的方式理解主的信息，是不是所有音乐家都用同样的"正确的"方法去诠释Brahms交响曲，是不是所有的医生都用同样的"正确的"方法治疗小儿麻痹症，是不是所有的父母都用同样的"完美"的方式去养育孩子。

In classical music I always admired Mussorgsky's unorthodoxy, unpredictability and disrespect of rules, and a few other Russian composers such as Shostakovich (the second tempo of his 8th String Quartet and Chamber Symphony op.110/110a electrocuted my imagination at least as much as the beginning of his 5th Symphony must have remained stuck in Morrissey's mind, when he sampled it for 11 minutes on the opening song of his "Southpaw Grammar" album), Prokofiev (whose exceptional melodic ingeniousness influenced me, but must have pleased Sting too, as he borrowed the theme of Prokofiev's "Lieutenant Kijé" for his hit "Russians") and Mosolov (whose mid-1920s piece "Iron Foundry" is pure Prog-Rock à la Magma, Art Zoyd, Univers Zero).

古典音乐家里面我一直十分欣赏Mussorgsky的叛逆、不可预测以及他对常规的无视，还有少数俄罗斯作曲家，比如Shostakovich，（他的C小调第八弦乐四重奏作品第110号/110a的第二部分 [1]强烈激发了我的想象力，这种激发不亚于他的第五交响曲[2]的开始部分对于Morrissey[3]的影响，那段旋律令他印象如此深刻以至于他将11分钟的采样放在了他的专辑《Southpaw Grammar》中。）Prokofiev（他格外出色天才一般的旋律影响了我，但是Sting肯定也获益匪浅，因为他也在自己的热门单曲"Russians"俄罗斯人中借用了Prokofiev 的"Lieutenant Kijé"三驾马车[4]），和Mosolov[5]（他创作于1920年中期的作品"Iron Foundry"是纯粹的前卫摇滚à la Magma，Art Zoyd，Univers Zero）。

Either alone on stage, mixing world beats: Balkan, Oriental, Flamenco, Klezmer, Gyspy or Indian with electronic sounds, Theremin, beat box and scratches. Or together in hellos live band with Gypsy Maestro Tziganiada from Romania, at the violin, saxophone and flute, joined by the fantastic Klezmer clarinet player Merlin Shepherd, escorted by the 2 delightful oriental, balkanic and gypsy dancers Safi and Bmal, and the enchanting voice of Valentina Dasula at the mic, a beautiful and tasted postcard for your ears and your eyes to defend the message "Flavour" out of hellos latest album. Seven artists are gathered on stage, no less than four cultures for an innovating festive party without geographellocal and music borders.

他的音乐是东欧文化和DJ文化相联合，生成的非比寻常的产品又或是他独从容戏台大将各类世界音乐混淆，包孕巴尔干音乐、东方音乐、佛朗明哥、犹太音乐、吉普赛和印度音乐，再加以电子音效、太勒明琴、Beatbox和Scratchellong他的音乐还表此刻与他的不凡乐团一路现场即兴，其中提琴、萨克斯和长笛的演奏者是来自罗马尼亚的吉普赛奇才Tziganiada，两位令人喜爱的东方巴尔干吉普赛舞者Safi和Bmal一路陪伴犹太音乐家Merlin Shepherd演奏单簧管，另有Valentina Dasula献上她斑斓的歌声，如许的联合终极带来Dlick最新专辑所转达的"风情"：共七小我私人的表演，不少于四种文化，没有地舆或音乐范畴界限，这是一场灵感的盛筵

Either alone on stage, mixing world beats: Balkan, Oriental, Flamenco, Klezmer, Gyspy or Indian with electronic sounds, Theremin, beat box and scratches. Or together in hellos live band with Gypsy Maestro Tziganiada from Romania, at the violin, saxophone and flute, joined by the fantastic Klezmer clarinet player Merlin Shepherd, escorted by the 2 delightful oriental, balkanic and gypsy dancers Safi and Bmal, and the enchanting voice of Valentina Dasula at the mic, a beautiful and tasted postcard for your ears and your eyes to defend the message "Flavour" out of hellos latest album. Seven artists are gathered on stage, no less than four cultures for an innovating festive party without geographellocal and music borders.

