革新的

Provider agrees that: it shall defend, hold harmless and indemnify Recipient, its successors and customers against any claims of infringement (including patent, trademark, copyright, industrial design right, or other proprietary right, or misuse or misappropriation of trade secret) and resulting damages and expenses including attorney's and other professional fees arising in any way in relation to Services or Deliverables contracted and expressly waives any claim against Recipient that relates to infringement arising out of compliance with Recipient's specifications;(b Recipient or Recipient's subcontractor has the right to repair, rework, or rebuild the specific Deliverables delivered under this contract without payment of any royalty to Provider; unless otherwise expressly authorized by Recipient in writing, Services and Deliverables based on Recipient's drawings and/or specifications may not be used for any purpose other than for this contract or provided to any third party; and any intellectual property rights arising from this contract, including but not limited to, manuscripts, discoveries, designs, inventions or innovation written, conceived, discovered or made by Provider, its subcontractor, or employees, whether they can be copyrightable or patentable, shall belong to Recipient.

知识产权 Intellectual Property 提供方同意：就任何源于本合同的服务或交付成果而产生的侵权索赔(包括专利、商标、版权、工业设计权或其它所有权，或滥用、盗用商业秘密)和由此产生的损害赔偿和费用（包括律师费和其他专业费用），提供方应为接受方及其继承者和客户辩护，保护其免受损害并进行赔偿；提供方明示放弃任何针对接受方的源于执行接受方规格的侵权索赔；接受方或接受方的分包商有权修补、重组、重造、或使用根据本合同所交付的服务或交付成果，而无须向提供方支付任何特许权使用费；除非得到接受方明确书面许可，根据接受方要求提供的交付成果不可用作非本合同项下的其他用途，或提供给任何第三方；因履行本合同所产生的知识产权，包括但不限于提供方、其分包商，及其雇员所书写、构思、发现或制作的所有文稿、发现成果、设计方案、发明或革新，无论其是否能取得版权或专利权，都应归接受方所有。

Two times hydrolyzation of Fe~(3+) and Cr~(3+) was firstly pointed out in the process of pillar preparation with hydrothermal method. In order to improve the thermal stability, Fe/Cr-Si-pillaring agent solution was synthesized by hydrolyzing Fe~(3+) and Cr~(3+) solution on the surface of silica sol, and Fe/Cr-Si-pillared montmorillonite (Fe/Cr-Si-PILM) was prepared with conventional method and hydrothermal method. Because the technical innovation of preparation is the best way to improve the PILM properties, two novel methods (Microwave method and Ultrasonication method) have been studied to synthesize Fe/Cr-PILM.In order to expand PILMs new application in the field of coal conversion, catalytic activity of Fe/Cr-Si-PILM catalyst in LongKou lignite and ShenHua coal residue liquefaction was discussed and characterized in the last part of this paper.

研究证明：蒙脱石的预处理是可行的，我们以预处理后的Ca-M为原料，研究并优化了PILM的水热法制备工艺，提出了金属离子的二次水解法；为了提高PILM的热稳定性，我们自制了硅溶胶，合成了Fe／Cr-Si三元复合柱化剂，并制备了Fe／Cr-Si-PILM；在PILM合成中，制备技术的革新是改进PILM性能的重要方法，为此我们探索了微波合成法和超声波合成法在制备Fe／Cr-PILM中的应用；最后，我们选择龙口褐煤和神华煤液化残渣为研究对象，探索了Fe／Cr-Si-PILM催化剂在煤炭液化中的应用，希望能开拓PILM应用的新领域。

Reputation rights and portrait rights. After all .we should control it based on free to talk for every enent.to keep within limit tricks.and to protect popular culture.its easy to innovation propus culture and leading progress of right culture, for reference the right theory.to control such phenomenon.at last perfect regulations of protection tricks.

从学理介和法学界的角度来说，网络&恶搞&在网络的传播可能对应的是歌曲作品的著作权、相关主体的名誉权和肖像权构成侵犯，尽管如此，我们应当在保护公民言论自由的基础上寻求对其进行规制，从而扼制侵权行为，保护正当的当今流行文化，以便于发展正当文化的革新，引领时代文化的发展，对于侵权问题的学说和借鉴，因根据实际情况和现实意义对此种现象进行合理的管制和定论，完善侵权保护制度。

I put forward some new ideas in the article, that is, I go deep into concept of land levy and give a scientific definition;on the base of contrast of ancient and modern, Chinese and foreign land levy, I deeply analyse the causes of formation of present questions; the most important is that I advance concrete reformational measures.

本文的创新之处在于对土地征收的概念进行了深入的剖析，科学界定出土地征收的内涵；在对古今中外征收制度比较对照的基础上，深刻分析了我国目前征地问题的成因；认为我国必须立足国情，革新理念，汲取经验，集体土地使用权自由流转的法制化、严格规范征收权的行使、给予合理的补偿等是改革的关键。

Finally, this Synod exhorts all their brethren in the gospel of Christ, to conduct themselves piously and religiously in handling this doctrine, both in the universities and churches; to direct it, as well in discourse, as in writing, to the glory of the Divine Name, to holiness of life, and to the consolation of afflicted souls; to regulate, by the Scripture, according to the analogy of faith, not only their sentiments, but also their language; and, to abstain from all those phrases which exceed the limits necessary to be observed in ascertaining the genuine sense of the holy Scriptures; and may furnish insolent sophists with a just pretext for violently assailing, or even vilifying, the doctrine of the Reformed Churches.

最后，这个主教力劝所有的兄弟福音的基督，进行自己的虔诚和宗教在处理这一学说认为，无论是在大学和教堂；指示，以及在话语中，以书面形式向光荣的神圣的名义，向圣洁的生活，并能慰藉的心灵折磨；加以规范，由经文，据该比喻的信仰，不仅是他们的情绪，也影响了他们的语言，以及戒除所有这些词语，其中超过在必要的范围内加以观察，以确定真正意义上的圣经；供给横蛮诡辩家与公正为借口，粗暴地调戏，甚至丑化，这个学说的革新教会联谊会。

Speak for itself, TV media have been more competitive between each others since this century. People in the industry realized the task of scrabbling audience and absorbing attention, countermining with other media, lifting profits of advertisement, thinking over the reform of channel, adjusting distribute of benefit, thinking over exertion of the whole capital, handling the plundering from the foreign media. The competition has also come from other media and the same craft, we should change our idea of TV media and take the industry policy as a kind of effective tactic to change the old idea.

不言而喻，进入新世纪后电视传媒激烈竞争的态势愈发明显，电视传媒充分意识到入世之后面临着从争夺观众和抓住眼球注意力、对抗其它多样媒体冲击、抢夺与提升广告收入、焦虑改版对频道的压力威胁、调整合并后的资源分配整合、考虑整体资本运营、关注外来资本媒介对人才需求的争夺等等方面都需要加大革新力度，在同样背景下直面国内其他媒体的抗争和同行的一个平台上的争斗，需要从根本上解决观念转化，也需要把产业化运作作为扭转传统电视的旧有意识的有效推进策略。

Rodrigues not only popularized the fado throughout South America, she reinvented it - brilliantly fusing the urban and rural styles of Lisbon and Coimbra, she also sought out material that moved far beyond the traditional tales of failed romance to explore instead the deepest crises of the soul and spirit, delivering performances unmatched in their fatalistic power and haunting beauty.

Rodrigues 不仅在整个南美国家宣传Fado，她最杰出的成就是：对传统的Fado进行了革新-把乡村来自贫民区形式的里斯本Fado和城市里的 Coibmra（葡萄牙一所非常着名和古老的大学）Fado（学术形、讲究技术的浪漫Fado）完美地融合起来，并且她还把以往的Fado只从传统的失恋歌谣寻找素材转为探索人们内心深处的焦虑与忧愁，以这种歌唱形式和内容来传颂人们生活中宿命的力量和所有难以忘却的美丽。

Realism concentrates on the representation of the external reality of certain social group, featured by chronological order, omniscient point of view, closed ending, external characterization and so on; modernisms focus shifts to the consciousness and subconsciousness of mankind, mythical archetype, stream of conscious, anti-hero, open ending have been used frequently by modernists; postmodernism serves as a break as well ascontinuity of modernism, similar with modernism, it rebels against any pre-established rules and pays attention to innovations in form, but it emphasizes absurdity, playfulness and the crisis of representation in postmodern society, the blurring of high and low literature, collage, parody are the favorites of postmodernist.

现实主义侧重对社会某一群体的现实生活的反映，一般带有明确的时空概念，严密的情节，常用的叙事角度为全知视角，人物塑造上以外部描写为主；现代主义小说多表现人物内在心理的变化，关注人的意识及潜意识，神话原形、意识流、反英雄、开放式结尾为现代主义小说常用手法；后现代主义小说继承了现代主义对传统的反叛、形式上的革新等原则，但其作品强调后工业社会的荒诞性、游戏性及表征危机，有意识地混淆了高雅文学与通俗文学的界限，拼贴画、戏仿在后现代作品中应用广泛。

O People, the religion is crying for aid and assistance, hoding its hands above its head in its distress due to all the profligates, insolent ones, innovators, perverters of the Divine Law, the heedless folk, the unjust and tyrannical, those who falsify the Divine Knowledge and lay claim to it when in fact it is not in their hands.

哦，人们啊，信仰因为需要帮助和援助而哭泣着，因为所有的放荡者，傲慢无礼者，革新者，反真主的法律者，不在意的民众，不公平和残暴的人，那些伪造真主的知识的宣传拥有知识，实际上知识不在那掌握的人而把它的手放到悲伤的头上

China contemporary appear in the art of relevant draw lessons from of landscape picture with transfer, probably Be not and only proceed from turning respond to of slogan and inspiration to the oil painting race, also not is to tradition Chinese painting art of reform build sex, their emergence probably is according to 1 kind from society sense of vision experience cause of reality pass shine on with with oneself consciousness appearance in the mind background relevant of heart claim, they just use landscape painting concept and the outer shell of appearance and arouse reality disaster within society consciousness with refer to the content of humanities spirit.

中国当代艺术中出现的有关山水图像的借鉴和挪用，可能并非仅仅是出于对油画民族化口号的响应和感召，也并非是对传统国画艺术的革新造性，它们的出现或许是基于一种由社会视觉经验所引起的现实关照和与自身意识形态心里背景有关的内心诉求，它们只是借用山水画概念和形态的外壳，去唤起现实社会中的忧患意识和指涉人文精神的内涵。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。