他的音乐是东欧文化和DJ文化相联合，生成的非比寻常的产品又或是他独从容戏台大将各类世界音乐混淆，包孕巴尔干音乐、东方音乐、佛朗明哥、犹太音乐、吉普赛和印度音乐，再加以电子音效、太勒明琴、Beatbox和Scratchellong他的音乐还表此刻与他的不凡乐团一路现场即兴，其中提琴、萨克斯和长笛的演奏者是来自罗马尼亚的吉普赛奇才Tziganiada，两位令人喜爱的东方巴尔干吉普赛舞者Safi和Bmal一路陪伴犹太音乐家Merlin Shepherd演奏单簧管，另有Valentina Dasula献上她斑斓的歌声，如许的联合终极带来Dlick最新专辑所转达的&风情&：共七小我私人的表演，不少于四种文化，没有地舆或音乐范畴界限，这是一场灵感的盛筵

Several early 14th-century theorists referred to the idea of an Ars Antiqua, represented primarily by Franco, and an Ars Nova instituted by Philippe de Vitry(see, for instance, CoussemakerS, iii, 371,408),but in historical terms the usefulness of the idea is supported more by the treatise Ars novae musicae(c1320)of Johannes de Muris, the 1324-5bull lf Pope John XXII decrying the musicians who were 'novellae scholae discipuli' and the reference in Jacobus of Liege's Speculum musice to 'moderni cantores' and to'aliquinunc novi'.

一些十四世纪早期的理论家已经谈到以弗朗科为首要代表的古艺术的观念，新艺术是由维特利建立起来的，但从历史角度来看，这一观念的实用价值更多是由穆里斯的论文《新音乐艺术》、1324-1325年教皇若望二十二世贬斥那些&信奉新学派&的音乐家们的训令，以及列日的雅各布的《音乐明鉴》中所提到的&当代歌手&和&一些现在的认识&支撑着。

This Taiwanese company of dancers and musicians trained in traditional as well as contemporary arts have reworked the Beijing Opera tale of Farewell My Concubine . For anyone who has seen Chen Kaige's film of the same title, Chess fleshes out the tale of the beautiful woman who falls victim to the rivalries of warring states and commits suicide when her lover is defeated in battle. If you haven't seen the film, Chess narrates the story, drawn from the Chin Dynasty period of Chinese history, with clarity and perfect artistry.

来自台湾的舞蹈音乐家团体，以当代艺术的方式重新诠释了传统京剧故事的《霸王别姬》，已经看过陈凯歌同名电影的人都知道，《 Chess 对羿》描写一个美丽的女子，成为战争国家之间互相竞争的牺牲品，而她的情人也在战争挫败后自杀的故事，如果你没有看过这部电影，《 Chess 对羿》就是描述中国历史秦朝的故事，其中具备了清晰以及完美的艺术性。

It would be superfluous to discourse on the organs of speech, which have been a thousand times dissected, and as often described by musicians or anatomists; and the several powers of which every man may perceive either by the touch or by sight, if he will attentively observe another person pronouncing the different classes of letters, or pronounce them himself distinctly before a mirror: but a short analysis of articulate sounds may be proper to introduce an examination of every separate symbol.

详细论述发音器官是多余的，这些器官已经被解剖过成千上万次，也被音乐家和解剖学者们描述过成千上万次了；而且它们的功能也是每个人都可以通过触觉或视觉认识到的，只要他认真观察别人发各组字母的音，或者自己对着镜子清晰的发这些音就可以。不过对发音的一个简短的分析还是适当的，从而引入对每一单个符号的检视。

A singer/songwriter and multi-instrumentalist, Sufjan Stevens started his venture in the music world as a member of Marzuki, a folk-rock band based in Holland, MI. Following the release of two full-length albums with the group, Stevens decided to go solo in late 1999, investing fully on a career waiting to shine by itself.

Sufjan Stevens的2004年新专辑《七天鹅》是一次对心灵版图上的'生命、爱和信仰'主题的内省式的回归，它像天鹅一样宁静和谐优雅，这张专辑再次证明了Sufjan不但是一个对人类状况的沉思者，也是一个极具天赋的音乐家——优美的旋律、简单精致的配器，营造出一种超现实的静谧温馨的氛围。

His current project,Knossos,is a unusual blend of middle-eastern instrumentation with dense percussive layers of organic sounds and textured beats.Truly electro-acoustic in nature,the premise of the Knossos sound centers on the manipulation of eastern acoustic instruments with signal processing and ambient distress.Dann lives in the LA area and has worked with Solace, Shaman's Dream,Azam Ali from Vas,and a variety of other diverse musicians in the studio,and in improvised performance.

他现在是一个项目，克的中东和不寻常的敲击的层致密的有机的声音和纹理跳动真正的电声性质，为前提的声音在操作中心岛东声学设备和信号处理和周围的痛苦然后住在洛杉矶地区和曾经与安慰，萨满的梦想，Azam阿里从管，以及其他各种多样的音乐家在工作室，在即兴表演。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。